I made this mixtape for you. It may be a little unconventional, you know, full of the kind of songs you won't find on the radio stuff like a song about a zombie searching for love on Valentine's Day, or the one about a man who is slowly losing his ability to see color, or the song about a guy who kills little girls. They're weird little songs but I think you'll enjoy them. I decided to name this tape Love Songs for Lonely People because that's the theme of it. Each of the 19 tracks is about a lonely person reaching out and trying to find someone. It's a mix tape of love, loss, and the little pieces that make us human. I also added a little 4 song bonus EP, it doesn't exactly fit the theme of the main tape, but they are some songs that I know you like. Anyway, give it a listen, and I hope you'll enjoy it.

A man who is losing the ability to see color. A killer who believes in divine justice. A woman ashamed of her work. A zombie looking for love. These, as well as others, are featured here within this collection of stories by Matt Eaton. Each a tale about a lonely person, reaching out and trying to find someone, anyone, to share in their existence. It is a mix tape of love, loss, and the little pieces that make us human.

Because power is fragile, it requires you naked. That is why the most powerful people in the world have sex in hotels. In fact, having sex in the best hotels makes you powerful. It doesn't matter how good the sex is, only how good the hotel is. Featuring three duologues, set in 2015, 1970 and 1981, all within the walls of London's Langham Hotel, The Armour is a site-specific drama about the lasting and changing effects of empire. The play received its world premiere at The Langham Hotel, in a promenade production, on 3 March 2015.

Based on the author’s research in Ho Chi Minh City, Hanoi, and other urban areas in Vietnam, this study of contemporary Vietnamese popular music explores the ways globalization and free market economics have influenced the music and subcultures of Vietnamese youth, focusing on the conflict between the politics of remembering, nurtured by the Vietnamese Communist government, and the politics of forgetting driven by the capitalist interests of the music industry. Vietnamese youth at the end of the second and beginning of the third millennium are influenced by the challenges generated by a number of seemingly opposite ideologies and realities, such as "the past" versus "the present," socialism versus capitalism, and cultural traditionalism versus globalization. Vietnam has undergone a radical demographic shift with a very pronounced youth movement, and consequently, Vietnamese popular culture has been radically reshaped by a young population coming of age in the twenty-first century. As Olsen reveals, the way Vietnamese young people cope with these opposing and contrasting forces is often expressed in their active and passive music making.

"At first listen, music is conspicuously absent from Somaliland's public soundscapes. The lingering effects of a war that devastated the artistic community and the increasing presence of Salafist groups, which see music as incompatible with Islamic principles, have muted musical practice. Nonetheless, as Christina Woolner undertook research in postwar peacebuilding in Somaliland's capital, Hargeysa, she continually heard snippets of songs. Many of these, she learned, were about love. In a time and region riddled with precarity, hees jacayl permits singers to "sing from the heart," a mode of voicing songs that Woolner calls envocalization, which allows the possibility of dareen-wadaang (feeling sharing). Despite their intense intimacy, that is, hees jacayl transcend the connection between the lover and the beloved, becoming also, perhaps paradoxically, an outward-facing, unifying force that powerfully draws together those "suffering" from love, poets, composers, singers, and listeners, in both private and public spaces. Taking us from 1950s recordings preserved on dusty cassettes to contemporary, often improvisatory performances in a scandalous venue where the author herself eventually performs, Woolner offers an understanding of love songs across time and space that opens new realms of possibility, for relating to others and for local reconciliation, which are otherwise closed off by overwhelming conditions of precarity"--

A warm and poignant story set against the backdrop of a great English seaport at war from the Sunday Timesbestselling author. As the Second World War enters its final year, the spirit of the close-knit community in April Grove, Portsmouth refuses to die. Teenager Carol Glaister, forced to give up her baby son, becomes increasingly obsessed by the need to find him again. Ambitious, sexy Diane Shaw leaves the aviation factory for a career in the WAAFs but discovers she is up against far more than she bargained for - in both work and love. And Olive Harker struggles to stay true to a husband she has barely seen since the war began, her love challenged in a way she would never have dreamed possible.