"If, as Chesterton claimed, the devil's greatest triumph was convincing the modern world that he does not exist, Jeffrey Burton Russell means to rob him of his victory. Lucifer: The Devil in the Middle Ages is both a scholarly assessment of the development of diabology in the Middle Ages and an impassioned plea to the 20th century to recognize and acknowledge the existence of real, objective evil. The third in a series of works tracing the history of the devil from his Judeo-Christian roots, it represents a formidable undertaking: the devil's history is integrally related to the problem of evil, which is in turn at the heart of Western religious thought. Each of the volumes on Satan comprises, in essence, a judicious and able tour of Christian theology from the villain's point of view... Book jacket.

“A fiendishly sharp, intelligent examination of modern human life that is as funny as hell.” —The Times (London) The end is nigh and the Prince of Darkness has just been offered one hell of a deal: reentry into Heaven for eternity—if he can live out a well-behaved life in a human body on earth. It’s the ultimate case of trying without buying and, despite the limitations of the human body in question (previous owner one suicidally unsuccessful writer, Declan Gunn), Luce seizes the opportunity to run riot through the realm of the senses. This is his chance to straighten the biblical record (Adam, it’s hinted, was a misguided variation on the Eve design), to celebrate his favorite achievements (everything from the Inquisition to Elton John), and, most important, to get Julia Roberts attached to his screenplay. But the experience of walking among us isn’t what His Majesty expected: instead of teaching us what it’s like to be him, Lucifer finds himself understanding what it’s like to be us. By an author hailed by the Times Literary Supplement as one of Britain’s top twenty young novelists, I, Lucifer is “a masterpiece . . . startlingly witty, original and beautifully written” (Good Book Guide). “Duncan’s witty and perverse, yet somehow life-affirming, Lucifer is powerful indeed.” —Booklist

Cast out of Heaven, thrown down to rule in Hell, Lucifer Morningstar has resigned his post and abandoned his kingdom for the mortal city of Los Angles. Emerging from the pages of writer Neil Gaiman's award-winning series The Sandman, the former Lord of Hell is now enjoying a quiet retirement as the propretor of Lux, L.A.'s most elite piano bar. But now an assignment from the Creator Himself is going to change all that. If Lucifer agrees to do Heaven's dirty work, he can name his own price--but both the task and reward are more than they seem. Thrown into a position of great threat and ultimate opportunity, Lucifer knows that threading a path through this maze will require the harshest of sacrifices.

In the beginning… Three brothers – Gabriel, Michael and Lucifer. Royalty. Archangels. United in devotion to their father and all his works. But when Lucifer learns of their father’s latest creation – a new race, fashioned from crude matter and yet made in his image – he is consumed with resentment. Why have he and his angelic kind been overlooked? After a bitter confrontation, Lucifer is cast out, doomed to an eternity of exile and punishment. Unrepentant, he vows he won’t suffer alone. Mankind has made a powerful enemy – one determined to lure it into darkness and torment any way he can… “There could be no bigger canvas for film-making.” – Mark Ordesky (Executive Producer – Lord of the Rings); “Alec not only re-frames pre-history; she also imaginatively illustrates how the realm of spirit impacts the contemporary material world.” Ileen Maisel (Executive Producer for the Golden Compass) “This is the best work of fiction I have read since the last installment of Dean Koontz’ Frankenstein series” Jim McDonald – 1340Mag – Online Entertainment Magazine.

Disillusioned by the darker side of Venice, English cataloguer Daniel Forster discovers a lost musical masterpiece within a library of dusty manuscripts and is drawn into a treacherous game of deception that spans three centuries, from the periods of Vivaldi and Rousseau to the present. Reprint. 20,000 first printing.

Life in a private school with the two newest faculty members, an ex-WAC and a disfigured infantry officer.

“A philosophical look at the history of our species which alternated between fascinating and frightening . . . like reading Dean Koontz or Stephen King.” —Rocky Mountain News The Lucifer Principle is a revolutionary work that explores the intricate relationships among genetics, human behavior, and culture to put forth the thesis that “evil” is a by-product of nature’s strategies for creation and that it is woven into our most basic biological fabric. In a sweeping narrative that moves lucidly among sophisticated scientific disciplines and covers the entire span of the earth’s—as well as mankind’s—history, Howard Bloom challenges some of our most popular scientific assumptions. Drawing on evidence from studies of the most primitive organisms to those on ants, apes, and humankind, the author makes a persuasive case that it is the group, or “superorganism,” rather than the lone individual that really matters in the evolutionary struggle. But biology is not destiny, and human culture is not always the buffer to our most primitive instincts we would like to think it is. In these complex threads of thought lies the Lucifer Principle, and only through understanding its mandates will we able to avoid the nuclear crusades that await us in the twenty-first century. “A revolutionary vision of the relationship between psychology and history, The Lucifer Principle will have a profound impact on our concepts of human nature. It is astonishing that a book of such importance could be such a pleasure to read.”—Elizabeth F. Loftus, author of Memory