'COMPLETELY BEGUILING AND BEAUTIFULLY TOLD' Kate Furnival 'A PERFECT SUMMER READ' Rachel Hore 'A GORGEOUS, MOUTH-WATERING DREAM OF A HOLIDAY READ' Red 'PERFECT HOLIDAY READING, WHEREVER YOU GO' The Lady The bestselling author of The Lemon Tree Hotel returns with an enchanting new summer read about family bonds and following your heart, wherever it might take you... With her marriage in danger of falling apart, Joanna returns home to the beautiful but dilapidated Mulberry Farm Cottage in rural Dorset, where her sister Harriet is struggling to keep the Farm afloat and cope with their eccentric mother. When Joanna discovers a bundle of love letters in the attic, written by a watercolourist named Emmy, she is intrigued and sets out to discover Emmy's true story. Emmy's letters take Joanna to the picturesque alleyways and bridges of Lisbon, Prague, and the most romantic place of all: Venice - where a whole new magical world seems to unfold in front of her. Meanwhile, back at Mulberry Farm Cottage, a mysterious prowler adds to Harriet's problems and interrupts her search for a perfect partner. Will she ever find true love? Where will Emmy's mesmerising pathway lead? And more importantly, will Joanna and Harriet be able to rescue the cottage and finally be able to re-discover their sisterly bond? WHAT READERS ARE SAYING ABOUT FROM VENICE WITH LOVE 'Romantic and magical' ***** 'The escapism we all need' ***** 'A love story with a difference' *****

'An inspiring, life-affirming story' Reader's Digest Philip and Caroline Jones, a middle-aged couple living in Edinburgh, found themselves facing redundancy and an uncertain future. Until they received some advice from a complete stranger in a pub. Their response was to sell everything in order to move to Venice, in search of a better, simpler life. They were wrong about the 'simpler' bit... To Venice with Love recounts how they arrived in Venice with ten pieces of luggage, no job, no friends and no long-term place to stay. From struggling with the language to battling bureaucracy; the terror of teaching English to Italian teenagers, the company of a modestly friendly cat... and finally, from debugging financial systems on an Edinburgh industrial estate, to building an ordinary life in an extraordinary city, To Venice with Love is a love-letter to a city that changed their lives. It's a story told through the history, music, art, architecture (and, of course, the food) of La Serenissima.

I love Venice. Therefore, I love Tintoretto. Therefore, I love the Scuola Grande di San Rocco. I have been visiting all three for many years and was planning to do so again this year, 2020. However, those plans did not work out this year. So I thought that I would do a virtual tour of the Scuola to which Tintoretto dedicated a lifetime's work. The purpose was to record my personal responses to the paintings and to organize these responses into some sort of coherent order. The result printed in this booklet is offered as one person's informal guide to encourage readers to visit this amazing collection of a lifetime's work in one accessible location: the work of one of the world's greatest artists in one of the world's most beautiful and amazing cities, Venice. As a further incentive, the collection culminates in what many regard as the world's greatest-ever work of art: Tintoretto's Crucifixion. The book's glory is the beautiful high resolution color images donated by the Scuola Grande di San Rocco, Venice.

Venice, Anna Castelli receives a small package of letters consumed from the hands of two mysterious characters who entrust her story .. After a long working day, Jérôme de Seingalt smokes his last cigarette on his "altana" (Venetian terrace), enjoying the moonlight and the silence of the Lagoon Suddenly inside the mirror of his room, a funny woman appears, Lavinia de Merteuil. After fighting extremely hard to get her out of there, Jérôme listens in surprise to her story: Lavinia tells her that they already knew each other and that they loved each other three hundred years ago and asks for her help to break the enchantment that took her away from him, forcing her to travel as a mirror in mirror for centuries until the curse is broken. The only way to achieve this is to tell fables. Thus begins an exchange of letters with which the two will discover again in our days their former passion, between walks and appointments in the most beautiful places of Venice, which the reader can admire with them. Between one letter and the other they contrast the curse with their fables; love stories set around the world and in every age, that pursue with their walk the passion that Lavinia and Jérôme possess, until the incredible epilogue with which the reader will discover if the power of love is stronger than the witchcraft that falls upon they.

In 1995, on the thirtieth anniversary of Tanizaki Jun’ichirō’s death, Adriana Boscaro organized an international conference in Venice that had an unusally lasting effect on the study of this major Japanese novelist. Thanks to Boscaro’s energetic commitment, Venice became a center for Tanizaki studies that produced two volumes of conference proceedings now considered foundational for all scholarly works on Tanizaki. In the years before and after the Venice Conference, Boscaro and her students published an abundance of works on Tanizaki and translations of his writings, contributing to his literary success in Italy and internationally. The Grand Old Man and the Great Tradition honors Boscaro’s work by collecting nine essays on Tanizaki’s position in relation to the “great tradition” of Japanese classical literature. To open the collection, Edward Seidensticker contributes a provocative essay on literary styles and the task of translating Genji into a modern language. Gaye Rowley and Ibuki Kazuko also consider Tanizaki’s Genji translations, from a completely different point of view, documenting the author’s three separate translation efforts. Aileen Gatten turns to the influence of Heian narrative methods on Tanizaki’s fiction, arguing that his classicism, far from being superficial, “reflects a deep sensitivity to Heian narrative.” Tzevetana Kristeva holds a different perspective on Tanizaki’s classicism, singling out specific aspects of Tanizaki’s eroticism as the basis of comparison. The next two essays emphasize Tanizaki’s experimental engagement with the classical literary genres—Amy V. Heinrich treats the understudied poetry, and Bonaventura Ruperti considers a 1933 essay on performance arts. Taking up cinema, Roberta Novelli focuses on the novel Manji, exploring how it was recast for the screen by Masumura Yasuzō. The volume concludes with two contributions interpreting Tanizaki’s works in the light of Western and Meiji literary traditions: Paul McCarthy considers Nabokovas a point of comparison, and Jacqueline Pigeot conducts a groundbreaking comparison with a novel by Natsume Sōseki.

Margaret Plant presents a wide-ranging cultural history of the city from the fall of the Republic in 1797, until 1997, showing how it has changed and adapted and how perceptions of it have shaped its reality.

Cenzo is a world-weary fisherman, determined to sit out the rest of the war. He's happy to stay out of the way of the SS, quietly going about his business of fishing in the lagoons of northern Italy. Then one night, instead of pulling in his usual haul, Cenzo fishes a young woman out of the canal. Guilia is an Italian Jew who has managed to escape capture and is determined to find her family. This meeting results in them both taking an entirely unexpected journey, and Cenzo suddenly finds himself thrown headlong into the world of international wartime politics, where everyone has their own agenda and nowhere is safe ...