From the gutter to the stars... Dance is in my blood. Once upon a time it ran through their veins too. Xeno, York, Zayn, and Dax. The Breakers and I were a crew until bad decisions and circumstance ripped us apart. Now the Breakers are back. And they've brought trouble. They're not here at the Stardom Academy to dance. They're here on a mission for Jeb, the leader of the Skins. He wants something, and me...? I'm just a pawn in their game. To make matters worse, my psychotic brother wants something too. I must befriend the Breakers and find out what they're up to. If I refuse, my brother will hurt the one person I love more than life itself. I cannot allow that to happen. Dance was always the cure to our pain, the foundations of our friendship and love. It brought us together once before. Can I go through the cycle of friendship, love, and heartache all over again? Will I survive the Breakers a second time? Will they survive me?

Lyrical Assassins: 50 of the Greatest Prophet Emcees is an illustration of my personal tribute to the gifted men and women whose extraordinary oratory skills have garnered my attention to listen, learn, admire, and respect. Hip-hop music has been through quite a few transformations during its existence. Despite the ups and downs, hip-hop has lived a very fruitful life. Rap artists have invented some of the most dynamic creations of music while entertaining a mass audience of fans nationwide and abroad. This book represents my personal favorites from number 1 to 50, with a list of honorable mentions and top fifty rap groups.

In this book, Elissa Zellinger analyzes both political philosophy and poetic theory in order to chronicle the consolidation of the modern lyric and the liberal subject across the long nineteenth century. In the nineteenth-century United States, both liberalism and lyric sought self-definition by practicing techniques of exclusion. Liberalism was a political philosophy whose supposed universals were limited to white men and created by omitting women, the enslaved, and Native peoples. The conventions of poetic reception only redoubled the sense that liberal selfhood defined its boundaries by refusing raced and gendered others. Yet Zellinger argues that it is precisely the poetics of the excluded that offer insights into the dynamic processes that came to form the modern liberal and lyric subjects. She examines poets—Frances Sargent Osgood, Elizabeth Oakes Smith, Frances Ellen Watkins Harper, Edna St. Vincent Millay, and E. Pauline Johnson—whose work uses lyric practices to contest the very assumptions about selfhood responsible for denying them the political and social freedoms enjoyed by full liberal subjects. In its consideration of politics and poetics, this project offers a new approach to genre and gender that will help shape the field of nineteenth-century American literary studies.

Lyrical is a book of poetry with several color illustrations. All poems are by James Strazza, a music producer, songwriter and talented musician who lost his ability to make music or use a computer due to a very severe ME/CFS, a neurological condition. Strazza turned to writing poetry by speaking to his phone. The result is powerful, revelatory poetry that explores chronic illness and disability, love and loss, truth and authenticity. Strazza's groundbreaking poetry gives a piercing voice to all who suffer in silence, in the dark... and the rest of us, finally, can't look away.

The author, in defining the genre of "lyrical fiction," separates a type of .fiction that can be legitimately viewed as “poetry” from other narrative types. The lyrical novelist uses fictional devices to find an aesthetic expression for experience, achieving an effect most frequently seen in dreams, picaresques, and allegories. Analyzing representative novels by Hermann Hesse, Andre Gide, and Virginia Woolf, Ralph Freedman focuses on the problem of self-consciousness. His findings are directly applicable to much twentieth-century fiction. Originally published in 1963. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Revised with Comprehensive Scriptural Index to Wesley's Poetry The theology of Charles Wesley is expressed primarily in hymns and sacred poems-that is, in a literary and liturgical form of art. Wesley's theological concerns, as seen through his hymns and poems, include inquiries into the meaning of the church's sacred rites, festivals, and seasons (Holy Communion, Baptism, Advent, Christmas, Easter, Ascension, Pentecost), and a host of other theological concerns, such as conversion, sanctification, perfection, holiness, grace, and love. These theological concerns are spread throughout his repertory of over 9,000 hymns and poems. There are two primary purposes of this volume: first, to prepare the reader to read Wesley's poetry, given the plethora of literary, theological, and societal influences on his thought and writing; and second, to bring together a collection of his hymns and sacred poems that are representative of his theological perspectives. Thereby the reader is given the opportunity to become better equipped to grasp the meaning of Wesley's profound lyrical theology and its implications for contemporary theology and life.