In this particular book, Anne’s writing leans largely towards explorative ideas and experiences of love. Anne is someone who believes deeply in love, and often says to friends, family and colleagues, that when a person finds love, and is able to give and share it freely, as well as receive it wholly while protecting it and treating it with honour and respect, it is then that one has truly found their purpose in life. This is because love is the driving force behind all we do as humanity. Anne was fortunate enough to find a true love in her life at a young age, and unfortunately that true love also at some point, turned into true pain, through various incidents within the relationship, Anne was left alone to wonder about the high price that one may pay for love. Over a period of years Anne began to write and keep her feelings and musings, and these all culminate into the collection of poetry in “Love of a child, Sorrow of a woman”. After years of working in the mainstream employment field, Anne has now taken residence in a quiet peaceful town, where she spends her time reading and writing, and sharing her life with others in the form of her poetry in the hope that it will bring as much healing, joy, laughter and introspection to the reader as it did the writer.

A Child of Sorrow (1921) is a novel by Zoilo Galang. The novel, Galang’s debut, has been recognized as the first work of published Filipino fiction written in English. Modeled after popular nineteenth century romances written in Spanish and Tagalog, A Child of Sorrow is a classic coming of age tale engaged with themes of friendship, desire, and the loss of innocence. Simple and heartfelt, A Child of Sorrow remains a groundbreaking work of literature from an author who dedicated his career to education and the arts. “In one of the rural and sequestered plains of Central Luzon, called the Fertile Valley, where the rice fields yielded the cup of joy to the industrious farmers, and where the harvest filled aplenty the barns of the poor, there lived simple, homely people, free from the rush and stir of city life.” In this idyllic setting, Lucio and Camilo discuss their plans for summer vacation. While Lucio, a dreamer “who painted brilliant lives on the nice canvas of memory,” wants to immerse himself in his collection of books, Camilo wants his friend to join him in the world beyond words. Together, they take a trip into town, hoping for adventure and camaraderie—and, if possible, to meet a young woman to fall in love with. Despite Camilo’s encouragement, however, Lucio longs to write poetry, to commune with the natural world with nothing but his own thoughts to keep him company. One bright morning, he runs into Rosa returning home with a pitcher of water. Before he can collect himself, Lucio confesses his undying love. With a beautifully designed cover and professionally typeset manuscript, this edition of Zoilo Galang’s A Child of Sorrow is a classic work of Filipino literature reimagined for modern readers.

In this particular book, Annes writing leans largely towards explorative ideas and experiences of love. Anne is someone who believes deeply in love, and often says to friends, family and colleagues, that when a person finds love, and is able to give and share it freely, as well as receive it wholly while protecting it and treating it with honour and respect, it is then that one has truly found their purpose in life. This is because love is the driving force behind all we do as humanity. Anne was fortunate enough to find a true love in her life at a young age, and unfortunately that true love also at some point, turned into true pain, through various incidents within the relationship, Anne was left alone to wonder about the high price that one may pay for love. Over a period of years Anne began to write and keep her feelings and musings, and these all culminate into the collection of poetry in Love of a child, Sorrow of a woman. After years of working in the mainstream employment field, Anne has now taken residence in a quiet peaceful town, where she spends her time reading and writing, and sharing her life with others in the form of her poetry in the hope that it will bring as much healing, joy, laughter and introspection to the reader as it did the writer.

When Allegra Huston was four years old, her mother was killed in a car crash. Soon afterward, she was introduced to an intimidating man wreathed in cigar smoke -- the legendary film director John Huston -- with the words, "This is your father." So began an extraordinary odyssey: from the magical Huston estate in Ireland to the Long Island suburbs to a hidden paradise in Mexico -- and, at the side of her older sister, Anjelica, into the hilltop retreats of Jack Nicholson, Ryan O'Neal, and Marlon Brando. Allegra's is the penetrating gaze of an outsider never quite sure if she belongs in this rarefied world and of a motherless child trying to make sense of her famous, fragmented family. Then, at the age of twelve, Allegra's precarious sense of self was shattered when she was, once more, introduced to her father -- her real one this time, the British aristocrat and historian John Julius Norwich. At the heart of Love Child is Allegra's search through the unreliable certainties of memory for the widely adored mother she never knew -- the ghost who shadowed her childhood and left her in a web of awkward and unwelcome truths. With clear-eyed tenderness, Allegra tells of how she forged bonds with both her famous fathers, transforming her mother's difficult legacy into a hard-won blessing. Beautifully written and forensically honest, Love Child is a seductive insight into one of Hollywood's great dynasties and the story of how, in a family that defied convention, one woman found her balance on the shifting sands of conflicting loyalties.

A TIME 100 Must-Read Book of 2021 A New York Times Best Science Fiction and Fantasy Book of 2021 The Stonewall Book Award winner of 2022 Named a Best Book of 2021 by NPR, The New York Public Library, Publishers Weekly and more! A triumphant, genre-bending breakout novel from one of the boldest new voices in contemporary fiction. Vern—seven months pregnant and desperate to escape the strict religious compound where she was raised—flees for the shelter of the woods. There, she gives birth to twins, and plans to raise them far from the influence of the outside world. But even in the forest, Vern is a hunted woman. Forced to fight back against the community that refuses to let her go, she unleashes incredible brutality far beyond what a person should be capable of, her body wracked by inexplicable and uncanny changes. To understand her metamorphosis and to protect her small family, Vern has to face the past, and more troublingly, the future—outside the woods. Finding the truth will mean uncovering the secrets of the compound she fled but also the violent history in America that produced it. Rivers Solomon’s Sorrowland is a genre-bending work of Gothic fiction. Here, monsters aren’t just individuals, but entire nations. It is a searing, seminal book that marks the arrival of a bold, unignorable voice in American fiction.

The diary of Sarah Nita, a thirteen-year old Navajo girl, which describes the Navajos' forced 400-mile walk from their ancestral homeland to Fort Sumner in 1864.

"Brilliantly faceted and extremely funny. . . . While I was reading it, I was making a list of all the people I wanted to send it to, until I realized that I wanted to send it to everyone I know." — Ann Patchett “Improbably charming...will have you chortling and reading lines aloud.” — PEOPLE The internationally bestselling, compulsively readable novel—spiky, sharp, intriguingly dark, and tender—that combines the psychological insight of Sally Rooney with the sharp humor of Nina Stibbe and the emotional resonance of Eleanor Oliphant Is Completely Fine. Martha Friel just turned forty. Once, she worked at Vogue and planned to write a novel. Now, she creates internet content. She used to live in a pied-à-terre in Paris. Now she lives in a gated community in Oxford, the only person she knows without a PhD, a baby or both, in a house she hates but cannot bear to leave. But she must leave, now that her husband Patrick—the kind who cooks, throws her birthday parties, who loves her and has only ever wanted her to be happy—has just moved out. Because there’s something wrong with Martha, and has been for a long time. When she was seventeen, a little bomb went off in her brain and she was never the same. But countless doctors, endless therapy, every kind of drug later, she still doesn’t know what’s wrong, why she spends days unable to get out of bed or alienates both strangers and her loved ones with casually cruel remarks. And she has nowhere to go except her childhood home: a bohemian (dilapidated) townhouse in a romantic (rundown) part of London—to live with her mother, a minorly important sculptor (and major drinker) and her father, a famous poet (though unpublished) and try to survive without the devoted, potty-mouthed sister who made all the chaos bearable back then, and is now too busy or too fed up to deal with her. But maybe, by starting over, Martha will get to write a better ending for herself—and she’ll find out that she’s not quite finished after all.