This collection of short stories and prose chronicles events observed by the author during her lifetime in Northern New Mexico. Family, relatives, friends and strangers (real or imaginary) are caught off guard in everyday occurrences that evoke laughter, tears, or memories of the past. The names have, of course, been changed, and much embellishment has been added to stories which may or may not be true. Stories of innocence, family dynamics, relationships and injustice combine to bring a tongue in cheek narrative to the reader. The author adds: “My inner barrio is full of observations, whether from the neighborhood where I grew up in Santa Fe or from watching ordinary people interact with each other. I try to see the humor in whatever life throws at us and hope some of these stories will bring a chuckle or a hearty laugh to anyone willing to let their guard down as they read on.” Born in Santa Fe, MARIE ROMERO CASH is an award-winning folk artist/santera who has been exhibiting her colorful works for over thirty years. She is also a writer, having authored several books on Northern New Mexican culture, shrines, saints and churches including: BUILT OF EARTH AND SONG: A GUIDEBOOK TO NORTHERN NEW MEXICO’S VILLAGE CHURCHES; LIVING SHRINES: DEVOTIONAL SPACES IN NORTHERN NEW MEXICO HOMES; SANTOS, A COLORING BOOK OF NEW MEXICO SAINTS (also from Sunstone Press); and her memoir about growing up in Santa Fe, TORTILLA CHRONICLES.

This informed and accessible book captures the art, energy, passion, and pageantry of over 60 years of lowrider culture—an absolutely iconic Chicano and American phenomenon. Much like rap music and ethnic foods, Chicano lowrider culture has become sufficiently widespread in recent decades to almost be considered "mainstream." However, those outside of lowriding may not realize that this cultural phenomenon is not the result of a recent fad—it originated in the pre–World War II era, and has continued to grow and evolve since then. Lowriders in Chicano Culture: From Low to Slow to Show allows readers to see how this expressive culture fits within the broader context of Chicano culture and understand how lowriding reflects the social, artistic, and political dimensions of America's fastest-growing ethnic group. It includes chapters that explain the culture of pachucas/os and cholas/os; the unique aesthetics of lowrider vehicles; lowrider music, shows, and clubs; the mechanics of building a lowrider vehicle; and lowrider culture in the media including film, newspapers, and television. The book also traces how lowrider culture has recently expanded beyond the urban streets and into the massive exhibit halls of lowrider shows, exposing lowrider culture to even more enthusiasts.

Scenes from the Mexican American lowrider life: a clothbound photobook documenting a vibrant LA car culture Known for her quiet portraits of American cultural movements, Los Angeles-based photographer Kristin Bedford's new work, Cruise Night, is an intimate and unstaged exploration of Los Angeles' Mexican American lowrider car culture. From 2014 to 2019 Bedford attended hundreds of lowrider cruise nights, car shows, quinceañeras, weddings and funerals. Her images offer a new visual narrative around the lowrider tradition and invite outsiders to question prevalent societal stereotypes surrounding this urban Mexican American culture. Bedford's photos explore the nuances of cars as mobile canvases and the legendary community that creates them. With bright color photography and a unique female vantage point, Cruise Nightis an original look at a prolific American movement set against the Los Angeles cityscape.

Since its first edition, in 1964, Dixon and Godrich's Blues and Gospel Records has been dubbed 'the bible' for collectors of pre-war African-American music. It provides an exhaustive listing of all recordings made up to the end of 1943 in a distinctively African-American musical style,excluding those customarily classed as jazz (which are the subject of separate discographies). The book covers recordings made for the commercial market (whether issued at the time or not) and also recordings made for the Library of Congress Archive of Folk Song and similar bodies -- about 20,000titles in all, by more than 3,000 artists. For each recording session, full details are given of: artist credit, accompaniment, place and date of recording, titles, issuing company and catalogue numbers, matrix numbers and alternate takes. There are also short accounts of the major 'race labels',which recorded blues and gospel material, and a complete list of field trips to the south by travelling recording units. Howard Rye has joined the original compilers for this thoroughly revised fourth edition. The scope has been enlarged by the addition of about 150 new artists, in addition tonewly discovered recordings by other artists. Early cylinder recordings of gospel music, from the 1890s, are also included for the first time. Previous editions of this work were applauded for their completeness, accuracy, and reliability. This has now been enhanced by the addition of newinformation from record labels and from record company files, and by listening to a wide selection of titles, and detailed cross-checking.

The city of Devaney is under assault. Police chief Keck asks Detective Sarah James to “quietly” investigate the circumstances surrounding an automobile accident that took the life of Mayor Clairmont. New mayor Kamen tries to force Chief Keck to change police practices to be more “citizen friendly.” An unscrupulous new drug supplier is selling fentanyl- and carfentanil-laced drugs, which is causing the deaths of Devaney young people. A crazed bar assailant with a knife has the city on edge. Detective James’s two-person department juggles the cases and tries to stay above the conflict between the chief and the mayor. Sarah’s focus is to protect Devaney’s citizens and the integrity of Devaney Police Department.