Be warned. If you found Love in Vein too disturbingly dark, too exquisitely explicit, too deliciously erotic in the secrets it revealed -- you're going to adore Love in Vein II. Poppy Z. Brite has done it again with a provocative new collection even more dangerously seductive, more boldly erotic than her first. It is not for everyone. But it may be what you need.

"Darkness isn't one shade, sweetheart." Three centuries ago, Molly Darling's ancestors signed a contract in blood-daemon blood-to protect themselves from harm. On the eve she turns nineteen, Molly leaves for her birthday party against her parent's wishes, sick of their warnings about her "betrothal to a demon." Except that she's very much betrothed, and he's very much a demon-one who's only agreed to the nuptials to use Molly's ancient daemon powers. Brash, arrogant, and built like a Greek god, Tensley Knight keeps showing up to save Molly from otherworldly attacks, only to insult her a moment later. As Molly learns more about the demon world, she realizes two things: that her family's safety depends on a successful marriage, while any chance of freedom she'll ever have calls for Tensley's demise. Yet sometimes Molly spots a tortured soul beyond those liquid grey eyes, and there's no denying the way her skin tingles when Tensley touches it. In Vein of Love, safety requires sacrifice, foe becomes lover, and one must decide whether to kiss...or to kill.

A sexy new repackaging of the extremely popular anthology of vampire erotica, edited by acclaimed author Poppy Z. Brite. The classic horror tale is about fear. But in the last few years a new literature of the macabre has arisen, one that goes deeper than horror, beyond fear, to explore our darkest, most intimate hungers. The ones even lovers are forbidden to share. Acclaimed dark fantasy author Poppy Z. Brite has brought together this genre's most powerful and seductive authors in an original collection of vampiric erotica, a shameless celebration of unspeakable intimacies. It is not for everyone. But neither is the night.

Robert Johnson was undoubtedly the most outstanding of the Mississippi Delta blues musicians and also one of the first inductees into the Rock and Roll Hall of Fame, but his short life remains steeped in mystery and wrapped in some of the most enduring legends of modern music. "Love in Vain" is Alan GreenbergOCOs remarkable, highly acclaimed, and genre-defying screenplay and is widely considered to be one of the foremost books on Robert JohnsonOCOs life and legacy and an extraordinary exercise in American mythmaking. Newly revised and complete with extensive historical notes on JohnsonOCOs life and the culture of the Mississippi Delta and blues music during the 1930s, "Love in Vain" is at once a classic of music writing and a screenplay whose reputation lies firmly in the realm of great American literature. "

When reclusive novelist Senna Richards wakes up on her thirty-third birthday, everything has changed. Caged behind an electrical fence, locked in a house in the middle of the snow, Senna is left to decode the clues to find out why she was taken. If she wants her freedom, she has to take a close look at her past. But, her past has a heartbeat...and her kidnapper is nowhere to be found. With her survival hanging by a thread, Senna soon realizes this is a game. A dangerous one. Only the truth can set her free.

Peony has neither seen nor spoken to any man other than her father, a wealthy Chinese nobleman. Nor has she ever ventured outside the cloistered women's quarters of the family villa. As her sixteenth birthday approaches she finds herself betrothed to a man she does not know, but Peony has dreams of her own. Her father engages a theatrical troupe to perform scenes from The Peony Pavilion, a Chinese epic opera, in their garden amidst the scent of ginger, green tea and jasmine. 'Unmarried girls should not be seen in public,' says Peony's mother, but her father allows the women to watch from behind a screen. Here, Peony catches sight of an elegant, handsome man and is immediately bewitched. So begins her unforgettable journey of love, desire, sorrow and redemption.

I may be the villain of the story, but at least I get a leading role. Evil is a term thrown around history and literature as if it's something so easily definable. A concept to fight against. Evil doesn’t exist. Neither does ‘good.’ Vampires do, though. I just happen to be one. I’ve cruised through the centuries managing to avoid all the wars, supernatural and human, but still going to all the best parties. I would say I avoided bloodshed, but it’s kind of part of the whole ‘vampire’ thing. I’ve lived on the fringes of a society that considered cruelty and sadism favorable character traits for almost five hundred years. Now I'm in the middle of a war that might just put my nonbeating heart in a lot of danger. Battles, I can handle. The impossible attraction between me and the vampire slayer, not to mention the penetrating gaze of the king of our race, on the other hand? I might not get out undead.