Mad Dog Goes to Hollywood is a continuation of the Copper Thieves and Mad Dog Steel Time books. But Mad Dog Goes to Hollywood can be enjoyed on its own. Filer 'Mad Dog' Wilson's adventures in Hollywood and Nevada include stunt work, making a commercial, Las Vegas casino hopping, a golf Scramble, being hunted by a hit man, rescuing a cocktail waitress, finding ancient Native American artifacts, UFO sightings, and the end of an era in his professional and family life. But life goes on for Mad Dog in his new career as an ore train driver; and with new friends in a new town. Read Mad Dog Goes to Hollywood to catch-up on the latest adventures of Filer 'Mad Dog' Wilson.

Mad Dog and the Call to Duty begins when Filer is contacted by Charlie Boyd, a former Seabee who served with Filer in Vietnam. Charlie offers Filer a job to retrieve a Mini bulldozer they used on a dangerous mission to repair a Marine Corps helo pad at firebase Foxtrot. Charlie wants the Mini for his personal Museum. Filer has doubts bout accepting the job, but after consulting his Coffee Crew buddies and his female pal Hoops, he accepts the job. Now Filer recruits Ted Johns, a gaffer, he met when he was a stuntman on the Copper Thieves, a movie made in part about his first job as a lineman. Next, they recruit Jordan Cross, an independent film and documentary producer who used the two as security for her Burning Man Festival filmed at Black Rock City in the Nevada desert. The last member of the team is Erica Franklin, a Fresno school teacher, Filer met at the Burning Man. After landing in Chu Lai, Vietnam where Filer was stationed in Vietnam Filer meets up with Michael, a renegade Frenchman, living by his wits in a country that expelled his grandparents and parents. Michael advises Filer to hire a Filipino crew to help retrieve the Mini. Once the Mini is found and prepared for transport to the states by a cargo plane Filer and his team make plans to visit Angor Wat in Cambodia and finally a well-earned beach vacation in Thailand-job over and done. But their adventures are not over.

Filer ‘Mad Dog’ Wilson is enjoying a well-earned retirement from his years as a lineman, heavy equipment operator, and ore train driver in Soda Springs, Idaho. With time on his hands Filer spends mornings with his Coffee Crew friends at the Union Diver. Filer and the Coffee Crew become involved in a sweat for a charity at the nearby reservation casino, a stake-out leading to a drug bust, and the citizens’ arrest of a meth cooker, a house flip, and finally helping film a documentary of the Burning Man festival in the Nevada desert. All of this before celebrating Filer ‘Mad Dog’ Wilson’s 75th birthday.

My name is Dennis Perry. During my first year of Peace Corps service in Benin. I survived a revolution, participated in a land-grab, and ethnic cleansing. In my second year of service, I accepted an invitation to experience life as the old, old Africans lived it. Besides my duties, as an Animal Traction Volunteer, to train and provide health care for thirty-five pairs of bulls I helped the villagers of Kolokonde, Benin obtain a grant of $5000.00 to rebuild their market place. Finally, in 1973, I sat in on a meeting between Benin agricultural officials and the Red Chinese.

When Tomato Rodriquez's main squeeze, Hooter Mujer, swagers off the fidelity wagon, Tomato eschews passive new age sentiment and instead plots an operatic revenge. Her cunning plan, involving whipped cream, a Bic pen, and some four-by-two goes awry, surprisingly enough, and Tomato finds herself facing a murder rap. Traumatised by tough B movie one liners and tedious lesbian orgies, Tomato transforms herself into Mad Dog, a bitch to be watched. Illustrated! 'A side-splitting romp through queer and pop culture' - Lambda Book Report

Press kit includes an immediate release letter, a listing of cast and credits and production notes.

Between 1933 and 1939, representations of the Nazis and the full meaning of Nazism came slowly to Hollywood, growing more ominous and distinct only as the decade wore on. Recapturing what ordinary Americans saw on the screen during the emerging Nazi threat, Thomas Doherty reclaims forgotten films, such as Hitler's Reign of Terror (1934), a pioneering anti-Nazi docudrama by Cornelius Vanderbilt Jr.; I Was a Captive of Nazi Germany (1936), a sensational true tale of "a Hollywood girl in Naziland!"; and Professor Mamlock (1938), an anti-Nazi film made by German refugees living in the Soviet Union. Doherty also recounts how the disproportionately Jewish backgrounds of the executives of the studios and the workers on the payroll shaded reactions to what was never simply a business decision. As Europe hurtled toward war, a proxy battle waged in Hollywood over how to conduct business with the Nazis, how to cover Hitler and his victims in the newsreels, and whether to address or ignore Nazism in Hollywood feature films. Should Hollywood lie low, or stand tall and sound the alarm? Doherty's history features a cast of charismatic personalities: Carl Laemmle, the German Jewish founder of Universal Pictures, whose production of All Quiet on the Western Front (1930) enraged the nascent Nazi movement; Georg Gyssling, the Nazi consul in Los Angeles, who read the Hollywood trade press as avidly as any studio mogul; Vittorio Mussolini, son of the fascist dictator and aspiring motion picture impresario; Leni Riefenstahl, the Valkyrie goddess of the Third Reich who came to America to peddle distribution rights for Olympia (1938); screenwriters Donald Ogden Stewart and Dorothy Parker, founders of the Hollywood Anti-Nazi League; and Harry and Jack Warner of Warner Bros., who yoked anti-Nazism to patriotic Americanism and finally broke the embargo against anti-Nazi cinema with Confessions of a Nazi Spy (1939).