Written immediately after the war, Love Goes to Press opened in London in June 1946 and in New York in January 1947. Then a relief for the survivors of Blitzkrieg and ration cards, it is now a devilishly entertaining portrayal of the Battle of the Sexes. This romantic farce, published here for the first time, is set on the Italian front in World War II, where two women war correspondents—smart, sexy, and famous for scooping their male competitors—struggle to balance their professional lives with their love lives. The American literary tradition is rife with stories of “men without women,” but in Love Goes to Press Gellhorn and Cowles have created a world of “women without men.” The plot focuses on a pair of daring, quick-witted female buddies in bold pursuit of accomplishment and adventure while narrowly eluding the entanglements of marriage and domesticity. In her six-decade career as a war correspondent, Martha Gellhorn has covered the Spanish Civil War, World War II, and wars in Vietnam, the Middle East, and Central America. (In 1990, at the age of 81, she interrupted a snorkeling trip to Belize to witness the aftermath of the U.S. invasion of Panama; her report appeared in Granta.) Gellhorn has published fifteen books, including eight novels, short fiction, and two collections of journalistic articles.

This title provides a group portrait of some of the greatest musicians of the 20th century, including Bruce Springsteen, Patti Smith, Grandmaster Flash and Bob Dylan.

“A powerful and timely book that promotes love, equality, activism, and fighting for change for a better future.” —Brightly Mari raised her sign for everyone to see. Even though she was small and the crowd was very big, and she didn’t think anyone would hear, she called out her message. Mari is getting ready to make a sign with crayon as the streets below her fill up with people. “What are we making, Mama?” she asks. “A message for the world,” Mama says. “How will the whole world hear?” Mari wonders. “They’ll hear,” says Mama, “because love is powerful.” Inspired by a girl who participated in the January 2017 Women’s March in New York City, Heather Dean Brewer’s simple and uplifting story, delightfully illustrated by LeUyen Pham, is a reminder of what young people can do to promote change and equality at a time when our country is divided by politics, race, gender, and religion.

We all live lives of dependence in one way or another. Joree Harbeck was born thirteen weeks premature. She suffered severe seizures hours after birth that caused cerebral palsy and significant damage to her brain. Her prognosis was pessimistic. Love goes both ways when we are willing to admit there is nothing we can do to determine the outcome of our lives, and we surrender to the truth that we are all dependent on others to assist us in traveling this road of life. Joy comes when we allow others to love and care for us deeply and when we do the same in return.

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

A New York Times Best Seller 2019 National Book Award Longlist, Nonfiction 2019 Kirkus Book Prize Finalist, Nonfiction A February IndieNext Pick Named A Most Anticipated Book of 2019 by Buzzfeed, Nylon, The A. V. Club, CBC Books, and The Rumpus, and a Winter's Most Anticipated Book by Vanity Fair and The Week Starred Reviews: Kirkus and Booklist "Warm, immediate and intensely personal."—New York Times How does one pay homage to A Tribe Called Quest? The seminal rap group brought jazz into the genre, resurrecting timeless rhythms to create masterpieces such as The Low End Theory and Midnight Marauders. Seventeen years after their last album, they resurrected themselves with an intense, socially conscious record, We Got It from Here . . . Thank You 4 Your Service, which arrived when fans needed it most, in the aftermath of the 2016 election. Poet and essayist Hanif Abdurraqib digs into the group’s history and draws from his own experience to reflect on how its distinctive sound resonated among fans like himself. The result is as ambitious and genre-bending as the rap group itself. Abdurraqib traces the Tribe's creative career, from their early days as part of the Afrocentric rap collective known as the Native Tongues, through their first three classic albums, to their eventual breakup and long hiatus. Their work is placed in the context of the broader rap landscape of the 1990s, one upended by sampling laws that forced a reinvention in production methods, the East Coast–West Coast rivalry that threatened to destroy the genre, and some record labels’ shift from focusing on groups to individual MCs. Throughout the narrative Abdurraqib connects the music and cultural history to their street-level impact. Whether he’s remembering The Source magazine cover announcing the Tribe’s 1998 breakup or writing personal letters to the group after bandmate Phife Dawg’s death, Abdurraqib seeks the deeper truths of A Tribe Called Quest; truths that—like the low end, the bass—are not simply heard in the head, but felt in the chest.

An American girl embarks on a competitive scavenger hunt in England—and along the way, meets up with a bookish British boy who can't help her with the clues . . . but might make the trip take some unexpected turns. Britt Hanson has always preferred scoring goals on the soccer field to analyzing dusty old books. But when an injury ends her dream to play in college, she jumps at the chance to compete in a scavenger hunt in England that takes her to the locations of classic novels—the prize money would change her life! Once in the UK she meets bookish and very British Luke Jackson. He can’t actually help her with any of the clues (against the rules), but something about Luke compels her to invite him to join her. She wouldn’t mind getting to know him—and listening to his accent. To win, Britt must outsmart three competitors who aren’t afraid to play dirty while solving clues and traveling around the English countryside. Along the way, Britt learns that sometimes you have to follow the map and other times, you need to throw caution to the wind and see where the cobblestoned road leads you.