For fans of Nina George, Elena Ferrante, and Valentina Cebeni, a charming, uplifting novel about a man who sets out to fulfil his dead wife’s last wish. Julien Azouly, the famous French writer of beautiful romance novels, has stopped believing in love. When his beloved wife, Hélène, dies at the age of thirty-three, leaving him alone to raise their young son, Arthur, he is so devastated that he loses faith in the happier side of life—and along with that his ability to write. But Hélène was clever. Before her death, she made her husband promise to write her thirty-three letters, one for each year of her life. Six months after the funeral, Julien finds himself standing in the most famous cemetery in Paris, the painful first letter in his hand. Little does he know that something strange—and wonderful—is about to happen. An ode to love, Paris, and joie de vivre, Love Letters from Montmartre brings the reader down narrow streets, past the cozy red bistro on Rue Gabrielle, and all the way to Montmartre cemetery with its beautiful stone angels, where we will discover the truth we all hope to find: that love is real, that miracles can happen and that—most of all—it’s never too late to rediscover your dreams. Empathetic and wise, this is the deeply profound yet very human story of a man who finds love just when he thinks all is lost.

An NYRB Classics Original When the pioneering Taiwanese novelist Qiu Miaojin committed suicide in 1995 at age twenty-six, she left behind her unpublished masterpiece, Last Words from Montmartre. Unfolding through a series of letters written by an unnamed narrator, Last Words tells the story of a passionate relationship between two young women—their sexual awakening, their gradual breakup, and the devastating aftermath of their broken love. In a style that veers between extremes, from self-deprecation to pathos, compulsive repetition to rhapsodic musings, reticence to vulnerability, Qiu’s genre-bending novel is at once a psychological thriller, a sublime romance, and the author’s own suicide note. The letters (which, Qiu tells us, can be read in any order) leap between Paris, Taipei, and Tokyo. They display wrenching insights into what it means to live between cultures, languages, and genders—until the genderless character Zoë appears, and the narrator’s spiritual and physical identity is transformed. As powerfully raw and transcendent as Mishima’s Confessions of a Mask, Goethe’s The Sorrows of Young Werther, and Theresa Cha’s Dictée, to name but a few, Last Words from Montmartre proves Qiu Miaojin to be one of the finest experimentalists and modernist Chinese-language writers of our generation.

Eat, Pray, Love meets Claude Monet in this epistolary ode to the French capital from the New York Times–bestselling author of Paris Letters. What started as a whim in a Latin Quarter café blossomed into Janice MacLeod’s years-long endeavor to document and celebrate life in Paris, sending monthly snippets of her paintings and writings to the mailboxes of ardent followers around the world. Now, Dear Paris collects the entirety of the Paris Letters project: 140 illustrated messages discussing everything from macarons to Montmartre. For readers familiar with the city, Dear Paris is a rendezvous with their own memories, like the first time they walked along the Champs-Élysées or the best pain au chocolat they’ve ever tasted. But it’s about more than just a Paris frozen in nostalgia; the book paints the city as it is today, through elections, protests, and the World Cup—and through the people who call it home. Wistful, charming, surprising, and unfailingly optimistic, Dear Paris is a vicarious visit to one of the most iconic and beloved places in the world. Praise for Paris Letters “Janice MacLeod’s charming Paris Letters takes us on her starry-eyed discovery of Paris, the joys of learning the French language, a unique career in art and, best of all, the romance of a lifetime! C’est bon!” —Lynne Martin, author of Home Sweet Anywhere “Written as though to a best friend telling her story over lattes—or café crème. Relatable and inspiring . . . cleverly crafted with wit and unexpected wisdom.” —New York Journal of Books

Let me tell you a story . . . My name is Julien Azoulay. I am a writer of romance novels. But last year, I stopped believing in love. Right now, I feel like the unhappiest person on earth. I am standing in the most famous cemetery in Paris, and believe it or not, something wonderful is going to happen. But I'm getting ahead of myself. We should start, first of all, with my letters to my beloved Helen. I presume you know my wife Helen? Before she died, she made me promise to write her thirty-three letters - one for every year of her life. So grab your coat, follow me down the narrow streets, past the cosy red bistro on Rue Gabrielle, all the way to Montmartre cemetery with its beautiful stone angels. Together, let us read the love letters.

WINNER OF THE 2018 LUCIEN STRYK ASIAN TRANSLATION PRIZE The English-language premiere of Qiu Miaojin's coming-of-age novel about queer teenagers in Taiwan, a cult classic in China and winner of the 1995 China Times Literature Award. An NYRB Classics Original Set in the post-martial-law era of late-1980s Taipei, Notes of a Crocodile is a coming-of-age story of queer misfits discovering love, friendship, and artistic affinity while hardly studying at Taiwan’s most prestigious university. Told through the eyes of an anonymous lesbian narrator nicknamed Lazi, this cult classic is a postmodern pastiche of diaries, vignettes, mash notes, aphorisms, exegesis, and satire by an incisive prose stylist and major countercultural figure. Afflicted by her fatalistic attraction to Shui Ling, an older woman, Lazi turns for support to a circle of friends that includes a rich kid turned criminal and his troubled, self-destructive gay lover, as well as a bored, mischievous overachiever and her alluring slacker artist girlfriend. Illustrating a process of liberation from the strictures of gender through radical self-inquiry, Notes of a Crocodile is a poignant masterpiece of social defiance by a singular voice in contemporary Chinese literature.

An illustrated love letter to the City of Light.