He's at her service . . . Though she can't afford the coal to heat her drafty Mayfair mansion, Felicity Langley still clings to her dream of marrying a duke—one she's had since her very first curtsy. After all, she's been promised to the very lofty Duke of Hollindrake for the last four years. Now all she has to do is meet him. But what Felicity doesn't realize is that she has met her duke—he's the altogether too handsome man who Felicity has just mistaken . . . for her new footman! By rights, Thatcher should immediately set this presumptuous chit straight and tell her he has no intention of honoring the arranged betrothal. But he's quickly smitten by Felicity's delightful determination, her irrepressible charm . . . and her breathtaking sensuality. Yes, she'd wed him in an instant were his true identity revealed—but Thatcher's vowed to marry only for love. So begins his deception and his conquest of this uncommon woman who doesn't believe in romance, but is about to find her heart and passion set aflame by the unlikely man she's sworn to resist.

There comes a time in every man's life when he must do the unthinkable—write love letters The Duke of Richland must find a duchess. One of the young ladies attending his house party should suffice. But he's drawn to his widowed neighbor, Mrs. Chatham, an older woman who laughs too much, smiles too often, and smells too good. After they share a devastating kiss, the widow flees. Now, the duke has but one way to win her heart—show his love with pen and paper. ***Love Letters from a Duke was originally published as part of the anthology Dukes by the Dozen***

From scouring flea markets and eBay to maxing out their credit cards, record collectors will do just about anything to score a long-sought-after album. In Vinyl Freak, music writer, curator, and collector John Corbett burrows deep inside the record fiend’s mind, documenting and reflecting on his decades-long love affair with vinyl. Discussing more than 200 rare and out-of-print LPs, Vinyl Freak is composed in part of Corbett's long-running DownBeat magazine column of the same name, which was devoted to records that had not appeared on CD. In other essays where he combines memoir and criticism, Corbett considers the current vinyl boom, explains why vinyl is his preferred medium, profiles collector subcultures, and recounts his adventures assembling the Alton Abraham Sun Ra Archive, an event so all-consuming that he claims it cured his record-collecting addiction. Perfect for vinyl newbies and veteran crate diggers alike, Vinyl Freak plumbs the motivations that drive Corbett and collectors everywhere.

The unconventional Miss Millie Ashton, recently arrived from India, finds England a cold and dismal place. The fashionable ladies of London society look down their noses at her and it isn't long before Millie is planning her return to the country she considers home. When Millie befriends the high-spirited Lucy Radley, she also meets Lucy's handsome brother, 'Alex the Great' and things take a turn for the better. Alex, the Marquess of Brooke, is considered the most eligible bachelor in London, yet he appears fascinated by the independent Millie. Against the odds, their unlikely friendship deepens. But Alex has a secret and when a love letter goes astray, it threatens to destroy all their happiness... Can Millie and Alex overcome the obstacles in their path to find true love? Or will one miscommunication ruin everything?

The world's first gay, equine, military, epistolary romance. Newly discovered letters written from Wellington's warhorse (Marengo) to Napoleon's warhorse (Copenhagen) and vice versa. Includes extra material not featured in the Radio 4 series, both elements of the letters cut from the final scripts and additional material not featured in the shows at all, including the letters from Marengo to his hygienist and the horse he plays chess with, and the notes between Copenhagen and the annoying dog he has to share a stall with. Initially written as a series of letters between the authors (each choosing a stretch of the Napoleonic wars between them to examine and write into the most recent letter). They were then performed with great success at the Tall Tales evenings in Kilburn until the letters were picked up by the BBC for broadcast in autumn 2011.

“Mad about the Duke is a rollicking good romp, filled with mischief and mayhem and delicious characters.” —Sabrina Jeffries Rita Award-winner, USA Today and New York Times bestseller Elizabeth Boyle delights once more with Mad About the Duke, the second book in her wonderfully creative, wickedly fun Widows of Standon historical romance series. It is a delectable tale of an intrepid young woman who employs an incognito duke—whom she mistakenly believes to be a common solicitor—in her quest to land a titled second husband. Featuring characters from her popular Bachelor Chronicles, Boyle proves once again to be one of today’s most imaginative writers of romantic fiction. Fans of the sensual, fast-paced historical romance of Lisa Kleypas and Christina Dodd will, likewise, be Mad About the Duke.

In The Lonely Letters, A tells Moth: “Writing about and thinking with joy is what sustains me, daily. It nourishes me. I do not write about joy primarily because I always have it. I write about joy, Black joy, because I want to generate it, I want it to emerge, I want to participate in its constant unfolding.” But alongside joy, A admits to Moth, come loneliness, exclusion, and unfulfilled desire. The Lonely Letters is an epistolary blackqueer critique of the normative world in which Ashon T. Crawley—writing as A—meditates on the interrelation of blackqueer life, sounds of the Black church, theology, mysticism, and love. Throughout his letters, A explores blackness and queerness in the musical and embodied experience of Blackpentecostal spaces and the potential for platonic and erotic connection in a world that conspires against blackqueer life. Both a rigorous study and a performance, The Lonely Letters gestures toward understanding the capacity for what we study to work on us, to transform us, and to change how we inhabit the world.