In the exclusionary world of high modern architecture, it is curious to discover that two icons of the movement both admired the work of Sir Edwin Lutyens - an architect who had little or no interest in modernism. Le Corbusier and Frank Lloyd Wright created buildings that are very different, and the two men did not even like each other, but they shared a fascination for Lutyens' distinctively non-international style architecture. This polemical text is an account of why this occured. By exposing common aesthetic and structural themes in the architecture of these three giants, including the cities of New Delhi and Chandigahr, in India, the author explains why Wright and Le Corbusier may have had more in common with Lutyens than with many of their modern peers. The primary text in the book was written in 1967 and was published in a student journal in the U.S. with a small circulation. It has remained an underground classic since then - perhaps because its contents are so disruptive of our current views of 20th century modernism.

"Sir Edwin Lutyens is widely regarded as one of Britain's greatest architects. In a career of more than 50 years, spanning both the Victorian and Modern eras, Lutyens was prolific. His work ranged from great country houses, city commercial office buildings, his famous First World War memorials across Europe and Britain, and his magnum opus designs for New Delhi, built during the 1920s and 1930s. Lutyens' most celebrated works remain his magnificent country houses that so frequently adorned the pages of Country Life magazine, and in particular his houses of the period from the 1890s and 1900s. Sir Edwin Lutyens: The Arts & Crafts Houses brings together for the first time in new, wide-format all-colour photography, the definitive collection of over 40 of Lutyens' great houses, in which Lutyens ingeniously blended the style of the Arts and Crafts movement with his own inventive interpretation of the Classical language of architecture. The book features over 500 stunning current photographs, together with floor plans of the houses, and a fresh reinterpretation of Lutyens' enduring architectural genius."--

Edwin Lutyens was one of Britain's greatest architects, known for the imaginative adaptations of traditional design in his numerous country houses, as well as the instrumental role he played in designing and building much of New Delhi. Presenting a stunning collection of his architectural designs spanning the many phases of his acclaimed career, this beautifully produced study includes examples of the celebrated architect's early Arts-and-Crafts houses, Surrey-vernacular style, and carefully composed classical houses. Leading architectural authority Gavin Stamp presents his selection of Lutyens' houses in chronological order â??with the exception of the Viceroy's House â?? by the date of their design. Featuring jaw-dropping photography from the unique archives of Country Life magazine, this beautiful book covers of all phases of Lutyens' career and boasts a number of rare images. The vast majority of photographs within the book are contemporaneous to the buildings' design â?? showing the houses as their architect intended they should look: mellow and yet monumental, fitting into the soft English landscape and enhanced by their luxuriant gardens. Covering everything from Crooksbury and Sullingstead to Gledstone Hall and Middleton park, Edwin Lutyens' Country Houses is the leading text on this architect of rare genius and humanity.

Modernist architecture in Britain brought honesty to the structure of buildings and clean lines free of historical ornament to the style, establishing new ideas on how people could live and work. Where did this architecture come from? And who were the British and emigre architects creating Modernism in the UK? This book tells the story of Modernist architecture, from nineteenth-century Chicago to post-war Britain, concluding with a look at the continuing evolution of architectural style, from Post-Modern to the work of Zaha Hadid. Supported by over 150 photographs of buildings and design features from around the world, coverage includes: new methods from Chicago in the 1890s, opening up building options for Modernist architects in the new century; Frank Lloyd Wright and development of the Prairie Style; how Modernist architecture evolved in Britain; the progress of European Modernist architecture; the significance and far-reaching influence of Ludwig Mies van der Rohe, and finally, post-war development in Britain.

A revealing new look at modernist architecture, emphasizing its diversity, complexity, and broad inventiveness Usually associated with Mies and Le Corbusier, the Modern Movement was instrumental in advancing new technologies of construction in architecture, including the use of glass, steel, and reinforced concrete. Renowned historian Kenneth Frampton offers a bold look at this crucial period, focusing on architects less commonly associated with the movement in order to reveal the breadth and complexity of architectural modernism. The Other Modern Movement profiles nineteen architects, each of whom consciously contributed to the evolution of a new architectural typology through a key work realized between 1922 and 1962. Frampton's account offers new insights into iconic buildings like Eileen Gray's E-1027 House in France and Richard Neutra's Kaufmann House in Palm Springs, California, as well as lesser-known works such as Antonin Raymond's Tokyo Golf Club and Alejandro de la Sota's Maravillas School Gymnasium in Madrid. Foregrounding the ways that these diverse projects employed progressive models, advanced new methods in construction techniques, and displayed a new sociocultural awareness, Frampton shines a light on the rich legacy of the Modern Movement and the enduring potential of the unfinished modernist project.

A classic work on the joy of experiencing architecture, with a new afterword reflecting on architecture’s place in the contemporary moment “Architecture begins to matter,” writes Paul Goldberger, “when it brings delight and sadness and perplexity and awe along with a roof over our heads.” In Why Architecture Matters, he shows us how that works in examples ranging from a small Cape Cod cottage to the vast, flowing Prairie houses of Frank Lloyd Wright, from the Lincoln Memorial to the Guggenheim Bilbao. He eloquently describes the Church of Sant’Ivo in Rome as a work that “embraces the deepest complexities of human imagination.” In his afterword to this new edition, Goldberger addresses the current climate in architectural history and takes a more nuanced look at projects such as Thomas Jefferson’s academical village at the University of Virginia and figures including Philip Johnson, whose controversial status has been the topic of much recent discourse. He argues that the emotional impact of great architecture remains vital, even as he welcomes the shift in the field to an increased emphasis on social justice and sustainability.

Foreword by Arthur Drexler. Introduction by Vincent Scully.