Sakashita Izumi, a typical straight high school student, gets into a sticky situation with a gay translator, Takamiya Katsura, when he gets mistaken for an escort. The two go on a date, Izumi goes all the way, and the older man's in love with him and possibly converting this initial homophobe into that which he fears.

Focuses on Reiji, owner of B&B and other sleazy clubs, and apparently not gay. Just after dumping the woman he finds out had been cheating on him, he bumps into a young, family-less, money-less, trustless high school named Naoya who gets knocked out by a pot that Reiji's vengeful ex-lover drops on his head.

Boys Love Manga and Beyond looks at a range of literary, artistic and other cultural products that celebrate the beauty of adolescent boys and young men. In Japan, depiction of the “beautiful boy” has long been a romantic and sexualized trope for both sexes and commands a high degree of cultural visibility today across a range of genres from pop music to animation. In recent decades, “Boys Love” (or simply BL) has emerged as a mainstream genre in manga, anime, and games for girls and young women. This genre was first developed in Japan in the early 1970s by a group of female artists who went on to establish themselves as major figures in Japan's manga industry. By the late 1970s many amateur women fans were getting involved in the BL phenomenon by creating and self-publishing homoerotic parodies of established male manga characters and popular media figures. The popularity of these fan-made products, sold and circulated at huge conventions, has led to an increase in the number of commercial titles available. Today, a wide range of products produced both by professionals and amateurs are brought together under the general rubric of “boys love,” and are rapidly gaining an audience throughout Asia and globally. This collection provides the first comprehensive overview in English of the BL phenomenon in Japan, its history and various subgenres and introduces translations of some key Japanese scholarship not otherwise available. Some chapters detail the historical and cultural contexts that helped BL emerge as a significant part of girls' culture in Japan. Others offer important case studies of BL production, consumption, and circulation and explain why BL has become a controversial topic in contemporary Japan.

After landing a job at a major cosmetics company through a connection of his, Kaitani has finally gotten the chance to experience real work. But while his eagerness for the new product is admirable, he's utterly discouraged by Fujiwara, his rotten boss from hell! Kaitani plots to find Fujiwara's weakness, but though a colleague's misunderstanding, matter's take an unexpected turn! What's in store for Kaitani now that he's discovered Fujiwara's secret... and his sex appeal?

Aoki has a crush on Hashimoto, the girl in the seat next to him in class. But he despairs when he borrows her eraser and sees she’s written the name of another boy—Ida—on it. To make matters more confusing, Ida sees Aoki holding that very eraser and thinks Aoki has a crush on him! -- VIZ Media

Calen, who has no memory beyond being a soldier, begins his new life in Limbo with a caretaker named Makoto. To atone for his sins, Calen has been given the powers of a reaper and tasked with guiding and protecting the souls of the dead. As he works alongside the purehearted Makoto, Calen begins to develop feelings for him. But will those feelings change once he learns Makoto’s true nature? -- VIZ Media

If Fruits Baskets was done as a yaoi manga, it might look something like this... Raizo has recently moved into a strange mansion upon the death of his last living relative. Given room and board in exchange for taking over the household chores for the half dozen residents, Raizo slowly comes to realize that the house is hiding some pretty dark secrets. Are his housequests more than what they appear? And will his attraction to the lord and master Kon prove hazardous to his health?