The Magical Families of Ashworth and Ashfall have been feuding for countless years, ever since something happened to split one family into two. Now, they have been invited to Cockatrice Faire... when no other magician would dare invite them both. And when it becomes clear that the Ashworth Heir and the Ashfall Heir have fallen in love with one another, Emily finds herself caught in the middle between two powerful families, each one capable of destroying her once and for all... Praise for Lessons in Etiquette ..".Emily and Alassa are strong female heroes, remaining composed in the face of danger and asserting themselves when necessary. The book speaks to those who wonder how much developed nations should interfere in the cultivation of a developing society...." San Francisco Book Review.

At the end of Shakespeare's comedy Love's Labor's Lost, the romantic hopes of four young couples are abruptly dashed by the sudden death of the King of France. Their courting suspended, the lovers vow to meet again after a year has passed. But the death of the French King sparks a European war, delaying their reunion for four turbulent years. The couples meet again in Paris for the negotiation of an armistice. But the crucible of war has changed them all. Will their relationships survive?

Shakesqueer puts the most exciting queer theorists in conversation with the complete works of William Shakespeare. Exploring what is odd, eccentric, and unexpected in the Bard’s plays and poems, these theorists highlight not only the many ways that Shakespeare can be queered but also the many ways that Shakespeare can enrich queer theory. This innovative anthology reveals an early modern playwright insistently returning to questions of language, identity, and temporality, themes central to contemporary queer theory. Since many of the contributors do not study early modern literature, Shakesqueer takes queer theory back and brings Shakespeare forward, challenging the chronological confinement of queer theory to the last two hundred years. The book also challenges conceptual certainties that have narrowly equated queerness with homosexuality. Chasing all manner of stray desires through every one of Shakespeare’s plays and poems, the contributors cross temporal, animal, theoretical, and sexual boundaries with abandon. Claiming adherence to no one school of thought, the essays consider The Winter’s Tale alongside network TV, Hamlet in relation to the death drive, King John as a history of queer theory, and Much Ado About Nothing in tune with a Sondheim musical. Together they expand the reach of queerness and queer critique across chronologies, methodologies, and bodies. Contributors. Matt Bell, Amanda Berry, Daniel Boyarin, Judith Brown, Steven Bruhm, Peter Coviello, Julie Crawford, Drew Daniel, Mario DiGangi, Lee Edelman, Jason Edwards, Aranye Fradenburg, Carla Freccero, Daniel Juan Gil, Jonathan Goldberg, Jody Greene, Stephen Guy-Bray, Ellis Hanson, Sharon Holland, Cary Howie, Lynne Huffer, Barbara Johnson, Hector Kollias, James Kuzner , Arthur L. Little Jr., Philip Lorenz, Heather Love, Jeffrey Masten, Robert McRuer , Madhavi Menon, Michael Moon, Paul Morrison, Andrew Nicholls, Kevin Ohi, Patrick R. O’Malley, Ann Pellegrini, Richard Rambuss, Valerie Rohy, Bethany Schneider, Kathryn Schwarz, Laurie Shannon, Ashley T. Shelden, Alan Sinfield, Bruce Smith, Karl Steel, Kathryn Bond Stockton, Amy Villarejo, Julian Yates