“Maybe if I kissed you, everything will fall perfectly into place. So please let me...” Napilitang magtrabaho sa isang girlie bar si Faye bilang dancer upang may maipantustos sa kanyang inang may sakit. Doon niya nakilala si Josh, isang abogadong handa siyang tulungang makaahon sa buhay. At nang panahong wala siyang ibang malapitan ay pinuntahan niya ang lalaki. Maayos naman ang pakikisama ni Josh sa kanya. Napakabait nito sa kanya at sa kanyang pamilya. Maayos na sana ang lahat kung hindi lamang sa nakatatandang kapatid nito na si Jeremy. Aaminin ni Faye na may atraksiyong hatid sa kanya ang binata pero pilit na lamang niyang hindi pinapansin dahil wala na itong ginawa kundi ipamukha sa kanyang mababang uri siya ng babae. Paano niya pasusubalian ang mga paratang ni Jeremy kung ganoong nang halikan siya ng binata ay hindi naman siya pumalag?

“You’re not my type. You’re so damn sexy. Maraming kalaban. Pero ikaw ang mahal ko, ano’ng magagawa ko?” Bago mag-alas-dose ng madaling-araw ay bumaba na si Madeline sa sala, kaagad na sinindihan ang kandila. Nang tumunog ang grandfather clock, tanda na hatinggabi na, ay umusal na siya ng chant. “Ipakita mo sa akin ang aking kapareha, salamin. Ito ang aking tanging hiling.” Dahan-dahan siyang nagmulat ng mga mata. And there on the mirror was Tyler Amecable—ang kanyang mortal na kaaway!

“I realized that it’s fine to spend my whole life waiting for you to get ready to marry me than live without you by my side at all.” Malaki ang paniniwala ni Maya na hindi nararapat na ipakita sa kanyang nobyong si Josh ang tunay niyang nadarama—na patay na patay siya sa binata. She had discovered in a past relationship that men tend to take advantage of women when they learn that they are head over heels in love with them. She was headstrong, always on top of their relationship. And when Josh proposed, she got scared that she might lose her power in their relationship. Nagdamdam si Josh sa kanya at kung kailan nabatid ni Maya na mas mahalaga ito kaysa sa pride niya ay saka naman pumasok sa eksena ang isang babae...

Based on the electrifying novel by Bret Easton Ellis, the musical tells the story of Patrick Bateman, a young and handsome Wall Street banker with impeccable taste and unquenchable desires. Patrick and his elite group of friends spend their days in chic restaurants, exclusive clubs, and designer labels. But at night, Patrick takes part in a darker indulgence, and his mask of sanity is starting to slip...

What's it like to start a revolution? How do you build the biggest tech company in the world? And why do you walk away from it all? Paul Allen co-founded Microsoft. Together he and Bill Gates turned an idea - writing software - into a company and then an entire industry. This is the story of how it came about: two young mavericks who turned technology on its head, the bitter battles as each tried to stamp his vision on the future and the ruthless brilliance and fierce commitment.

The #1 New York Times bestselling (mostly true) memoir from the hilarious author of Furiously Happy. “Gaspingly funny and wonderfully inappropriate.”—O, The Oprah Magazine When Jenny Lawson was little, all she ever wanted was to fit in. That dream was cut short by her fantastically unbalanced father and a morbidly eccentric childhood. It did, however, open up an opportunity for Lawson to find the humor in the strange shame-spiral that is her life, and we are all the better for it. In the irreverent Let’s Pretend This Never Happened, Lawson’s long-suffering husband and sweet daughter help her uncover the surprising discovery that the most terribly human moments—the ones we want to pretend never happened—are the very same moments that make us the people we are today. For every intellectual misfit who thought they were the only ones to think the things that Lawson dares to say out loud, this is a poignant and hysterical look at the dark, disturbing, yet wonderful moments of our lives. Readers Guide Inside

With more than 250 images, new information on international cinema—especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers—an expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects, this is the most up to date resource for film history courses in the twenty-first century.