Love Dances: Loss and Mourning in Intercultural Collaboration explores global relationality within the realm of intercultural collaboration in contemporary dance. Author SanSan Kwan looks specifically at duets, focusing on "East" "West" pairings, and how dance artists from different cultural and movement backgrounds -Asia, the Asian diaspora, Europe, and the United States; trained in contemporary dance, hip hop, flamenco, Thai classical dance, kabuki, and butoh - find ways to collaborate. Kwan acknowledges the forces of dissension, prejudice, and violence present in any contact zone, but ultimately asserts that choreographic invention across difference can be an act of love in the face of loss and serve as a model for difficult, imaginative, compassionate global affiliation. Love Dances contends that the practice and performance of dance serves as a revelatory site for working across culture. Body-to-body interaction on the stage carries the potential to model everyday encounters across difference in the world.

Discover the joy of dancing and the importance of family, whatever your culture, ability or style with Luna! When Luna dances, she feels like the world's volume turns up, like all colours brighten, like sunlight sparkles behind every cloud. But when she takes her dance exam she ducks, dives, spins and... falls. Luna thinks she can't be a real dancer now. Can Luna's family convince her otherwise?

This spirited new board book proves there’s nothing sweeter than friendship. Emily loves to dance and can’t wait to meet the other girls in her dance class, who are sure to be just like her. But instead she meets Nicole, a tomboy; Bitsy, who loves arts and crafts; and Anna, a shy bookworm who has no interest at all in dancing. But just as different flavors of jellybeans taste delicious together, the girls learn how to team up to make their dance recital a success! Based on the New York Times bestselling picture book The Jellybeans and the Big Dance, this board book will lure a whole new generation of readers into the sweet adventures of the irresistible foursome.

With enthusiasm and intelligence, professor Robert Smith steps up the interest in doctrinal preaching and teaching with Doctrine That Dances.

Inspired by watching a performance of the Alvin Ailey Dance Company, a young black boy longs to dance and enrolls in ballet school.

Filipino folk dancing is a huge part of Jamie's life, but so is high school and his two best friends. When these two worlds collide, Jamie must decide who he truly wants to be.

The heart of this book is a dramatic love poem, the Rasa Lila, which is the ultimate focal point of one of the most treasured Sanskrit texts of India, the Bhagavata Purana. Judged a literary masterpiece by Indian and Western scholars alike, this work of poetic genius and soaring religious vision is one of the world's greatest sacred love stories and, as Graham Schweig clearly demonstrates, should be regarded as India's Song of Songs. The story presents the supreme deity as the youthful and amorous cowherd, Krishna, who joins his beloved maidens in an enchanting and celebratory "dance of divine love." Schweig introduces this work of exquisite poetry and profound theology to the Western world in the form of a luminous translation and erudite scholarly treatment. His book explores the historical context and literary genre of the work and elucidates the aesthetic and emotional richness of the composition, highlighting poignant details of this drama of divine love. Schweig illuminates the religious dimensions and ethical nuances of the drama, drawing widely from the commentaries and esoteric vision of masters of the Caitanya school of Vaishnavism, a prominent devotional Hindu tradition. Themes such as transcendence of death through love, the yoga of devotion, the contrast between worldly love and passionate love for God, and the dialectical tension between ethical boundaries and boundless love are presented. The final event of the Rasa dance, the author concludes, presents a dynamic symbol of supreme love that provides the basis for a theological vision of genuine religious pluralism.