Some buildings are famous. Others deserve to be, but in their modesty remain satisfied to stand simply as excellent works of architecture. Such is the case with Ohio State University School or Architecture's recently completed Knowlton School of Architecture. Designed by the internationally respected firmMack Scogin Merrill Elam, Knowlton manages to project both a monumental physicality and a sense of subdued elegance. Mack Scogin Merrill Elam Architects/Knowlton Hall provides acomprehensive look at this impressive new work using sketches, models, renderings, working drawings, and photographs. As with all of the books in the Source Books in Architecture series, it is accompanied by commentaries from the architects and critics who explore both the technical andcontextual elements of the work.

A long-sought reprint of this classic of architectural history and criticism, surveying a movement that would inspire architects, fantasists, and filmmakers alike. It is an architectural concept as alluring as it is elusive, as futuristic as it is primordial. Megastructure is what it sounds like: a vastly scaled edifice that can contain potentially countless uses, contexts, and adaptations. Theorized and briefly experimented with in built form in the 1960s, megastructures almost as quickly went out of fashion in the profession. But Reyner Banham's 1976 book compiled the origin stories and ongoing mythos of this visionary movement, seeking to chart its lively rise, rapid fall, and ongoing meaning. Now back in print after decades and with original editions fetching well over $100 on the secondary market, Megastructure: Urban Futures of the Recent Past is part of the recent surge in attention to this quixotic form, of which some examples were built but to this day remains--decades after its codification--more of a poetic idea than a real architectural type. Banham, among the most gifted and incisive architectural critics and historians of his time, sought connections between theoretical origins in Le Corbusier's more starry-eyed drawings to the flurry of theories by the Japanese Metabolist architects, to less intentional examples in military architecture, industry, infrastructure, and the emerging instances in pop culture and art. Had he written the book a few years later he would find an abundance of examples in speculative art and science fiction cinema, mediums where it continues to provoke wonder to this day. A long-sought study by an author who combined imagination, wit, and pioneering scholarship, the republication of Megastructure is an opportunity for scholars and laypeople alike to return to the origins of this fantastic urban idea.

"The architecture of Scogin, Elam, and Bray offers an uncontestably intriguing object for critics and theorists. Their practice is markedly unconventional, but still participates in and reinterprets numerous architectural conventions, from 'modernism' and 'economy' to 'regionalism' and the proprieties of the profession. This ambitious work and the skillful subtlety of its forms provokes a reconsideration of what makes architecture critical, as well as a reformulation of prevalent approaches to architectural criticism. Thus Mark Linder, in his preface, introduces a book in which 'the architecture and the writing are equal partners.' Based on the symposium 'Critical Architecture/Architectural Criticism: the Work of Scogin Elam and Bray,' held in May 1990 at the High Museum of Art in Atlanta, this book is neither simply a presentation of a firm's oeuvre nor merely a collection of illustrated essays. It presents the visual and verbal material in a way that emphasizes the interchanges and debate of the symposium. The authors, all of whom participated in the symposium, explore nine built projects and other unrealized designs by this adventurous young firm, including the downtown branch of the High Museum, Turner Village at Emory University's Candler School of Theology, and the Buckhead Library in Atlanta"-- Page 4 of cover.

A collection of illuminating essays exploring what theory makes of architecture and what architecture makes of theory in philosophical and materialized contexts. From poststructuralism and deconstruction to current theories of technology and nature, critical theory has long been closely aligned with architecture. In turn, architecture as a thinking profession materializes theory in the form of built work that always carries symbolic loads. In this collection of essays, Catherine Ingraham studies the complex connectivity between architecture's discipline and practice and theories of philosophy, art, literature, history, and politics. She argues that there can be no architecture without theory. Whether considering architecture’s relationship to biomodernity or exploring the ways in which contemporary artists and designers engage in figural play, Ingraham offers provocative interpretations that enhance our understanding of both critical theory and architectural practice today. Along the way, she engages with a wide range of contemporary theorists, including Giorgio Agamben, Judith Butler, Jacques Derrida, Graham Harman, and Timothy Morton, considering buildings around the world, including the Palace of Culture in Warsaw, the Viceroy’s House complex in New Delhi, Mack Scogin and Merrill Elam's Wolfsburg Science Center project in Germany, and the Superdome in New Orleans. Approaching its subject matter from multiple angles, Architecture’s Theory shows how architecture's theoretical and artifactual practices have a unique power to alter culture.

Constructing the Persuasive Portfolio helps you learn the art of designing a compelling and effective architectural portfolio. Margaret Fletcher categorizes the architectural portfolio design process into a step-by-step method that you can manage and understand. The full-color book includes 400 portfolio examples from 55 designers, along with more than 50 diagrams, and a set of 48 design actions that are marked throughout. You will learn how to: -Identify your readership -Collect, document, and catalog your work -Organize your portfolio -Visually structure your portfolio -Design your layout -Manage both printed and digital portfolio formats As your ultimate persuasive tool, your portfolio is the single most important design exercise of your academic and professional career. Constructing the Persuasive Portfolio shows you everything you need to know to create your portfolio and is the only portfolio design book you will ever need!

"Including an exhaustive presentation of sketches, models, computer renderings, working drawings, and photographs of the construction process and the finished work, this book documents the project at a level of detail that allows complete and careful study from its conception to its completion. This in-depth graphic presentation is accompanied by commentaries from the architect, as well as series editors Jeffery Kipnis and Todd Gannon, that further explore both the cultural and technical significance of this important building."--BOOK JACKET.

Open City: Existential Urbanity is an anthology of architecture created and advocated by the students of The Irwin S. Chanin School of Architecture of The Cooper Union in studios conducted by the Architect Diane Lewis, Professor, with a team of notable colleagues from 2001-2014. The drawings and models are accompanied by project descriptions that regard any contemporary intervention into the city as an integral work of architecture, art, and sustainable infrastructure. This volume extends the legacy of Cooper Union's seminal Education of an Architect: A Point of View (1972) and Education of an Architect (1988). This compendium of 14 years of architectural education is published in part with the gift of the Austrian Frederick and Lillian Kiesler Private Foundation's Young Kiesler Award. This grant is in the recognition of a philosophical bond between the work of Frederick Kiesler and the spirit of these studio endeavors. Essays by Anthony Vidler, Peter Schubert, Francois de Menil, Karen Wong, Monika Pessler, Mary Stieber, David Gersten, Calvin Tsao, Samuel Anderson, Catherine Ann Somerville Venart, Roger Duffy, Mack Scogin, Merrill Elam, Daniel Sherer, David Turnbull, Guido Zuliani, Francesco Pellizzi, Diane Lewis and others.