In the stories of Mad Hope, Heather Birrell finds the heart of her characters and lets them lead us into worlds both unrecognizable and alarming. We think we know these people but discover we don't—they are more alive, more real, and more complex than we first imagined. A high school science teacher is forced to re-examine the role he played in Nicolae Ceausescu's Romania after a student makes a shocking request. The uncertainty, anxiety, and anticipation of pregnancy are examined through an online chat group. Parenting is viewed from the perspective of a gay man caring for his friend and her adopted son. A tragic plane crash becomes the basis for a meditation on motherhood and its discontents. Birrell uses precise, inventive language to capture the beautiful mess of being human—and more than lives up to her Journey Prize accolades. Her characters come to greet us, undo us, make us yearn, and make us smile. Heather Birrell is the author of the story collection I know you are but what am I? Her work has been honored with the prestigious Journey Prize for short fiction and the Edna Staebler Award for creative nonfiction.

Performance Studies in Motion offers multiple perspectives on the current field of performance studies and suggests its future directions. Featuring new essays by pioneers Richard Schechner and Barbara Kirshenblatt-Gimblett, and by international scholars and practitioners, it shows how performance can offer a new way of seeing the world, and testifies to the dynamism of this discipline. Beginning with an overview of the development of performance studies, the essays offer new insights into: contemporary experimental and postdramatic theatre; participatory performance and museum exhibitions; the performance of politicians, political institutions and grassroots protest movements; theatricality at war and in contemporary religious rituals, and performative practices in therapy, education and life sciences. Employing original reflexive approaches to concrete case studies and situations, contributors introduce a variety of applications of performance studies methodologies to contemporary culture, art and society, creating new interdisciplinary links between the arts, humanities, and social and natural sciences. With studies from and about places as diverse as Austria, Belgium, China, France, Germany, Israel, Korea, Palestine, the Philippines, Poland, Rwanda and the USA, Performance Studies in Motion showcases the vitality and breadth of the field today.

Le Théâtre du Soleil traces the company’s history from a group of young, barely trained actors, directors, and designers struggling to match their political commitment to a creative strategy, to their grappling with the concerns of migration, separation and exile in the early decades of the twenty-first century. Béatrice Picon-Vallin recounts how, in the 55 years since its founding, the Théâtre du Soleil has established itself as one of the foremost names in modern theatre. Ariane Mnouchkine and her collaborators have developed a unique and ever-evolving style that combines a piercing richness of shape, color, and texture with precision choreography, innovative musical accompaniment, and multi-layered, metaphorical dreamscapes. This rich, storied history is illustrated by a wealth of spectacular rehearsal and production photos from the company's own archive and interviews with dozens of past and present members, including Mnouchkine herself. Judith G. Miller’s timely translation of the first comprehensive history and analysis of a remarkable, award-winning company is a compelling read for both students and teachers of Drama and Theatre Studies.

Compelling treatment of a question pervading literature from antiquity: when is hope a good thing and when is it not?

This is the first complete biography of actress Peg Entwistle, known as the "Hollywood Sign Girl" because of her suicide fall from the HOLLYWOODLAND sign in 1932. It details her childhood, stage and film career, marriage and divorce, and her suicide and almost cult-like pop culture status today. Extensively researched and written with the complete cooperation of the Entwistle family, this work includes excerpts from interviews with Peg Entwistle's brother Milton and her cousin Helen Reid, both of whom recalled much of Peg's years living in Hollywood, her career and private life, and her final weeks. It also features many of Peg Entwistle's own words from extant letters to her family and newly discovered interviews with theatrical reporters. Nearly 30 previously unpublished images from the author's collection, the Entwistle family, and a number of other sources complete an intimate look at a life that was defined by far more than its famously unhappy end.

PHILOSOPHY/POP CULTURE “The contributors to Battlestar Galactica and Philosophy strive to make things relevant to fans of the show, and they put their information out in a way that is accessible to folks who wouldn't know Heidegger from Heineken.” Green Man Review, Spring 2009 "The writers are well versed in their subjects...The book is most effective at making the reader rethink what they thought they knew." Neo-opsis What’s the point of living after your world has been destroyed? This is one of many questions raised by the Sci-Fi Channel’s critically acclaimed series Battlestar Galactica. More than just an action-packed “space opera,” each episode offers a dramatic character study of the human survivors and their Cylon pursuers as they confront existential, moral, metaphysical, theological, and political crises. This volume addresses some of the key questions to which the Colonials won’t find easy answers, even when they reach Earth: Are Cylons persons? Is Baltar’s scientific worldview superior to Six’s religious faith? Can Starbuck be free if she has a special destiny? Is it ethical to cut one’s losses and leave people behind? Is collaboration with the enemy ever the right move? Is humanity a “flawed creation?” Should we share the Cylon goal of “transhumanism?” Is it really a big deal that Starbuck’s a woman?