From the author of the New York Times Notable Book, The Translator: a novel of the “rich and complex world of a Sudanese patriarch in the 1950s” (Sarah Blake, author of The Postmistress). Lyrics Alley is the evocative story of an affluent Sudanese family shaken by the shifting powers in their country and the near-tragedy that threatens the legacy they’ve built for decades. In 1950s Sudan, the powerful Abuzeid dynasty has amassed a fortune through their trading firm. With Mahmoud Bey at its helm, they can do no wrong. But when Mahmoud’s son, Nur, the brilliant, handsome heir to the business empire, suffers a debilitating accident, the family stands divided in the face of an uncertain future. As British rule nears its end, the country is torn between modernizing influences and the call of traditions past—a conflict reflected in the growing tensions between Mahmoud’s two wives: the younger, Nabilah, longs to return to Egypt and escape “backward-looking” Sudan; while Waheeba lives traditionally behind veils and closed doors. It’s not until Nur asserts himself outside the cultural limits of his parents that his own spirit and the frayed bonds of his family begin to mend. Moving from Sudanese alleys to cosmopolitan Cairo and a decimated postcolonial Britain, this sweeping tale of desire, loss, despair, and reconciliation is one of the most accomplished portraits ever written about Sudanese society at the time of independence. “Highly recommended for readers who enjoy family sagas set against a political backdrop, such as Chinua Achebe’s Things Fall Apart and Chimamanda Ngozi Adichie’s Half a Yellow Sun.” —Library Journal, starred review

Texts act like receptacles for an ever-present remembered past, or what the French philosopher Paul Ricœur calls “the present representation of an absent thing”. They might embody an efficient remedy to forgetting but could also become a vivid testimony for exorcised traumas. This volume focuses on Ricœur’s phenomenology of memory, epistemology of history, and hermeneutics of forgetting. A special emphasis is laid on the dissension between individual and collective institutional memory.

Fifty of the world’s greatest writers share their views in collaboration with the artist Matteo Pericoli, expanding our own views on place, creativity, and the meaning of home All of us, at some point in our daily lives, have found ourselves looking out the window. We pause in our work, tune out of a conversation, and turn toward the outside. Our eyes simply gaze, without seeing, at a landscape whose familiarity becomes the customary ground for distraction: the usual rooftops, the familiar trees, a distant crane. The way of life for most of us in the twenty-first century means that we spend most of our time indoors, in an urban environment, and our awareness of the outside world comes via, and thanks to, a framed glass hole in the wall. In Windows on the World: Fifty Writers, Fifty Views, architect and artist Matteo Pericoli brilliantly explores this concept alongside fifty of our most beloved writers from across the globe. By pairing drawings of window views with texts that reveal—either physically or metaphorically—what the drawings cannot, Windows on the World offers a perceptual journey through the world as seen through the windows of prominent writers: Orhan Pamuk in Istanbul, Daniel Kehlmann in Berlin, Chimamanda Ngozi Adichie in Lagos, John Jeremiah Sullivan in Wilmington, North Carolina, Nadine Gordimer in Johannesburg, Xi Chuan in Beijing. Taken together, the views—geography and perspective, location and voice—resonate with and play off each other. Working from a series of meticulous photographs and other notes from authors’ homes and offices, Pericoli creates a pen-and-ink illustration of each window and the view it frames. Many readers know Pericoli’s work from his acclaimed series for The New York Times and later for The Paris Review Daily, which have a devoted following. Now, Windows on the World collects from Pericoli’s body of work and features fifteen never-before-seen windows in one gorgeously designed volume, as well as a preface from the Paris Review’s editor Lorin Stein. As we delve into what each writer’s view may or may not share with the others’, as we look at the map and explore unfamiliar views of cities from around the world, a new kind of map begins to take shape. Windows on the World is a profound and eye-opening look inside the worlds of writers, reminding us that the things we see every day are woven into our selves and our imaginations, making us keener and more inquisitive observers of our own worlds.

Through interviews with leading writers (including Ahdaf Soueif and Hanif Kureishi), this book analyzes the writing and opinions of novelists of Muslim heritage based in the UK. Discussion centres on writers' work, literary techniques, and influences, and on their views of such issues as the hijab, the war on terror and the Rushdie Affair.

In the inaugural issue of Critical Muslim: Ziauddin Sardar tries to understand the significance of what just happened in the Middle East, Robin Yassin-Kassab spends some quality time in Tahrir Square, Ashur Shamis dodges the bullets of Gaddafi's henchmen, Abdelwahab El-Affendi traces the roots of the uprisings, Anne Alexander tunes into the digital revolution, Fadia Faqir joins women protestors, Shadia Safwan asks how long could Assad last, Jamal Mahjoub contemplates futures of the Sudan, Jasmin Ramsey joins the activists in Tehran, and Jerry Ravetz ponders the significance of Ibn Khaldun to the Arab Spring. Also in this issue: Rachel Holmes visits the Palestinian Festival of Literature, S. Parvez Manzoor asks if Turkey is a good model for the Muslim world, Muhammad Idrees Ahmad is overwhelmed by leaks, Taus Makhacheva takes 'Affirmative Action', Aasia Nasir accuses Pakistan and Merryl Wyn Davies's 'last word' on Saudi women drivers. Plus a new short story from Bilal Tanweer and revolutionary poetry from Nizar Qabbani, Tawfiq Zayyad, Abul-Qasim al-Shabi, Ayat al-Qormezi and Naomi Foyle. About Critical Muslim: A quarterly publication of ideas and issues showcasing groundbreaking thinking on Islam and what it means to be a Muslim in a rapidly changing, interconnected world. Each edition centers on a discrete theme, and contributions include reportage, academic analysis, cultural commentary, photography, poetry, and book reviews.

. The only guide dedicated solely to the new Republic of the Sudan. Explore entire pyramids and other ancient sites entirely free of tourist crowds. Drink in views over the Sudanese plains from the granite Taka Mountains. Dive the reef where Jacques Cousteau conducted his experiment in underwater living . Experience Sudan's cultural diversity among the 50 tribes of the Nuba Mountains. Read advice on where to stay/eat, travelling safely and cultural etiquetteAs a staple of bleak news headlines, Sudan has been slow to make its abundant attractions known to the outside world. Few foreigners have heard of the Kingdom of Kush, walked among the isolated pyramids of Meroë or witnessed the whirling dervishes of Omdurman. Yet those who do make it here are invariably enchanted by its easy-going nature, fascinating history and the warm welcome they receive from the Sudanese people.This, the only stand-alone guide to post-partition Sudan, leads you expertly from the labyrinthine souks of Khartoum to coral-bedecked wrecks off the Red Sea coast. Whether you're rushing through on the trans-Africa trail or whiling away weeks among rich archaeological sites, this fully revised third edition is your indispensible companion.