This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1965.

Ranging from science fiction, stories for children and poetry to drama, narrative, criticism, and 'non-fiction' works on such subjects as spiritualism and Sicilian customs,Capuana's volumes betray different levels and kinds of commitment, some being produced to meet urgent financial needs, others, like the parodies on the bard of Catania, Mario Rapisardi, starting life as exercises in literary humour, still others being written for polemical or at any rate extra-literary reasons, and yet shedding light on the letterato. Without ignoring these secondary areas, this study sets out to examine the central issue of Capuana's realism as critic and narrator, and to account for its moments of apparent inconsistency, its limitations and strengths in the course of a long career which until recently has tended to be treted in piecemeal fashion.In so doing it proceeds chronologically, relating Capuana's aims and achievements to the changing cultural context which conditioned them, and relying extensively on articles which have remained buried in the newspapers and journals of both Sicily and the Italian mainland to explore uninvestigated aspects of his critical meditation or to illuminate the areas of obscurity in his development as both critic and narrator.A close analysis of narrative texts has been a main instrument of enquiry in this work: though it aims primarily at an evaluation of Capuana, it also hopes to contribute to the understanding of the period in which he lived.

Italian theater brings early on stage some of the most signifi cant productions of the 20th century, with major playwrights holding a pivotal role in the renewal of the European stage: Gabriele DAnnunzio, Eduardo De Filippo, Dario Fo, Luigi Chiarelli, Luigi Antonelli, Rosso di San Secondo, Enrico Cavacchioli, Massimo Bontempelli, Dacia Maraini, Ugo Betti, Diego Fabbri, thanks to such innovative movements from the early century called grotteschi and futuristi. If the early Pirandellian plays are added, we will have a comprehensive view of twentieth century theater, and the weight it will carry upon the coming generations.

Annotation This guide to Sicily contains in-depth information combined with detailed maps and photographs. Special feature spreads provide facts combined with walks and drives in the surrounding area.

In Luigi Pirandello's thought-provoking novel, One, No One and One Hundred Thousand, the protagonist, Vitangelo Moscarda, undergoes a profound identity crisis after a casual remark from his wife. This sets him on a journey of self-discovery, questioning the nature of reality, identity, and the multifaceted perceptions others have of him. Through a series of philosophical musings and encounters with various characters, Moscarda grapples with the fragmented nature of the self and the illusions that shape our understanding of the world.