Praise for the first edition: "Gutmann has done the hithertofore seemingly unthinkable. [A] wholly other vision of Mexican gender relations emerges."—José Limón, American Anthropologist "This book does for the study of men what two generations of feminist anthropologists have done for the study of women."—Lynn Stephen, author of Zapotec Women

Gay Macho presents the ethnography of this homosexual clone. Martin P. Levine, a pioneer of the sociological study of homosexuality, was among the first social scientists to map the emergence of a gay community and this new style of gay masculinity. Levine was a participant in as well as an observer of gay culture in the 1970s, and this perspective allowed him to capture the true flavor of what it was like to be a gay man before AIDS.

From a pioneer of modern U.S. Hispanic literature, and the New York Times bestselling author of Crazy Loco Love and Rain of Gold, comes a gripping, coming-of-age tale that exposes the intensity and sheer will of one brave young immigrant who crosses the Mexican border. Roberto Garcia is only seventeen, but he already has big dreams of making his fortune, building a family, and gaining the respect of his community. With ambition to burn and a passion to prove his manhood, Roberto takes the dangerous journey north, crossing the Mexican border to pick fruit in the “golden fields” of California. It is said that a good man can make more money there in a week than in an entire year in the mountains of Michoacán, his home. With dreams that overshadow harsh realities, Roberto is unprepared for the jammed boxcars and bolted trucks that carry undervalued migrant workers through the searing desert to long days of harsh labor. Raw, powerful, poetic, and heartbreaking, Macho! brings to life the brutality of migrant labor, Cesar Chavez’s efforts to unionize workers, and a vivid portrayal of the immigrant experience through the eyes of a brave young man who bids goodbye to everything he knows to follow his dreams.

A classic and controversial critique of sexism in the black nationalist movement, this “landmark black feminist text” is essential reading for those engaged in discussions about feminism and race politics (Ms.) Originally published in 1978, Black Macho and the Myth of the Superwoman caused a storm of controversy. Michele Wallace blasted the masculine biases of the black politics that emerged from the sixties. She described how women remained marginalized by the patriarchal culture of Black Power, demonstrating the ways in which a genuine female subjectivity was blocked by the traditional myths of black womanhood. With a foreword that examines the debate the book has sparked between intellectuals and political leaders, as well as what has—and, crucially, has not—changed over the last four decades, Black Macho and the Myth of the Superwoman continues to be deeply relevant to current feminist debates and black theory today.

From the Homeboy to the Latin Lover, America cherishes a host of images about Latino men, yet all are based on the belief in macho men, virile and brash, full of violence and testosterone. With the gender correctness of the 90s challenging all men to embrace a new masculinity, how do Latino men of today--grounded in the "macho" tradition -- define this new identity? From today's best-known, as well as emerging, Latino writers, poet and editor Ray Gonzalez has gathered personal essays written especially for Muy Macho on machismo and masculinity. The result is a rich and exciting collection of men talking about themselves, about other men, about their wives and lovers, about their fathers and their sons. In "Me Macho, You Jane," Dagoberto Gilb contrasts how he perceives himself with how others, particularly women, interpret his behavior, while in "Whores," Luis Alberto Urrea chronicles a rite of passage for many Latino men. Most insightful and moving are essays like "The Puerto Rican Dummy and the Merciful Son" by poet Martin Espada, which portray the fragile love between fathers and sons and the process by which men learn from and teach each other how to be men. Muy Macho contains photographs of all contributors, while Gonzalez illuminates the cultural context of Latino masculinity in his introduction. Emotionally honest and powerfully written, the voices of Muy Macho break the "cult of silence" between Latino men which prevents our culture from understanding the true nature of machismo.

Colorful, shaggy, and unkempt, misfits and outlaws, the 1993 Phillies played hard and partied hard. Led by Darren Daulton, John Kruk, Lenny Dykstra, and Mitch Williams, it was a team the fans loved and continue to love today. Focusing on six key members of the team, Macho Row follows the remarkable season with an up-close look at the players’ lives, the team’s triumphs and failures, and what made this group so unique and so successful. With a throwback mentality, the team adhered to baseball’s Code. Designed to preserve the moral fabric of the game, the Code’s unwritten rules formed the bedrock of this diehard team whose players paid homage and respect to the game at all times. Trusting one another and avoiding any notions of superstardom, they consistently rubbed the opposition the wrong way and didn’t care. William C. Kashatus pulls back the covers on this old-school band of brothers, depicting the highs and lows and their brash style while also digging into the suspected steroid use of players on the team. Macho Row is a story of winning and losing, success and failure, and the emotional highs and lows that accompany them.

The Vietnam War was over and America seemed in the midst of a nationwide party. The self-proclaimed Me generation was flocking to discotheques, recreational drug use was high, and sexual taboos were being shattered nationwide. Then The Village People appeared on the music scene. Never before had gay sexuality been as up-front and in the face of America. The Village People struck a cultural nerve and fueled a craze that had them playing to sold-out crowds at Madison Square Garden. Even today, few adults could not at least hum the tunes to Y.M.C.A. and Macho Man. Because of the unique role they played in the United States of the late 1970s, The Village People are able to provide a powerful lens through which to view the emergence and development of gay culture in America. In Macho Man, readers can travel back with one of the first gay icons in popular music, and a top pop culture biographer, as they describe this complicated process of change. In these pages, Randy Jones, the original cowboy in the band, takes us inside the time period, the discos, and the new musical style that was in many ways unprecedented in giving a voice to a previously closeted gay culture. Assisted by Mark Bego, one of the most popular and prolific pop culture authors working today, Jones shows how the fast-lane rise, fall, and rebirth of this novel band paralleled activities across the last 40 years within the gay culture and gay rights movement. The work concludes with a gayography — a listing of openly gay musicians and performers in the United States before and since The Village People - along with a discography and filmography. This work will interest pop culture and music enthusiasts, in addition to scholars in gay studies.