ÿLove Imaginedÿis an American woman?s unique struggle for identity. "Joining the long history of women of color fighting to claim literary space to tell our stories, Sherry Quan Lee shares her truth with fierce courage and strength in Love Imagined. ... Quan Lee crafts a riveting tale of Minnesota life set within the backdrop of racial segregation, the Cold War, the sexual revolution while navigating it all through the lens of her multi-layered identities. A true demonstration of the power of an intersectional perspective." --Kandace Creel Falc¢n, Ph.D., Director of Women?s and Gender Studies, Minnesota State University, Moorhead "Love Imagined: this fascinating, delightful, important book. This imagining love, this longing for love. This poverty of No Love, this persistent racism, sexism, classism, ageism. The pain these evils cause the soul...This is an important document of a mixed-race contemporary woman, a memoir about her family lineages back to slavery, back to China, back to early Minneapolis, and about the struggle of finding herself in all of these." --Sharon Doubiago, author ofÿMy Father?s Love "When I read Sherry?s story [Love Imagined], I recognized feelings and meanings that mirrored mine. I felt a sense of release, an exhale, and I knew I could be understood by her in a way that some of my family and friends are unable to grasp, through no fault of their own. It?s the Mixed experience. Sherry Lee?s voice, her story, will no doubt touch and heal many who read it." --Lola Osunkoya, MA Founder of Neither/Both LLC, Mixed-Race Community Building and Counseling Learn more at www.SherryQuanLee.com From Modern History Press www.ModernHistoryPress.com BIO002000 Biography & Autobiography: Cultural Heritage SOC028000 Social Science: Women's Studies - General SOC043000 Social Science: Ethnic Studies - Asian American Studies

Mixing fiction, history, psychoanalysis, and personal fantasy, Teresa, My Love turns a past world into a modern marvel, following Sylvia Leclercq, a French psychoanalyst, academic, and incurable insomniac, as she falls for the sixteenth-century Saint Teresa of Avila and becomes consumed with charting her life. Traveling to Spain, Leclercq, Julia Kristeva's probing alter ego, visits the sites and embodiments of the famous mystic and awakens to her own desire for faith, connection, and rebellion. One of Kristeva's most passionate and transporting works, Teresa, My Love interchanges biography, autobiography, analysis, dramatic dialogue, musical scores, and images of paintings and sculpture to engage the reader in Leclercq's—and Kristeva's—journey. Born in 1515, Teresa of Avila outwitted the Spanish Inquisition and was a key reformer of the Carmelite Order. Her experience of ecstasy, which she intimately described in her writings, released her from her body and led to a complete realization of her consciousness, a state Kristeva explores in relation to present-day political failures, religious fundamentalism, and cultural malaise. Incorporating notes from her own psychoanalytic practice, as well as literary and philosophical references, Kristeva builds a fascinating dual diagnosis of contemporary society and the individual psyche while sharing unprecedented insights into her own character.

"A sequence of short, startling poems of imagined translations"--

Septuagenarian: love is what happens when I die is a memoir in poetic form. It is the author's journey from being a mixed-race girl who passed for white to being a woman in her seventies who understands and accepts her complex intersectional identity; and no longer has to imagine love. It is a follow-up to the author's previous memoir (prose), Love Imagined: a mixed-race memoir, A Minnesota Book Award finalist. Praise for Sherry Quan Lee's Septuagenarian In Septuagenarian, Sherry Quan Lee accepts her own invitation to look at life in retrospect, but with a new lens. Pulling from and expanding upon her previous body of work, she examines the version of herself that was writing at that time. The dignity and fire of her seventy-three-year-old gaze taking in snapshots of those selves...straightens my spine and gives me a vision for myself traveling today into my future septuagenarian. --Lola Osunkoya, MA, LPCC Sherry Quan Lee writes courageously to understand herself and the world. She uses rich language and her skills as a storyteller to focus her sharp lens on what it means to have a complex, sometimes complicated identity: becoming invisible as she ages, a history of passing unseen, love and sex, grieving and celebration. She ruminates on history, which repeats itself in the current moment and widens her lens to look at the bigger, global picture to tell truths in poems that tenderly hold memory, time, rituals, trauma, mothering, fear of death and love in many forms. Her poems offer deeply personal, intimate and perceptive insights and opportunities to reflect on what it means to truly live. It feels like I've taken the journey with her, and I'm wiser for it. --Shay Youngblood, author of Soul Kiss and Black Girl in Paris Septuagenarian by Sherry Quan Lee, is a book that answers, in many different ways, the question posed in one of the poems contained within: "What does surrender look like?" Surrender looks like passion, like the banishment of shame, like truth telling. The narrator is not afraid of death, but embraces the inseparability and magnitude of opposing forces: "The world is a large body of terror where good and evil coexist, and each of us is responsible." Quan Lee's bold language makes space for living within impossibilities. It is a book that maps, often with aching beauty, many of the author's passions, desires, grief and the circularity of life at seventy, "I have lost so many people over time, but at seventy long-term memory brings them back, both the wicked and the wise...story ends where it begins." -- 신 선 영 辛善英 Sun Yung Shin, author of Unbearable Splendor Learn more at blog.SherryQuanLee.com From Modern History Press

This book is a companion to The Unwinding. It contains within images that tell stories, but it reads like a silent film. Each of the images is an invitation to dream.The tales of this silent edition are not pinned to the page by words. Each dreamer will find their own path, perhaps a new one each time they return.The illustrations are intended to inspire: there is space to draw and write, to paint dreams and stories, thoughts and verse, in new worlds, wherever your pen may guide you.

Love often seems uncontrollable and irrational, but we just as frequently appear to have reasons for loving the people we do. In Love's Vision, Troy Jollimore offers a new way of understanding love that accommodates both of these facts, arguing that love is guided by reason even as it resists and sometimes eludes rationality. At the same time, he reconsiders love's moral status, acknowledging its moral dangers while arguing that it is, at heart, a moral phenomenon--an emotion that demands empathy and calls us away from excessive self-concern. Love is revealed as neither wholly moral nor deeply immoral, neither purely rational nor profoundly irrational. Rather, as Diotima says in Plato's Symposium, love is "something in between." Jollimore makes his case by proposing a "vision" view of love, according to which loving is a way of seeing that involves bestowing charitable attention on a loved one. This view recognizes the truth in the cliché "love is blind," but holds that love's blindness does not undermine the idea that love is guided by reason. Reasons play an important role in love even if they rest on facts that are not themselves rationally justifiable. Filled with illuminating examples from literature, Love's Vision is an original examination of a subject of vital philosophical and human concern.

Our future in part is made up of fragments of our past. If we learn from our past and understand it then primarily we can escape repeating it. This happens to be true in love also; our current relationship is made up of fragments of our past physical and emotional involvements. Whether those involvements contained painful or pleasant memories, doesn't really matter. The difference is how we ourselves deal with the aftermath of those experiences. Whether we allow any individual to possess so much control over our life as to let their actions dictate how we love after them. Love is not an exact science, and if love were fair we would all fall in love with our best friend and live happily ever after. Sometimes we choose to offer our hearts to the wrong individuals. By the same token there has been some point in our lives where someone gave us their heart also, and we returned it in a much more damaged condition than when we accepted it. Letters to my ex is dedicated to the fragments of my past. Those women that have made me more sensitive, understanding, compassionate, patient, loving, supportive, and passionate. As well as those that possessed none of those qualities and allowed me to experience what some of my thoughtless actions felt like first hand.