Featuring Roscoe Brinker, border detective.

Nerdy Paisley has been attracted to gorgeous billionaire Hercules Lord since high school, but she’s accepted that they’ll never be more than friends — until a chance encounter changes everything. He calls me PG, and my heart skips a beat. Nobody calls me that but Hercules Lord, a man I've had a crush on since high school. He and I could never be together, though. A romance between us is strictly forbidden. The Lords are old money, and my family, the Groves, is new tech money—and the Groves and Lords are bitter enemies. The rivalry between our families runs deep enough to create an invisible line in the sand that neither of us ever dared to cross. But that's never stopped us from staring at each other from across a crowded room. And we've always been cordial. Oh... There was that one night seven years ago. I bet Hercules doesn't know that he's my first. Yet here we are again, gazing into each other's eyes. Tonight feels different. We've grown up. Our desire for each other wants to defy our restraint. But truly, really... What will happen if we cross the line? “Crossing The Line” is the first story in a new billionaire romance series of connected standalone books featuring the Lord Brothers of Manhattan. If you love forbidden lovers, second-chance romance, a deep-rooted family feud, and a love story with passionate slow-burn heat to keep you turning the pages, then dive in! The story also ends happily ever after.

That first day is hard. The hands begin to cramp, drops of blood start oozing through your fingertips . . . In 2003, Tori Holmes, a 21-year-old from Alberta, Canada, and Paul Gleeson, a 29-year-old financial advisor from Limerick, Ireland, met in Australia when Holmes answered an ad to drive the support vehicle for Gleeson’s 5,000-kilometre cycling trek across that country. During their first adventure together, Gleeson fell hard: both off his bike and for the woman driving the car. Once Australia was behind them, it became clear that crossing a continent together was simply not enough. Acting on self-assured determination and an ever-growing sense of adventure, Gleeson and Holmes embraced the dream of rowing a tiny boat across the vastness of the Atlantic Ocean in the 2005/06 Trans-Atlantic Race. Of course, neither of the young adventurers knew how to row, so they connected and trained with the only Irishmen ever to have completed the same race, Eamonn and Peter Kavanagh. In November 2005, after months of training, Paul and Tori left the Canary Islands to row 4,800 kilometres across the Atlantic. In February 2006, they completed their epic journey after 86 days of huge seas, violent storms, terrifying capsizes, unbearable thirst, bizarre hallucinations and sleep deprivation. Along the way, however, during one of the darkest moments in the race, inspiration came in the form of an unseen, yet completely perceptible, presence. Old seafaring lore has several theories as to what this might have been, but both adventurers are keeping their minds open on it. Part inspirational adventure story, part travelogue and part romance, Crossing the Swell is an honest and intimate portrayal of what it takes to truly engage in the many adventures that life has to offer.

First published in New Zealand in 1957, Owls Do Cry, was Janet Frame's second book and the first of her thirteen novels. Now approaching its 60th anniversary, it is securely a landmark in Frame's catalog and indeed a landmark of modernist literature. The novel spans twenty years in the Withers family, tracing Daphne's coming of age into a post–war New Zealand too narrow to know what to make of her. She is deemed mad, institutionalized, and made to undergo a risky lobotomy. Margaret Drabble calls Owls Do Cry "a song of survival"—it is Daphne's song of survival but also the author's: Frame was herself misdiagnosed with schizophrenia and scheduled for brain surgery. She was famously saved only when she won New Zealand's premier fiction prize. Frame was among the first major writers of the twentieth century to confront life in mental institutions and Owls Do Cry is important for this perspective. But it is equally valuable for its poetry, its incisive satire, and its acute social observations. A sensitively rendered portrait of childhood and adolescence and a testament to the power of imagination, this early novel is a first–rate example of Frame's powerful, lyric, and original prose.

A new romantic fantasy of magic, manners, and espionage that is also a "fast-paced thriller" (Carol Berg). For the Darkborn, sunlight kills. For the Lightborn, darkness is fatal. Living under a centuries-old curse, the Darkborn and the Lightborn share the city of Minhorne, coexisting in an uneasy equilibrium but never interacting. When Darkborn physician Balthasar Hearne finds a pregnant fugitive on his doorstep just before sunrise, he has no choice but to take her in. Tercelle Amberley's betrothed is a powerful Darkborn nobleman, but her illicit lover came to her through the daytime. When she gives birth to twin boys, they can see, something unheard of among the Darkborn. When men come for the boys, Balthasar is saved by the intervention of his Lightborn neighbor-and healed by the hands of his wife, Telmaine. Soon he finds himself drawn deeper into political intrigue and magical attacks, while Telmaine must confront a power she can no longer keep sheathed in gloves, a power she neither wants nor can control.