There has been a great deal written on the secret longings and sexual hypocrisy of the Victorian era's upper crust, but almost nothing has chronicled the erotic desires and sexuality of London's working class. Now, in this painstakingly researched book, their touching and emotional stories can be told.

A love story, set in an era of terrorism, wrapped in a thriller

Meet Casey, a community college professor with OCD (Obsessive Climate Disorder). While navigating the zaniness of teaching he leads a rag-tag bunch of climate activists, lusts after one of his students, and smokes a little too much pot. Quirky, socially awkward and adolescent- acting, our climate change obsessed hero muddles his way through saving the world while desperately searching for true love. Teaching isn't easy with an incredibly hot woman in class, students either texting or comatose, condoms strewn everywhere, attack geese on field trips, and a dean who shows up at exactly the wrong moments. What's a guy to do? Kidnap the neighbor's inflatable Halloween ghost? Confront evangelicals and lesbian activists? Channel Santa Claus's rage at the melting polar ice caps? Shoplift at Walmart? How about all of the above! Who would have thought climate change could be so funny! Actually, it really isn't, but Love in the Time of Climate Change, a romantic comedy about global warming, is guaranteed to keep you laughing. Laughing and thinking.

This is a definitive study of films that have been built around the themes of love, death, and the afterlife—films about lovers who meet again (and love again) in heaven, via reincarnation, or through other kinds of after-death encounters. Far more than books about mere ghosts in the movies or religion in movies, Love in the Afterlife presents a complex but highly distinctive and unique pattern—the love-death-afterlife pattern—as it was handed down by the ancient Egyptians and Greeks (in the Isis and Orpheus myths, for example), developed by Freud and his followers in the duality of “Eros and Thanatos,” and then featured in popular movies from the 1920s to the recent past. Among its other qualities, Love in the Afterlife may encourage readers to look at movies differently and reflect upon the possibility that other patterns in cinema may have gone undetected for years. Furthermore, this book will show how the love-death-afterlife theme found its way into all sorts of different film types: melodramas, comedies, war films, horror films, film noir, and other genres. The book will be well illustrated and quotations from film reviews will enliven its pages. A long appendix gives production data on almost sixty individual films.

This collection of essays offers a comparative perspective on different forms of representation of social hybridity in contemporary novels through various cultural and linguistic lenses. It explores the various subcategories of their interdependent relationships, including power and domination between hegemony and marginality. The book revolves around five axes: namely, writing strategies and reterritorialization; marginality and intermediary spaces; revisited urban spaces; when periphery becomes center; and the modality of confrontation and construction of identity. It focuses on the identification and classification of spaces in order to understand their function in relation to the thematic strategy of the novel. Its main objective is identifying the textual representation of the challenge of center and periphery, as well as these concepts’ role and significance in diegesis. Thus, new light is shed on the subject and on the contemporary novel as a whole.

An off-beat introduction to how electricity works in practical applications.