A darkly enchanting tale set in Seattle in the 1990s – the fictional life of Kurt Cobain’s childhood imaginary friend...

The world is filled with shapes. A bird, a car, the stars in the sky - what shapes can you see? Children will love spotting familiar shapes on every page. With bright illustrations and a heartwarming message about the shape of something very special - love. Brilliantly read by Katy Ashworth. Please note that audio is not supported by all devices, please consult your user manual for confirmation.

Artist Beatrix Adams knows exactly how she's spending the summer before her senior year. Determined to follow in Da Vinci's footsteps, she's ready to tackle the one thing that will give her an advantage in a museum-sponsored scholarship contest: drawing actual cadavers. But when she tries to sneak her way into the hospital's Willed Body program and misses the last metro train home, she meets a boy who turns her summer plans upside down. Jack is charming, wildly attractive . . . and possibly one of San Francisco's most notorious graffiti artists. On midnight buses and city rooftops, Beatrix begins to see who Jack really is-and tries to uncover what he's hiding that leaves him so wounded. But will these secrets come back to haunt him? Or will the skeletons in Beatrix's own family's closet tear them apart?

Judas Coyne is a collector of the macabre: a cookbook for cannibals . . . a used hangman's noose . . . a snuff film. An aging death-metal rock god, his taste for the unnatural is as widely known to his legions of fans as the notorious excesses of his youth. But nothing he possesses is as unlikely or as dreadful as his latest purchase, an item he discovered on the Internet: I will sell my stepfather's ghost to the highest bidder . . . For a thousand dollars, Jude has become the owner of a dead man's suit, said to be haunted by a restless spirit. But what UPS delivers to his door in a black heart-shaped box is no metaphorical ghost, no benign conversation piece. Suddenly the suit's previous owner is everywhere: behind the bedroom door . . . seated in Jude's restored Mustang . . . staring out from his widescreen TV. Waiting—with a gleaming razor blade on a chain dangling from one hand . . .

A collection of ten short stories reprinted from "Give the pig a chance" and other anthologies, nine new stories, and a play by Mike D. Garcia based on Rice's short story, "She flies."

Shira Geffen's beautiful and poetic story follows a little girl, Alona, on her journey home through a windswept park. She rests under a tree and eats an apple and, with each bite, a leaf falls off the tree. One of the leaves is different from the others - it is an enchanted, heart-shaped leaf, and it drops onto Alona's head and clings to her braid. The magical leaf protects her from the lead and she arrives home completely dry. Her father is waiting for her at home. He plucks the leaf out of her braid and serves her a bowl of lentil soup. When Alona gazes into the bowl of soup she sees a tree reflected there. "If you want to drink your soup, give me back my leaf!" says the tree, and tells her that the leaf is its heart, a heart in the shape of a leaf. Alona stands at the window and blows on the leaf, knowing it will find its way back. "Thank you," says the tree, which is still reflected in the soup. Shira Geffen's delicate, vivid and moving fantasy is perfectly illustrated by Polonsky's intricate pictures, full of movement and drawn from many and varied angles. The delicate texture breaks out of each one of them. This is a touching and gentle story, for 4-8 year old readers, with remarkable beauty, gentleness and delicacy.

In today's increasingly electronic world, we say our personality traits are "hard-wired" and we "replay" our memories. But we use a different metaphor when we speak of someone "reading" another's mind or a desire to "turn over a new leaf"—these phrases refer to the "book of the self," an idea that dates from the beginnings of Western culture. Eric Jager traces the history and psychology of the self-as-text concept from antiquity to the modern day. He focuses especially on the Middle Ages, when the metaphor of a "book of the heart" modeled on the manuscript codex attained its most vivid expressions in literature and art. For instance, medieval saints' legends tell of martyrs whose hearts recorded divine inscriptions; lyrics and romances feature lovers whose hearts are inscribed with their passion; paintings depict hearts as books; and medieval scribes even produced manuscript codices shaped like hearts. "The Book of the Heart provides a fresh perspective on the influence of the book as artifact on our language and culture. Reading this book broadens our appreciation of the relationship between things and ideas."—Henry Petroski, author of The Book on the Bookshelf