"Love took the words right out of my mouth." So begins the first line of Christopher Jane Corkery's poignant and unforgettable new collection of poems. Throughout the work these two themes--the power and mystery of language, especially the crafted one of poetry, and what Keats called "the holiness of the heart's affections"--intertwine, accumulating a rich panoply of associations and meanings. The occasions for Corkery's poems are often domestic: the thrill of youthful romance, of marriage and family, of children inventing new worlds. Yet here also are a poet's acts, psychological and spiritual, in a life which, like every reader's life, contains plenty and its absence all at once. Objects matter here--a bread board, a swing, a still life--but so do places (from New England to Paris and Seville). The poet is also joined by the ghostly presences of poets and mystics, from Teresa of Avila, John Keats, and George Herbert to Emily Dickinson and William Butler Yeats. Again and again Corkery is drawn to the essential way in which poetry enacts love. In fullness or in scarcity, in loving or in grief, both writer and reader are engaged, fulfilling the contract of poetry.

A young woman holds her newborn son And looks at him lovingly. Softly she sings to him: "I'll love you forever I'll like you for always As long as I'm living My baby you'll be." So begins the story that has touched the hearts of millions worldwide. Since publication in l986, Love You Forever has sold more than 15 million copies in paperback and the regular hardcover edition (as well as hundreds of thousands of copies in Spanish and French). Firefly Books is proud to offer this sentimental favorite in a variety of editions and sizes: We offer a trade paper and laminated hardcover edition in a 8" x 8" size. In gift editions we carry: a slipcased edition (8 1/2" x 8 1/4"), with a laminated box and a cloth binding on the book and a 10" x 10" laminated hardcover with jacket. And a Big Book Edition, 16" x 16" with a trade paper binding.

From the author of The Latehomecomer, a powerful memoir of her father, a Hmong song poet who sacrificed his gift for his children's future in America In the Hmong tradition, the song poet recounts the story of his people, their history and tragedies, joys and losses; extemporizing or drawing on folk tales, he keeps the past alive, invokes the spirits and the homeland, and records courtships, births, weddings, and wishes. Following her award-winning book The Latehomecomer, Kao Kalia Yang now retells the life of her father Bee Yang, the song poet, a Hmong refugee in Minnesota, driven from the mountains of Laos by American's Secret War. Bee lost his father as a young boy and keenly felt his orphanhood. He would wander from one neighbor to the next, collecting the things they said to each other, whispering the words to himself at night until, one day, a song was born. Bee sings the life of his people through the war-torn jungle and a Thai refugee camp. But the songs fall away in the cold, bitter world of a Minneapolis housing project and on the factory floor until, with the death of Bee's mother, the songs leave him for good. But before they do, Bee, with his poetry, has polished a life of poverty for his children, burnished their grim reality so that they might shine. Written with the exquisite beauty for which Kao Kalia Yang is renowned, The Song Poet is a love story -- of a daughter for her father, a father for his children, a people for their land, their traditions, and all that they have lost.

Presents a collection of the author's daily love haikus, paired with his own photographs.

A boy and the moon share a walk through his neighborhood.

In 1985 Brooklyn, New York, sixteen-year-old artist Ari learns about first love.

“We think of English as a fortress to be defended, but a better analogy is to think of English as a child. We love and nurture it into being, and once it gains gross motor skills, it starts going exactly where we don’t want it to go: it heads right for the goddamned electrical sockets.” With wit and irreverence, lexicographer Kory Stamper cracks open the obsessive world of dictionary writing, from the agonizing decisions about what to define and how to do it to the knotty questions of ever-changing word usage. Filled with fun facts—for example, the first documented usage of “OMG” was in a letter to Winston Churchill—and Stamper’s own stories from the linguistic front lines (including how she became America’s foremost “irregardless” apologist, despite loathing the word), Word by Word is an endlessly entertaining look at the wonderful complexities and eccentricities of the English language.