Unlike most books on slavery in the Americas, this social history of Africans and their enslaved descendants in colonial Costa Rica recounts the journey of specific people from West Africa to the New World. Tracing the experiences of Africans on two Danish slave ships that arrived in Costa Rica in 1710, the Christianus Quintus and Fredericus Quartus, the author examines slavery in Costa Rica from 1600 to 1750. Lohse looks at the ethnic origins of the Africans and narrates their capture and transport to the coast, their embarkation and passage, and finally their acculturation to slavery and their lives as slaves in Costa Rica. Following the experiences of girls and boys, women and men, he shows how the conditions of slavery in a unique local setting determined the constraints that slaves faced and how they responded to their condition.

This book compiles Adamo-Faiden’s inventory along with the inventions this body of work distills. Images, drawings and texts are presented in the form of diptychs, forcing the reader to establish subjective bridges between both documents. Adamo-Faiden is an architecture studio established in Buenos Aires by Sebastian Adamo and Marcelo Faiden. Their practice extends to the field of teaching and research, and has been internationally recognized by different media and institutions. Their works were exhibited at the Sao Paulo Architecture Biennial, the Guggenheim Museum in New York, the Venice Architecture Biennale, the Chicago Architecture Biennial, the LIGA Architecture gallery in Mexico, the Deutsches Architekturmuseum in Frankfurt, the Storefront for Art & Architecture in New York, and at Princeton University School of Architecture. Inventory’s sequential accumulation proposes a journey through two decades of work designed by its authors and positions Adamo-Faiden’s architecture between material organization and intellectual speculation.

Las andanzas de Ignacio Herrera, desde su mundo juvenil hasta la adolescencia. Es trasplantado desde el campo a vivir en la ciudad y participar de las pandillas juveniles en los barrios de los años 60 de santiago. Sin embargo mantiene ese contacto con la tradición campesina de las pequeñas villas provincianas.

A teenage orphan’s quest of self-discovery in Equitorial Guinea, and a "unique contribution to LGBTQ literature" (Kirkus Reviews). “Though I live a world away from Equatorial Guinea, I saw so much of myself in Okomo: a tomboy itching to be free and to escape society’s rigged game. I cheered her on with every page, and wished—for myself and all girls—for the bravery to create our own world.” —Maggie Thrash, author of Honor Girl The first novel by an Equatorial Guinean woman to be translated into English, La Bastarda is the story of the orphaned teen Okomo, who lives under the watchful eye of her grandmother and dreams of finding her father. Forbidden from seeking him out, she enlists the help of other village outcasts: her gay uncle and a gang of “mysterious” girls reveling in their so-called indecency. Drawn into their illicit trysts, Okomo finds herself falling in love with their leader and rebelling against the rigid norms of Fang culture.

"An examination of the application of late-colonial Bourbon policies concerning marriage and intimacy, their effects on people's lives, and how they resisted them to create, and break, intimate bonds in colonial Charcas"--