This stunning collection of images celebrates the remarkable career of Burnis “Mac” McCloud, Denver’s premiere Black photographer between 1950 and 1980. His remarkable photographs, focused on Denver’s Five Points community, captured the ordinary lives of African Americans during a period that witnessed the end of Jim Crow segregation and the beginning of the Civil Rights era. Assembled from more than one hundred thousand negatives that McCloud left behind, this collection introduces his creative work to the world beyond the Mile High City. Author William Wyckoff also tells McCloud’s life story, revealing the challenges to and vitality of Denver’s Black community. At a time when much of what McCloud photographed is being swept away by gentrification and urban change, this collection of images preserves a time and place important not only for Denver but for all of Black America.

Danceland! For hundreds of thousands of couples from all around the Calumet region of Northwest Indiana and Chicagos East Side, the name alone conjures up memories of dancing and romancing to thousands of live big bands. Opening night in October 1929 drew over 2,000 people to the beautiful ballroom with the famous maplewood dance floor. It continued to thrive with live music four nights a week and 12 months a year throughout the Big Band Era, despite the Great Depression and World War II, and into the rock n roll era, until it burned to the ground on Sunday morning, July 23, 1967. Almost everyones marriage in the region began with a dance at Maduras Danceland. In the 38 years Danceland was open, it had only two owners and managers, Michael (Mike) Madura Sr. and Michael (Mick) J. Madura Jr., father and son. It remained a family business for all those years, with three generations of the Madura family having worked there in many capacities.

This collection of elegantly composed black-and-white images by one of New Mexico’s most accomplished photographers, celebrates the state’s captivating physical variety and enduring allure. With subject matter ranging from some of the state’s most iconic landforms—including the White Sands desert and Carlsbad Caverns—to the people who work the land, Varjabedian’s images pay homage to New Mexico’s ancient history and to the homely details of everyday life. In photographing his subjects, whether epic or mundane, Varjabedian seeks the moments when the light, shadow, composition, and other elements combine to express the beauty of the place. Marin Sardy’s wide-ranging essay provides historical and cultural contexts in which to understand Varjabedian’s work. Scholar-poet Jeanetta Calhoun Mish defines the particular quality of the artist’s imagery.

This portrait of Sandia, the mountain backdrop that dwarfs Albuquerque's sprawl, offers a sense of place through the eyes of a photographer and the words of a writer. Fascinated by Sandia, by the light of its dawns and sunsets, by its seasons, by the power of its altitude, photographer David Muench shows us a brilliant autumn, the sparkle of snow, an April explosion of cactus blooms, a summer summit garden of wildflowers, the marvel of the mountain's rock forms.

The concept of mental maps is used in several disciplines including geography, psychology, history, linguistics, economics, anthropology, political science, and computer game design. However, until now, there has been little communication between these disciplines and methodological schools involved in mental mapping. Mental Maps: Geographical and Historical Perspectives addresses this situation by bringing together scholars from some of the related fields. Ute Schneider examines the development of German geographer Heinrich Schiffers’ mental maps, using his books on Africa from the 1930s to the 1970s. Efrat Ben-Ze’ev and Chloé Yvroux investigate conceptions of Israel and Palestine, particularly the West Bank, held by French and Israeli students. By superimposing large numbers of sketch maps, Clarisse Didelon-Loiseau, Sophie de Ruffray, and Nicolas Lambert identify "soft" and "hard" macro-regions on the mental maps of geography students across the world. Janne Holmén investigates whether the Baltic and the Mediterranean Seas are seen as links or divisions between the countries that line their shores, according to the mental maps of high school seniors. Similarly, Dario Musolino maps regional preferences of Italian entrepreneurs. Finally, Lars-Erik Edlund offers an essayistic account of mental mapping, based on memories of maps in his own family. This edited volume book uses printed maps, survey data and hand drawn maps as sources, contributing to the study of human perception of space from the perspectives of different disciplines. The chapters in this book were originally published as a special issue of the Journal of Cultural Geography.

Stenciled on many of the deactivated facilities at Cape Canaveral Air Force Station, the evocative phrase “abandoned in place” indicates the structures that have been deserted. Some structures, too solid for any known method of demolition, stand empty and unused in the wake of the early period of US space exploration. Now Roland Miller’s color photographs document the NASA, Air Force, and Army facilities across the nation that once played a crucial role in the space race. Rapidly succumbing to the elements and demolition, most of the blockhouses, launch towers, tunnels, test stands, and control rooms featured in Abandoned in Place are located at secure military or NASA facilities with little or no public access. Some have been repurposed, but over half of the facilities photographed no longer exist. The haunting images collected here impart artistic insight while preserving an important period in history.