A collection of poetry from one of Central America's most accomplished writers, Claribel Alegría, Luisa in Realityland explores state oppression, cultural identity, and everyday life as a woman in Latin America. Alternating between prose and verse, and frequently entering the realm of magical realism, Alegría discusses the horrors she's seen without losing sight of the universal nature of humanity.

Fiction and essay anthology. Women's Studies. In this anthology culled from twenty-two years of award-winningCALYX: A Journal of Art and Literature By Women, a long line of writers share their visions of the worlds women create. "What an extraordinary collection of worthwhile writing, brave in many cases, beautiful in almost all. A book to sit down with. I was able to remember my first reading of some of these stories -- many of them first publications -- and relive the excitement!" -- Grace Paley. "Anyone who still doubts the existence of a multicultural 'women's culture' will be forever changed by this book -- and will have enjoyed a fine read in the bargain" -- Robin Morgan. "Thirty-seven stories, drawn from two decades worth of issues ofCALYX: A Journal of Art and Literature By Women, demonstrate both how important a role the journal has played in providing a venue for both unknown and well-established writers, and how sharp its editorial eyes have been. There are superb tales here by such familiar figures as Julia Alvarez (the affecting ``Now World'), Linda Hogan (``Crow'), and Alicia Ostriker (``Esther, or The World Turned Upside Down'), as well as stunning work by less well-known writers, including M. Evelina Galang's Her Wild American Self and Hollis Seamon's Gypsies in the Place of Pain. The volume takes its title from a fierce, sad tale by Rita Marie Nibasa, about the ways in which love and violence often mingle. Because the stories are by women from a number of cultures, and because the tales embrace so many kinds of narrative views (from the grimly documentary to magic realism), the collection provides a useful overview of the large, diverse, often angry and usually vital work being produced by a new, and markedly varied, generation of women writers. First-rate short fiction."-Kirkus

There is a wealth of published literature in English by Latin American women writers, but such material can be difficult to locate due to the lack of available bibliographic resources. In addition, the various types of published narrative (short stories, novels, novellas, autobiographies, and biographies) by Latin American women writers has increased significantly in the last ten to fifteen years. To address the lack of bibliographic resources, Kathy Leonard has compiled Latin American Women Writers: A Resource Guide to Titles in English. This reference includes all forms of narrative-short story, autobiography, novel, novel excerpt, and others-by Latin American women dating from 1898 to 2007. More than 3,000 individual titles are included by more than 500 authors. This includes nearly 200 anthologies, more than 100 autobiographies/biographies or other narrative, and almost 250 novels written by more than 100 authors from 16 different countries. For the purposes of this bibliography, authors who were born in Latin America and either continue to live there or have immigrated to the United States are included. Also, titles of pieces are listed as originally written, in either Spanish or Portuguese. If the book was originally written in English, a phrase to that effect is included, to better reflect the linguistic diversity of narrative currently being published. This volume contains seven indexes: Authors by Country of Origin, Authors/Titles of Work, Titles of Work/Authors, Autobiographies/Biographies and Other Narrative, Anthologies, Novels and Novellas in Alphabetical Order by Author, and Novels and Novellas by Authors' Country of Origin. Reflecting the increase in literary production and the facilitation of materials, this volume contains a comprehensive listing of narrative pieces in English by Latin American women writers not found in any other single volume currently on the market. This work of reference will be of special interest to scholars, students, and instructors interested in narrative works in English by Latin American women authors. It will also help expose new generations of readers to the highly creative and diverse literature being produced by these writers.

Provides a comprehensive introduction to 20th- and 21st-century world poets and their most famous, most distinctive, and most influential poems.

Connecting past and present, this book proposes the concepts of rememory (rememoria) and counterpoetics as decolonial tools for studying the art, popular culture, literature, music, and healing practices of Central America and the diaspora in the United States. Building on the theory of rememory articulated in Toni Morrison's Beloved, the volume examines the concept as an embodied experience of a sensory place and time lived in the here and now. By employing a wide array of sources, Alma's research breaks ground in subject matter and methods, considering cultural and historical ties across countries, regions, and traditions while offering critical perspectives on topics such as immigration, forced assimilation, maternal love, gender violence, community arts, and decolonization.

“This book began in what seemed like a counterfactual intuition . . . that what had been happening in Nicaraguan poetry was essential to the victory of the Nicaraguan Revolution,” write John Beverley and Marc Zimmerman. “In our own postmodern North American culture, we are long past thinking of literature as mattering much at all in the ‘real’ world, so how could this be?” This study sets out to answer that question by showing how literature has been an agent of the revolutionary process in Nicaragua, El Salvador, and Guatemala. The book begins by discussing theory about the relationship between literature, ideology, and politics, and charts the development of a regional system of political poetry beginning in the late nineteenth century and culminating in late twentieth-century writers. In this context, Ernesto Cardenal of Nicaragua, Roque Dalton of El Salvador, and Otto René Castillo of Guatemala are among the poets who receive detailed attention.

Essays from a nationally acclaimed Latino poet