‘Munro is still one of our most fearless explorers of the human being, as she descends, time and again, headlamp on full beam, pickaxe and butter-knife at the ready’ The Times Spanning her last five collections and bringing together her finest work from the past fifteen years, this new selection of Alice Munro's stories infuses everyday lives with a wealth of nuance and insight. Beautifully observed and remarkably crafted, written with emotion and empathy, these stories are nothing short of perfection. A masterclass in the genre, from an author who deservedly lays claim to being one of the major fiction writers of our time.

WINNER OF THE NOBEL PRIZE® IN LITERATURE 2013 Alice Munro mines her rich family background, melding it with her own experiences and the transforming power of her brilliant imagination, to create perhaps her most powerful and personal collection yet. A young boy, taken to Edinburgh’s Castle Rock to look across the sea to America, catches a glimpse of his father’s dream. Scottish immigrants experience love and loss on a journey that leads them to rural Ontario. Wives, mothers, fathers, and children move through uncertainty, ambivalence, and contemplation in these stories of hopes, adversity, and wonder. The View from Castle Rock reveals what is most essential in Munro’s art: her compassionate understanding of ordinary lives.

This Companion is a complete introduction to the fictional and non-fictional writings of the Nobel Prize winner Alice Munro.

Folly visits a forest inhabited by creatures out of mythology.

Focusing on Alice Munro's last three collections, this book examines the differences between these volumes and the rest of her work to analyse the emergence and the difference of her 'late style'. Alice Munro has effectively reshaped the short story as a form. This book focuses on Munro's art of recursion - an approach that has been evident throughout her career but came to the fore in her last three books, The View from Castle Rock (2006), Too Much Happiness (2009) and, especially, Dear Life (2012). This recursion and return manifest themselves not only in Munro's return to previously published pieces, but also to her discovery and meditations on her Scottish heritage, which can be read as entrance to her own understanding of herself and her life. Its provenance, displayed through archival evidence, is complex yet reveals a writer intent on a precise late style. Munro's final works serve as a coda to both her late style and to her entire career as arguably one of the finest short story writers ever to put pen to paper.

This book describes a man's late life journey to Spiritual Awakeness and Unwavering Forgiveness. In fact, forgiveness changed the book's unfolding during the writing of it. The author began the book's writing with the desire to review a memory troubled life in a way that some degree of peace could be found within it. Forgiveness absolutely began to take over the book very early; forgiveness became the way of seeing the life rather than an end result. The author learned that forgiveness is not only cleansing and healing in retrospective, it completely changes the way we look at things. For the author, a lifetime previously perceived largely in ugliness was transformed into beauty. Prior unsavory scenes took their true places within auras of ignorance; eyes of forgiveness exposed ignorance as the true culprit in all unhappiness. Thus, things previously seen in contempt and blame became innocent of all charges. The author found total, Unwavering Forgiveness and Universal Love, gateways to God Consciousness.