Sex creates odd cultural conventions everywhere, but nowhere has an institution quite like the Japanese love hotel. To be rented by the hour for amorous liaisons, the theme rooms revealed in this provocative collection of photographs are steeped in fantasy, their elaborate dcor ranging from simulated subway cars to religious bondage with much kink in between. These brash rooms are fascinating in themselves, but also present a window into a very classified aspect of this society. The foreword by best-selling author Natsuo Kirino and passages from hotel guest books lend humor and context to these 80 haunting room portraits, creating an astonishing document of sex and romance, public and private space in Japan.

Margaret is doing everything in her power to forget home. And Tokyo's exotic nightlife -- teeming with intoxicants, pornography, and three-hour love hotels -- enables her to keep her demons at bay. Working as an English specialist at Air-Pro Stewardess Training Institute by day, and losing herself in a sex- and drug-addled oblivion by night, Margaret represses memories of her painful childhood and her older brother Frank's descent into madness. But Margaret's deliberate nihilism is thrown off balance as she becomes increasingly haunted by images of a Western girl missing in Tokyo. And when she becomes enamored of Kazu, a mysterious gangster, their affair sparks a chain of events that could spell tragedy for Margaret, in a city where it's all too easy to disappear.

Author of the first book in the series, Love Hate Hotels, Founder of Love Hate Hotels, Inc., and Administrator of @LoveHateHotels, Tony Matthews II now has over eleven years of experience in the hotel industry. Take a journey through his continued experience in the business, and enjoy some more great stories and comedy, with less advice this go round.

Drawing on theories of place, consumption and identity, Sarah Chaplin details the evolution of the love hotel in urban Japan since the 1950s. Love hotels emerged in the late 1950s following a ban of licensed prostitution, then were extremely popular in the 1970s, were then legislated against in the 1980s and are now perceived as ‘leisure’, ‘fashion’ or ‘boutique’ hotels. Representing a timely opportunity to capture and evaluate the dying manifestations of an important era in Japanese social and cultural history, this book provides a critical account of the love hotel as a unique typology. It considers its spatial, aesthetic, semiotic, and locational denotations and connotations, which results in a richly nuanced cultural reading. The love hotel is presented as a key indicator of social and cultural change in post-war Japan, and as such this book will be of interest to a wide and international readership including students of Japanese culture, society and architecture.

The Themed Space: Locating Culture, Nation and Self is the first edited collection focused on the subject of the themed space. Twelve authors address a range of themed spaces, including restaurants, casinos, theme parks and other spaces like airports and virtual reality ones. The text is organized into four sections-theming as authenticity, theming as nation, theming as person and theming as mind.

Lawsuits are rare events in most people's lives. High-stakes cases are even less commonplace. Why is it, then, that scholarship about the Japanese legal system has focused almost exclusively on epic court battles, large-scale social issues, and corporate governance? Mark D. West's Law in Everyday Japan fills a void in our understanding of the relationship between law and social life in Japan by shifting the focus to cases more representative of everyday Japanese life. Compiling case studies based on seven fascinating themes—karaoke-based noise complaints, sumo wrestling, love hotels, post-Kobe earthquake condominium reconstruction, lost-and-found outcomes, working hours, and debt-induced suicide—Law in Everyday Japan offers a vibrant portrait of the way law intermingles with social norms, historically ingrained ideas, and cultural mores in Japan. Each example is informed by extensive fieldwork. West interviews all of the participants-from judges and lawyers to defendants, plaintiffs, and their families-to uncover an everyday Japan where law matters, albeit in very surprising ways.