Consists of 1.3 linear feet of various items related to Henry W. Luce, a graduate of Princeton Theological Seminary (1896), an ordained Presbyterian minister and missionary to China for many years, and to his descendants. Also contains a history of the Luce Foundation, 1936-1996.

In Mounting Frustration Susan E. Cahan uncovers the moment when the civil rights movement reached New York City's elite art galleries. Focusing on three controversial exhibitions that integrated African American culture and art, Cahan shows how the art world's racial politics is far more complicated than overcoming past exclusions.