Though a dystopian novel hovering over the imminent collapse of American civilization at the hands of a techno-authoritarian state, "Love in the Time of the Apocalypse" is also a book about the triumph of love and humor over the fatal gravitas of life and death. It is part future nightmare part whimsical farce of the present. Love in the Time of the Apocalypse is a work of playful conspiritorial pop-delirium and pastiche full of lovable terrorists, state run breeding houses, Amish casinos, vulgar action scenes, the antichrist, tongue and cheek hyper-masculinity ("perhaps sit-ups can save the world") and a bourgeois love story to top it all. Readers who love Science Fiction, Dystopian Literature, and Conspiracy Theory will find this book chock full of fresh and clever fare. The speculative details are much more subtle than works on the post-apocalypse. The reader can feel both drawn into a bit of a future shock while at the same time remain anchored in a familiar, albeit, terrifying present. Blecha has a way of pulling from current trends of government suppression of freedoms and stretching them ever so softly to their possible conclusion. Thus, rather than a world of utter totalitarianism such at Orwell's 1984, we are presented with a more plausible, more friendly fascism that a society founded on consumerism and entertainment might bring about. Without coming across as a writer with an agenda, Gregory Blecha offers a strong but playful critique of State power, the smothering inefficiency and corruption of bureaucracy, and the role of the over-stimulated, under-critical herd of middle class consumers and middle managers of a collapsing North America. Tramps,plague victims, nihilists and nymphomaniacs along with the main character, a WASP drawn into their exciting world, make for the heroes of the story. The villains are the lifeless and systematic processes of the Federal Government, the Department of Health, the Department of Overpopulation, and the technological control systems of modern life, and yet even these are rendered with an air of playfulness that allows the reader to smile as the world comes crumbling down.

From the Poet Laureate of San Jose, these poems salvage memories from the wreckage of the Challenger disaster, drink shots with the poltergeist haunting the local dive bar, and resurrect the wisdom in the harsh words of departed lovers. In his debut poetry collection, Love in a Time of Robot Apocalypse, David Perez takes snapshots of a world under collapse to show us the parts worth saving. His images activate a new way of seeing. The mundane is no longer insignificant- the nightmare no longer insufferable. At times, Perez is terse and pragmatic. Love in a Time of Robot Apocalypse beckons us into dark corners in ways that let our eyes adjust, revealing a splendor we would have otherwise surely missed.

After a devastating earthquake destroys the West Coast, causing seventeen-year-old Penelope to lose her home, her parents, and her ten-year-old brother, she navigates a dark world, holding hope and love in her hands and refusing to be defeated.

A beautifully packaged edition of one of García Márquez's most beloved novels, with never-before-seen color illustrations by the Chilean artist Luisa Rivera and an interior design created by the author's son, Gonzalo García Barcha. In their youth, Florentino Ariza and Fermina Daza fall passionately in love. When Fermina eventually chooses to marry a wealthy, well-born doctor, Florentino is devastated, but he is a romantic. As he rises in his business career he whiles away the years in 622 affairs—yet he reserves his heart for Fermina. Her husband dies at last, and Florentino purposefully attends the funeral. Fifty years, nine months, and four days after he first declared his love for Fermina, he will do so again.

DIVDIV“A great adventure . . . So outrageous and so real, one is left speechless.” —Chicago Sun Times/divDIV/divDIVIn Walker Percy’s future America, the country is on the brink of disaster. With citizens violently polarized along racial, political, and social lines, and a fifteen-year war still raging abroad, America is crumbling quickly into ruin. The country’s one remaining hope is Dr. Thomas More, whose “lapsometer” is capable of diagnosing the spiritual afflictions—anxiety, depression, alienation—driving everyone’s destructive and disastrous behavior./divDIV /divDIVBut such a potent machine has its pitfalls. As Dr. More soon learns, in the wrong hands, the powerful lapsometer could lead to open warfare, pushing America into anarchy at full-speed./div /div

Given the daunting, dire predicament in which we find ourselves on this planet, what is described by social critic James Howard Kunstler as a "Long Emergency" may in fact become a "Last Emergency" for humanity. Whether we encounter a "long" or a "last" emergency, Carolyn Baker seeks to offer inspiration and guidance for inhabiting our remaining days with passion, vitality, empathy, intimate contact with our emotions, kindness in our relationships with all species, gratitude, open-hearted receptivity, exquisite creations of beauty, and utilizing every occasion, even our demise, as an opportunity to invoke and "inflict" joy in our world. Love in the Age of Ecological Apolcalypse addresses an array of relationships in the Last Emergency and how one's relationship with oneself may enrich or impede interactions with all other beings. Drawing upon her deep experience as a life coach, Baker writes of the specific need to understand our key relationships in a society in collapse, and how to navigate through differing levels of acceptance of collapse, trauma, and grief. Key relationships include those with our partners, children, friends, neighbors, as well as relationships with our work, our bodies, our natural resources, food and eating, animals, future generations, Eros, and indeed, the powers of the universe. Baker's writing is engaging, inspiring, and often beautiful in its depth and candor. She introduces a variety of spiritual practices facilitate our developing a relationship with the deeper Self. With these practices and giving and receiving support from others who are walking a similar path, we begin to live more frequently from the deeper Self, or at least are able to access it more quickly when we find ourselves becoming embroiled in the ego. Table Of Contents • Introduction • Chapter 1: Living, Loving, and Preparing With A Reluctant Partner • Chapter 2: Children And Collapse • Chapter 3: Friends, Neighbors, and The Community • Chapter 4: Work and The Creative Soul • Chapter 5: Our Relationship With Resources • Chapter 6: Loving The Body As The World Falls Apart • Chapter 7: Our Relationship With Food: Mindful Eating As A Spiritual Practice • Chapter 8: Loving The Time Of Your Life • Chapter 9: What An Animal You Are! • Chapter 10: Darkness Matters • Chapter 11: Ensconsed In Eros, Bathed In Beauty • Chapter 12: Our Relationship With The Powers of The Universe • Chapter 13: Near-Term Extinction And Waking Up To Death • Chapter 14: Empire, I Wish I Knew How To Quit You • Chapter 15: Grief And Love In A Culture Of Congestive Heart Failure • Chapter 16: Our Relationship With Future Generations

For the first thirteen years of her life, Flor Edwards grew up in the Children of God. The group's nomadic existence was based on the belief that, as God's chosen people, they would be saved in the impending apocalypse that would envelop the rest of the world in 1993. Flor would be thirteen years old. The group's charismatic leader, Father David, kept the family on the move, from Los Angeles to Bangkok to Chicago, where they would eventually disband, leaving Flor to make sense of the foreign world of mainstream society around her. Apocalypse Child is a cathartic journey through Flor's memories of growing up within a group with unconventional views on education, religion, and sex. Whimsically referring to herself as a real life Kimmy Schmidt, Edwards's clear-eyed memoir is a story of survival in a childhood lived on the fringes.