It’s February and love is in the air! Everyone in the fourth grade is getting into the Valentine spirit. The kids are making cards, and are ordering personalized candy hearts from Cinnamon’s Candy Shop, the new candy store in the mall. But Katie has had enough—she is definitely not into all this mushy gushy stuff! So Katie makes a decision: there’ll be no Valentine’s Day for her this year. But then Katie turns into Cinnamon, the candy store owner. And the personalized hearts she makes up are...well...not exactly to order! By doing this, she practically ruins Valentine’s Day for everyone. Will Katie have a change of heart and save the day?

Ruth the bunny is excited to share the smelly springtime smells of spring with Bruce! But what will Bruce think of all that stink? Little Bruce Book

From the Oscar-winning blockbustersAmerican BeautyandShakespeare in Loveto Sundance oddities likeAmerican MovieandThe Tao of Steve, to foreign films such asAll About My Mother, the latest volume in this popular series features a chronological collection of facsimiles of every film review and awards article published inThe New York Timesbetween January 1999 and December 2000. Includes a full index of personal names, titles, and corporate names. This collection is an invaluable resource for all libraries.

Offers a collection of activities for every month of the year, including a photography contest and a "Love Stinks Chocolate Fest" for February.

A new concept for children to help them learn the connection between different objects and their colors and smells

In this short-story prequel to Katherine Applegate and Michael Grant's Eve and Adam, fifteen-year-old E.V. (Evening) doesn't know where she fits in to the universe. After a particularly disastrous school dance experience, she's begins to wonder if she fits in at all. She did bloody the school heartthrob's nose and all because he tried to kiss her. Having been accused of being a "frigid bitch," E.V. begins to question her place in the cosmic world of relationships and dating to little avail; her CEO mother is emotionally unavailable, her dad is dead, and her best friend thinks true love exists in the back seat of a used Honda. But then E.V. spots someone, a blip on her otherwise indifferent radar that suggests there just might be someone out there for her . . .

Film theory no longer gets top billing or plays a starring role in film studies today, as critics proclaim that theory is dead and we are living in a post-theory moment. While theory may be out of the limelight, it remains an essential key to understanding the full complexity of cinema, one that should not be so easily discounted or discarded. In this volume, contributors explore recent popular movies through the lens of film theory, beginning with industrial-economic analysis before moving into a predominately aesthetic and interpretive framework. The Hollywood films discussed cover a wide range from 300 to Fifty First Dates, from Brokeback Mountain to Lord of the Rings, from Spider-Man 3 to Fahrenheit 9/11, from Saw to Raiders of the Lost Ark, and much more. Individual essays consider such topics as the rules that govern new blockbuster franchises, the ‘posthumanist realism’ of digital cinema, video game adaptations, increasingly restricted stylistic norms, the spatial stories of social networks like YouTube, the mainstreaming of queer culture, and the cognitive paradox behind enjoyable viewing of traumatic events onscreen. With its cast of international film scholars, Film Theory and Contemporary Hollywood Movies demonstrates the remarkable contributions theory can offer to film studies and moviegoers alike.