"Poisoner!" The bellowed accusation strikes into silence all those in Lucrezia Borgia's audience chamber. Lucrezia has fled Rome to a loveless marriage with Alfonso, heir to the duke of Ferrara, to escape the rumors that she is utterly depraved---incestuous, a lecher, a poisoner. To her delight she is warmly welcomed in Ferrara, by the duke, by his court, by the people, indeed by everyone except her husband. And then, after only six weeks of basking in the warmth of general approval, Alfonso rushes into her apartment and accuses her of poisoning Bianca Tedaldo, one of her ladies in waiting and mistress to Alfonso. Immediately, Lucrezia sees the nightmare of her life in Rome recurring. The whispers behind her back, the signs to ward off evil, people making out their wills when she invites them to share a meal. To deny the charge is useless. Lucrezia knows all too well the futility of claiming innocence even when the claim is clearly and plainly true. The only way for her to retrieve her reputation is to discover who committed the crime and expose the true murderer.

Lucrezia Borgia is one of the most vilified women in modern history. The daughter of a notorious pope, she was twice betrothed before the age of eleven and thrice married—one husband was forced to declare himself impotent and thereby unfit and another was murdered by Lucrezia’s own brother, Cesar Borgia. She is cast in the role of murderess, temptress, incestuous lover, loose woman, femme fatale par excellence. But there are two sides to every story. Lucrezia Borgia is the only woman in history to have serve as the head of the Catholic Church. She successfully administered several of Renaissance Italy’s most thriving cities, founded one of the world’s first credit unions, and was a generous patron of the arts. She was mother to a prince and to a cardinal. She was a devoted wife to the Prince of Ferrara, and the lover of the poet Pietro Bembo. She was a child of the renaissance and, in many ways, the world’s first modern woman. In this richly imagined novel, Nobel laureate Dario Fo reveals Lucrezia’s humanity, her passion for life, her compassion for others, and her skill at navigating around her family’s evildoings. The Borgias are unrivalled for the range and magnitude of their political machinations and opportunism. Fo’s brilliance rests in his rendering their story as a shocking mirror image of the uses and abuses of power in our own time. Lucrezia herself becomes a model for how to survive and rise above those abuses. Part Wolf Hall, part House of Cards, The Pope's Daugther will appeal to readers of historical fiction and of contemporary fiction alike and will delight anyone fascinated by Renaissance Italy.

Throughout history, all monarchs have lived with the same dichotomy of simultaneously being human and more than human. In our time, when monarchs seem little more than tourist curiosities and democracy is taken for granted, it is easy to forget just how much power pre-democratic rulers once wielded. The rulers and holders of political power in this book were all possessed of vast - in many cases, absolute, - power: power which was often exercised arbitrarily and unjustly. What unites the figures in this book is that they all, in one way or another, failed to live up to the extravagantly high hopes invested in them and, as a consequence, have been judged harshly by history. A few, such as George III, might have been remembered more kindly were it not for mental illness changing their status from that of hero to villain. Some, like Louis XVI, were unfairly transformed into monsters by hostile propaganda, while others, such as Pete the Great, have been both celebrated as heroes and denounced as tyrants, often in the same breath. Finally, there are hose rulers who, like Caligula or Ivan the Terrible, may well fully deserve their evil reputations. Ruthless Rulers is a study in how often rulers were carried away or overwhelmed by their exalted status, while a few were even driven over the edge into madness.

In the simmering hot summer of 1492, a monstrous evil is stirring within the Eternal City of Rome. The brutal murder of an alchemist sets off a desperate race to uncover the plot that threatens to extinguish the light of the Renaissance and plunge Europe back into medieval darkness. Determined to avenge the killing of her father, Francesca Giordano defies all convention to claim for herself the position of poisoner serving Cardinal Rodrigo Borgia, head of the most notorious and dangerous family in Italy. She becomes the confidante of Lucrezia Borgia and the lover of Cesare Borgia. At the same time, she is drawn to the young renegade monk who yearns to save her life and her soul. Navigating a web of treachery and deceit, Francesca pursues her father's killer from the depths of Rome's Jewish ghetto to the heights of the Vatican itself. In so doing, she sets the stage for the ultimate confrontation with ancient forces that will seek to use her darkest desires to achieve their own catastrophic ends.

• Shares a detailed formulary, including rituals, magical correspondences, and recipes for working with the baneful herbs of occult herbalism • Looks at the plants of fate and the divination practices they support, love magic with poison plants, shadow work and spell work, the devil’s garden, and the use of nightshades as power plants for medicine and magic • Explores poison history, lore, occult toxicology, and the alchemical power of working with poison Examining the art and science of working with noxious and malefic plants and fungi, Coby Michael discusses the occult properties of poison and how poison plants can be used in spell work and other magical operations. He looks at the plants of Fate and the divination practices they support, love magic with poison plants, shadow work, the devil’s garden, and the use of nightshades as power plants for medicine and magic. Presenting a detailed formulary, he shares rituals, magical correspondences, and recipes for working with specific poison plant allies and other baneful herbs of occult herbalism. Exploring the path of dark herbalism, the author explains how it encompasses not only veneficium—poisonous plants and fungi—but all plants that humanity has tried to forget, from “invasive” plants and those we can’t domesticate to those that have been regulated arbitrarily or simply feared as “toxic” or “poison.” He shows how the dark herbalist seeks out plants that are adversarial or taboo because the qualities we consider “dark” are really the plant’s spiritual medicine and can offer powerful wisdom and healing. Examining poison history, lore, and occult toxicology, he explains how the aim of using these plants is not to cause physical death, but rather death of the ego. He shows how “poison” in this sense is an alchemical force that allows the practitioner to become a vessel for the forbidden fruit of knowledge and how the transmutation of our personal poisons can lead to powerful self-transformation.

The core of the book is Emerson's personal take on writing and selling historical mysteries, but it also includes contributions from over forty other historical mystery writers practical advice, anecdotes, and suggestions for research and input from assorted editors, booksellers, and reviewers. For both historical mystery writers and readers.This book embodies its subtitle: The Art & Adventure of Sleuthing Through the Past. Veteran author Emerson published her first mystery twenty-three years ago, and this is her thirty-sixth published book. It draws on her experience in researching, writing, selling, and sustaining both her Lady Appleton series (Elizabethan England) and her Diana Spaulding series (1880s U.S.). This unique reference book also includes the contributions of more than forty other historical mystery writers. Their books backgrounds and settings are as diverse as Ancient Egypt and Rome, antebellum New Orleans, early Constantinople, Jazz Age England and Australia, Depression-era California, turn-of-the-century New York, Victorian England, and eighteenth-century Venice.

Vivacious Sancha of Aragon arrives in Rome newly wed to a member of the notorious Borgia dynasty. Surrounded by the city's opulence and political corruption, she befriends her glamorous and deceitful sister-in-law, Lucrezia, whose jealousy is as legendary as her beauty. Some say Lucrezia has poisoned her rivals, particularly those to whom her handsome brother, Cesare, has given his heart. So when Sancha falls under Cesare's irresistible spell, she must hide her secret or lose her life. Caught in the Borgias' sinister web, she summons her courage and uses her cunning to outwit them at their own game. Vividly interweaving historical detail with fiction, The Borgia Bride is a richly compelling tale of conspiracy, sexual intrigue, loyalty, and drama.