Loving Stones is a study of devotees' conceptions of and worshipful interactions with Mount Govardhan, a sacred mountain located in the Braj region of north-central India that has for centuries been considered an embodied form of Krishna. It is often said that worship of Mount Govardhan "makes the impossible possible." In this book, David L. Haberman examines the perplexing paradox of an infinite god embodied in finite form, wherein each particular form is non-different from the unlimited. He takes on the task of interpreting the worship of a mountain and its stones for a culture in which this practice is quite alien. This challenge involves exploring the interpretive strategies that may explain what seems un-understandable, and calls for theoretical considerations of incongruity, inconceivability, and other realms of the impossible. This aspect of the book includes critical consideration of the place and history of the pejorative concept of idolatry (and its twin, anthropomorphism) in the comparative study of religions. Loving Stones uses the worship of Mount Govardhan as a site to explore ways in which scholars engaged in the difficult work of representing other cultures struggle to make "the impossible possible."

Loving Stones is a study of devotees' conceptions of and worshipful interactions with Mount Govardhan, a sacred mountain located in the Braj region of north-central India that has for centuries been considered an embodied form of Krishna. It is often said that worship of Mount Govardhan "makes the impossible possible." In this book, David L. Haberman examines the perplexing paradox of an infinite god embodied in finite form, wherein each particular form is non-different from the unlimited. He takes on the task of interpreting the worship of a mountain and its stones for a culture in which this practice is quite alien. This challenge involves exploring the interpretive strategies that may explain what seems un-understandable, and calls for theoretical considerations of incongruity, inconceivability, and other realms of the impossible. This aspect of the book includes critical consideration of the place and history of the pejorative concept of idolatry (and its twin, anthropomorphism) in the comparative study of religions. Loving Stones uses the worship of Mount Govardhan as a site to explore ways in which scholars engaged in the difficult work of representing other cultures struggle to make "the impossible possible."

This title is a collection of memoirs, memorabillia and photographs presented by Rolling Stones fans. It features over 80 stories from 20 countries detailing some of the most important events in the history of rock 'n' roll.

When fate offers a second chance, can she free herself from the past? Or has she misread too many novels? CATHRYN McNEIL wants to believe in happily-ever-after, Jane Austen style. But a twice-divorced therapist is an unlikely heroine. She's resigned to her secluded life in a small prairie town with her animals and fictional heroes until she meets polo player Jack Stone at a funeral. They're drawn together by a mutual love of horses and the land, but his hot and cold behavior-and a family secret involving another woman-cause her to question if he can be the hero she seeks. With her heart still buried in a graveyard of loss, is it too late for adventure—or love? The powerful weather and sweeping vistas of the northern plains and the Rocky Mountain foothills set the mood. Nature throws challenges at the ensemble cast, challenging life, loyalty, and friendships as they each come to terms with love and loss, and reinvent their own roles in the circle of life. A story of seasoned romance, friendship, horseback adventure, and family drama rolled into one life-changing journey.

'I am following the traces of a great jewel. All its owners are dead, and the jewel is lost...' Precious stones are thousands of years old. They pass through the hands of owners and smugglers, merchants and thieves. Often the hands leave no trace, but they are there all the same: they leave impressions, invisible, like atoms of hydrogen drawn to the surface of a diamond. The Love of Stones charts three lives linked by one such jewel. Katherine Sterne searches the goldsmiths' quarters and hidden archives of contemporary London, Tokyo and Istanbul, following the trail of a long-lost jewel: a brooch of rubies, diamonds and pearls once worn by Queen Elizabeth I. Two hundred years earlier, a pair of Iraqi Jewish brothers travel to London, their fortunes made by an unearthed jar of mysterious and priceless stones. An epic story spanning two continents and six centuries, The Love of Stones follows three very different people, each in their own way consumed by the same desire. At the heart of their lives is the Three Brethren, the legendary jewel that binds them together in a narrative as clear and irresistible as the facets of a diamond.

Tracing the creation of Exile on Main Street from the original songwriting done while touring America through the final editing in Los Angeles, Bill Janovitz explains how an album recorded by a British band in a villa on the French Riviera is pure American rock & roll. Looking at each song individually, Janovitz unveils the innovative recording techniques, personal struggles, and rock & roll mythmaking that culminated in this pivotal album.