A debut collection of stories announcing an intelligent, vibrant and highly original Australian-Vietnamese voice in contemporary literature.

A hilarious and poignant reflection on what money can and cannot fix 58,642,129. That’s how many dollars seventeen-year-old Fortuna Jane Belleweather just won in the lotto jackpot. It’s also about how many reasons she has for not coming forward to claim her prize. Problem #1: Jane is still a minor, and if anyone discovers she bought the ticket underage, she’ll either have to forfeit the ticket, or worse . . . Problem #2: Let her hoarder mother cash it. The last thing Jane’s mom needs is millions of dollars to buy more junk. Then . . . Problem #3: Jane’s best friend, aspiring journalist Brandon Kim, declares on the news that he’s going to find the lucky winner. It’s one thing to keep her secret from the town — it’s another thing entirely to lie to her best friend. Especially when . . . Problem #4: Jane’s ex-boyfriend, Holden, is suddenly back in her life, and he has big ideas about what he’d do with the prize money. As suspicion and jealousy turn neighbor against neighbor, and no good options for cashing the ticket come forward, Jane begins to wonder: Could this much money actually be a bad thing?

"Working On A Song is one of the best books about lyric writing for the theater I've read."—Lin-Manuel Miranda Anaïs Mitchell named to TIME's List of the 100 Most Influential People in the World of 2020 An illuminating book of lyrics and stories from Hadestown—the winner of eight Tony Awards, including Best Musical—from its author, songwriter Anaïs Mitchell with a foreword by Steve Earle On Broadway, this fresh take on the Greek myth of Orpheus and Eurydice has become a modern classic. Heralded as “The best new musical of the season,” by The Wall Street Journal, and “Sumptuous. Gorgeous. As good as it gets,” by The New York Times, the show was a breakout hit, with its poignant social commentary, and spellbinding music and lyrics. In this book, Anaïs Mitchell takes readers inside her more than decade’s-long process of building the musical from the ground up—detailing her inspiration, breaking down the lyrics, and opening up the process of creation that gave birth to Hadestown. Fans and newcomers alike will love this deeply thoughtful, revealing look at how the songs from “the underground” evolved, and became the songs we sing again and again.

Lucky Armstrong is a tough, talented grifter who has just pulled off a million-dollar heist with her boyfriend, Cary. She's ready to start a brand-new life, with a new identity, when things go sideways. Alone for the first time, navigating the world without the help of either her father or her boyfriend, Lucky discovers that a lottery ticket she bought on a whim is worth millions. There's one big problem: cashing in the winning ticket means she'll be arrested for her crimes, go to prison, and have no chance to redeem her fortune. Will she be able to make a future for herself, without her dark past catching up with her? -- adapted from back cover

This legendary book, second only to the Bible in sales in Italy for centuries, contains a simple method for turning dream images into personalized numbers to play in the lottery. Dell updates the original text for a contemporary American audience, using the age-old material as well as modern entries.

In these pages, Rent offers what most theater books can't: a chance to step behind the curtain and feel the electricity of a stage phenomenon as it unfolds. Rent has single-handedly reinvigorated Broadway and taken America by storm. Sweeping all major theater awards, including the 1996 Pulitzer Prize for drama, as well as four 1996 Tony Awards including Best Musical, Best Book, and Best Score for a Musical, Rent captures the heart and spirit of a generation, refleting it onstage through the emotion of its stirring words and music, and the energy of its young cast. Now, for the first time, Rent comes to life on the page -- through vivid color photographs, the full libretto, and an utterly compelling behind-the-scenes oral history of the show's creation. Here is the exclusive and absolutely complete companion to Rent, told in the voices of the extraordinary talent behind its success: the actors, the director, the producers, and the librettist and composer himself, Jonathan Larson, whose sudden death, on the eve of the first performance, has made Rent's life-affirming message all the more poignant.