At its peak the British Empire covered approximately one quarter of the Earth's total land area and ruled over the same proportion of the world's population: its boundaries stretched from Birmingham to Bombay, from Cairo to Cape Town, and from Winnipeg to Wagga-Wagga. In this unique book, Ashley Jackson takes the reader on a richly informative tour of the empire 'on which the sun never set', examining the representations of empire that informed the world view of hundreds of millions of people. In a sequence of elegantly written chapters Mad Dogs and Englishmen examines every aspect of the largest imperium the world has seen, from its district commissioners to dependent territories, from its armed forces to its architecture, and from its music to its monarchy. Ashley Jackson's text is as accessible as it is scholarly, and is amplified and embellished by imperial imagery from an exceptionally wide range of media. Authoritative, sumptuous, and written by a scholar who is steeped in knowledge of the period, Mad Dogs and Englishmen evokes the fascinating sights and sounds that the British Empire presented to its citizens, and thereby brings a unique period of British and world history unforgettably to life.

According to Raybeck, the solitary dictum that best characterizes fieldwork is Things go awry. In this spirited account of his time spent in Southeast Asia, Raybeck describes several adventures and misadventures involving field research, as well as the understanding, humility and bruises that these experiences leave behind. Since fieldwork is situated, Raybecks treatment also includes rich descriptions of Kelantanese society and culture, addressing such topics as kinship, linguistics, gender relations, economics, and political structures. Through the lively pages of this narrative, readers gain insight into the human dimension of the fieldwork undertaking, a sense of how the anthropologist builds rapport in a research setting, and how reliable information is obtained.

Stories and photographs from the iconic Joe Cocker Mad Dogs and Englishmen Tour of 1970 in the US. 43 people, 3 kids and a dog, plus a 5 person film crew with Leon Russell conducting the circus!

A collection of shooting and dog cartoons that affords insight into a world that can only really be understood by the participants, for whom it is more than a sport - it is a way of life.

Historically, whenever tuna was hauled ashore, the sounds of battle were never far away. ‘Tuna Wars’ tells the untold story of the power struggles emerging around tuna, from the distant past to your present-day dinner table. In the ancient past, the giant tuna was the first fish to become the basis of a large-scale industry and a ‘global’ trade that created fortunes: Hannibal was able to finance his elephant campaign on Rome thanks to tuna. From the Middle Ages on, a tuna fishing monopoly on Spain’s southern coast allowed the nobility to completely dominate the area and even lead the ‘invincible’ Armada. When the markets for tuna increased exponentially thanks to technical advances, tuna eventually became a billion-dollar business and one of the most-consumed fish species worldwide. But this massive expansion came at a price. An 18th century monk in Madrid was the first to warn that tuna fisheries needed to be run sustainably for the sake of future generations. And the issue of sustainability would go on to become a game-changer in the modern tuna wars, characterized by new alliances and partnerships, hybrid warfare and commercial power struggles. In addition to accompanying you through the history of tuna and sharing insights into fisheries science and approaches to sustainably managing fisheries, Tuna Wars offers practical guidance on choosing sustainably fished tuna. In short, it will tell you everything you ever wanted to know about tuna, but were afraid to ask.

Mad Dogs and Englishness connects English popular music with questions about English national identities, featuring essays that range across Bowie and Burial, PJ Harvey, Bishi and Tricky. The later years of the 20th century saw a resurgence of interest in cultural and political meanings of Englishness in ways that continue to resonate now. Pop music is simultaneously on the outside and inside of the ensuing debates. It can be used as a mode of commentary about how meanings of Englishness circulate socially. But it also produces those meanings, often underwriting claims about English national cultural distinctiveness and superiority. This book's expert contributors use trans-national and trans-disciplinary perspectives to provide historical and contemporary commentaries about pop's complex relationships with Englishness. Each chapter is based on original research, and the essays comprise the best single volume available on pop and the English imaginary.