Leah is twenty when she meets Mr. Right. Although he is only the second man she has ever dated, Leah has no reason to believe Shalom is anything other than a good, kind, and generous soul. Even as their relationship is just beginning and distance separates them, Leah has no doubt that he is the man she will marry. However, when Shaloms behavior turns abusive, Leah is filled with self-doubt, confusion, and depression. Leah must now come to terms with the fact that the man she loves and wants to marry is abusive. She is approached with confusion on all sides, especially when her family doesnt want to believe in Shaloms abusive behavior. Leah must look inside of herself to find the strength to overcome the situation. In this novel based on true events, a young Jewish woman who becomes embroiled in an abusive relationship over the course of several years must somehow find the strength to overcome the pain and allow her heart to open up again.

For a necromancer, death is a central part of life... but what's a girl to do when her own early death is fast approaching? In creating a golem to help her with basic tasks in her final days, her memories of a past love throw off the spell. What results is a strange, beautiful woman, with free will and feelings of her own. Now, with her new companion supporting her, Celeste wants to make up for her enormous past mistakes in aiding her kingdom's bloody conquests. But... will there enough time?

The world needs a Man of Steel, but can Superman protect the world while raising a super-son with his wife, Lois Lane? IT BEGINS: Now it's Clark's turn to be Pa Kent and teach his son what it means to be super, but who is hunting Superman's son—and why?

No matter how much is learned, if that learning remains in our heads, it is not enough. Unless learning touches our hearts, it's never going to bring us the wisdom we seek, the peace we desire, or the intimacy and connection for which we yearn. A new and more receptive way of knowing is needed, and is found in this course for the heart. "A Course of Love" was received by Mari Perron and given to be a "new" course in miracles. It is for the heart what "A Course in Miracles" is for the mind. For many, it is the next step in a journey already begun.

This exploration of Richmond's burial landscape over the past 300 years reveals in illuminating detail how racism and the color line have consistently shaped death, burial, and remembrance in this storied Southern capital. Richmond, Virginia, the former capital of the Confederacy, holds one of the most dramatic landscapes of death in the nation. Its burial grounds show the sweep of Southern history on an epic scale, from the earliest English encounters with the Powhatan at the falls of the James River through slavery, the Civil War, and the long reckoning that followed. And while the region's deathways and burial practices have developed in surprising directions over these centuries, one element has remained stubbornly the same: the color line. But something different is happening now. The latest phase of this history points to a quiet revolution taking place in Virginia and beyond. Where white leaders long bolstered their heritage and authority with a disregard for the graves of the disenfranchised, today activist groups have stepped forward to reorganize and reclaim the commemorative landscape for the remains of people of color and religious minorities. In Death and Rebirth in a Southern City, Ryan K. Smith explores more than a dozen of Richmond's most historically and culturally significant cemeteries. He traces the disparities between those grounds which have been well-maintained, preserving the legacies of privileged whites, and those that have been worn away, dug up, and built over, erasing the memories of African Americans and indigenous tribes. Drawing on extensive oral histories and archival research, Smith unearths the heritage of these marginalized communities and explains what the city must do to conserve these gravesites and bring racial equity to these arenas for public memory. He also shows how the ongoing recovery efforts point to a redefinition of Confederate memory and the possibility of a rebirthed community in the symbolic center of the South. The book encompasses, among others, St. John's colonial churchyard; African burial grounds in Shockoe Bottom and on Shockoe Hill; Hebrew Cemetery; Hollywood Cemetery, with its 18,000 Confederate dead; Richmond National Cemetery; and Evergreen Cemetery, home to tens of thousands of black burials from the Jim Crow era. Smith's rich analysis of the surviving grounds documents many of these sites for the first time and is enhanced by an accompanying website, www.richmondcemeteries.org. A brilliant example of public history, Death and Rebirth in a Southern City reveals how cemeteries can frame changes in politics and society across time.

This is the first book to examine the same-sex weddings and same-sex couple suicides reported in India over the last two decades. Ruth Vanita examines these cases in the context of a wide variety of same-sex unions, from Fourteenth-century narratives about co-wives who miraculously produce a child together, to Nineteenth-century depictions of ritualized unions between women, to marriages between gay men and lesbians arranged over the internet. Examining the changing legal, literary, religious and social Indian and Euro-American traditions within which same-sex unions are embedded, she brings a fresh perspective to the gay marriage debate, suggesting that same-sex marriage dwells not at the margins but at the heart of culture. Love's Rites by Ruth Vanita is a finalist for a Lambda Literary Award.

Death and Rebirth in Virgil’s Arcadia is an introduction to the Eclogues, based on sound scholarship but also personally felt and addressed to a popular audience. It outlines clearly the literary and historical background of Virgil’s early poems, discusses each eclogue in some detail, and offers a new and challenging interpretation of the collection as a whole. The ten eclogues are shown to be a young poet’s attempt at self-understanding. Their symmetrical arrangement is a journey inward toward the central experience of death, and a journey back toward rebirth and the writing of larger and greater works.