Danny Shepard isnt a typical sailor. Smart, skilled, scheming, the femme-fatale entices men and collects mementos. Love Me Now; Kill Me Later depicts the evolution of a serial killer, a thirty-year voyage that takes an unlikely mariner from fertile wheat fields of Washington States Palouse to seaports on every continent, from deckhand to captainperfect venues for fortuitous encounters and untraceable murders. When Danny returns to Spokane to claim an unexpected inheritancehalf-a-million dollars and a remarkable house her father built fifty years earlierthe sailor-sans-conscience is forced to confront her past. A collection of diaries, the earliest entry made at the age of eight, and mementos stored in a cigar box disguised as a book, are resurrected; friends, lovers, murders revisited; harrowing nightmares relived. They provide insight into the mind of a woman who is both victim and villain. Looking back at an irrefutable record of dirty deeds, Danny feels no remorseyet cannot imagine a future. In her fathers house on South Hill, she plots an end to the Danielle Shepard story.

Danny Shepard isn ’t a typical sailor. Smart, skilled, scheming, the femme-fatale entices men and collects mementos. Love Me Now; Kill Me Later depicts the evolution of a serial killer, a thirty-year voyage that takes an unlikely mariner from fertile wheat fields of Washington State ’s Palouse to seaports on every continent, from deckhand to captain —perfect venues for fortuitous encounters and untraceable murders. When Danny returns to Spokane to claim an unexpected inheritance —half-a-million dollars and a remarkable house her father built fifty years earlier —the sailor-sans-conscience is forced to confront her past. A collection of diaries, the earliest entry made at the age of eight, and mementos stored in a cigar box disguised as a book, are resurrected; friends, lovers, murders revisited; harrowing nightmares relived. They provide insight into the mind of a woman who is both victim and villain. Looking back at an irrefutable record of dirty deeds, Danny feels no remorse —yet cannot imagine a future. In her father ’s house on South Hill, she plots an end to the Danielle Shepard story.

“Coach Brown is 1 of 1. A total original. Watching him on Last Chance U was the most interesting thing on TV since The Sopranos. He's the Tony Soprano of football.” Michael Rapaport Actor/Comedian “JB was the first QB I coached at Compton College. Jason's father came to me to make sure I would look after him and I took that task on head first and with honor. Jason not only became my first All-American QB, he went on and did everything he said he would. This book epitomizes who he is: straightforward, driven, emotional, and 100% invested in the WIN.” Coach Cornell Ward Former Head Coach Compton Community College “I did not have a single college scholarship offer coming out of high school. Jason Brown saw potential in me when no one else did. He helped teach and mold me into a future NFL QB.” Brad Sorensen Quarterback San Diego Chargers Tennessee Titans Minnesota Vikings “Jason and I have known each other for twenty years. I coached against Jason while he was a player and together on the same staff. The general public does not know how caring and committed he is to the well-being of his players. Many outside of his circle fail to ascertain this quality in him but once you get to know JB, you will appreciate Jason Brown.” Marguet Miller Head Football Coach West Los Angeles College

A tantalizing selection of stories from some of the best female authors who’ve helped define the modern vampire. Bram Stoker was hardly the first author—male or female—to fictionalize the folkloric vampire, but he defined the modern iconic vampire when Dracula appeared in 1897. Since then, many have reinterpreted the ever-versatile vampire over and over again—and female writers have played vital roles in proving that the vampire, as well as our perpetual fascination with it, is truly immortal. These authors have devised some of the most fascinating, popular, and entertaining of our many vampiric variations: suavely sensual . . . fascinating but fatal . . . sexy and smart . . . undead but prone to detection . . . tormented or terrifying . . . amusing or amoral . . . doomed or deadly . . . badass and beautiful . . . cutting-edge or classic . . . Blood Sisters collects a wide range of fantastical stories from New York Times bestsellers Holly Black, Nancy Holder, Catherynne M. Valente, and Carrie Vaughn, and critically acclaimed writers Chelsea Quinn Yarbro and Tanith Lee, all of whom have left their indelible and unique stamps on the vampire genre. Whether they are undeniably heroes and heroines or bloodthirsty monsters (or something in between), the undead are a lively lot. This anthology offers some of the best short fiction ever written by the “blood sisters” who know them best: stories you can really sink your teeth into.

The terrifying and definitive collection of Vampire stories from the masters of literary horror They're lurking under the cover of darkness…and between the covers of this book. Here, in all their horror and all their glory, are the great vampires of literature: male and female, invisible and metamorphic, doomed and daring. Their skin deathly pale, their nails curved like claws, their fangs sharpened for the attack, they are gathered for the kill and for the chill, brought frighteningly to life by Bram Stoker, Fritz Leiber, Richard Matheson, Robert Bloch, Charles L. Grant, Tanith Lee, and other masters of the macabre. Careful—they are all crafty enough to steal their way into your imagination and steal away your hopes for a restful sleep.

In Blood Thirst: One Hundred Years of Vampire Fiction, Leonard Wolf gathers thirty tales in which vampires of all varieties make their ghastly presence felt.

Elvira’s family has never been the warm, fuzzy type. Most of the time, Elvira can’t stand the sight of her little sister, Kerrie. Elvira and her mother, Mel, fight more often than not. Mel hasn’t spoken to her own family in years. And when Mel announces she’s pregnant again, Elvira’s daddy storms off to Las Vegas to enter an Elvis impersonator competition. But when an urgent phone call sends Elivra, Mel, and Kerrie on an unexpected trip to visit Mel’s family, Elvira discovers that love doesn’t always look like it does in television commercials–it can be as simple as a bucket of blueberries, an attic full of memories, or a song. But it’s there all right. You just have to know how to look for it.