This book is your guide to understanding your dreams and deciphering what they mean. This book was originally a compilation of newspaper columns featuring dreams submitted to me by my readers and my interpretation of their dreams. Being that were well over one hundred dreams in the collection, I chose to make this into three separate books broken down by category. This book, the first in a three-part series, is all about your dreams of sex, love and romance interpreted. I have used real life dreams from actual readers to illustrate my points and my interpretations of these dreams. There will also be exercises for you, the reader, to give personal meaning to your dreams and decode the messages from your subconscious mind.

Romance Writing explores the changing nature of both the romance genre and the discourse of romantic love from the seventeenth century to the present day. Indeed, it is one of the first studies to approach romantic love as both genre and discourse in more than sixty years. Faced with the challenge of writing a cultural history for what is commonly understood to be one of lifes most universal, a-historical and cross-cultural phenomena, Lynne Pearce has invoked the concept of the gift to calculate loves added value at different cultural/historical moments. Building upon those philosophical traditions which have argued for the powerfully transformative nature of romantic love, Pearce shows how in the history of literature lovers have utilized its spark to change not only themselves, but also their worlds, through acts of creativity and heroism. The gift of love ranges from the simple gift of a name in the seventeenth century, through notions of immortality, self-sacrifice and selfhood in the nineteenth and twentieth centuries, through to the liberating temporal and spatial dislocations of the postmodern age. The opening chapter, The Alchemy of Love, also undertakes an in-depth engagement of the changing nature, and meaning, of romantic love. Providing a judicious blend of close reading and cultural history, Romance Writing will be essential reading for undergraduate students as well as postgraduates and scholars working in the field, while also offering much of interest to the general reader.

Love letters during the Napoleonic wars were largely framed by concepts of love which were promoted through novels and philosophy. The standard texts, so to speak, which were written by major authors who inherited this Enlightenment bearing, responded to the emerging concepts of love found in novels and philosophical essays. Love among this Napoleonic coterie is unique because it demonstrates the reciprocal relationship between the love letter and the romantic novel. Germaine de Staël, Juiette Récamier, Chateaubriand, Benjamin Constant, Lady Emma Hamilton, Napoleon Bonaparte and his brother, Lucien Bonaparte, were the authors and recipients of some of the most passionate love letters of this period. They were also avid readers of the newly emerging genre of the romantic novel, and many of them were also authors of such works where they projected their personal romances onto the characterization of their fictional heroes and heroines. In addition, these authors had lived through the recent French Revolution and the Terror. Imprisoned during the Revolution, or branded as emigrés upon their return to Paris, their mature adult lives were spent in the shadows of the Napoleonic wars in which they shifted political loyalties as the specter of Napoleon’s powers grew from First Consul to Emperor of Europe. The looming threat of war ignited the depths of their passions and inspired their intellectual analysis of love, happiness and suicide. Their evolving concept of love was a romantic, all-consuming passion which gripped the lovers in fatal embraces. This book’s analysis of their love letters and romantic novels reveals the emerging political landscape of the period through extended metaphors of love and patriotism.

Don't miss Gavin and Kate's story, a forbidden love romantic suspense from USA Today bestselling author of steamy romance Morgan James. She isn't looking for forever—but I won't settle for anything less. One night wasn't nearly enough. I'll break down Kate's walls, strip away her defenses one devastating kiss at a time. She doesn't trust men, but I'll show her how much I want her every day for the rest of my life. When Kate finds a mutilated body during a morning run, she finds herself drawn into the investigation... and right into the killer's crosshairs. I'll do anything to keep her safe—even when the evidence points to someone close to us… Gavin and Kate's story is perfect for readers who love alpha heroes, smart and sassy heroines, bodyguard romance, love at first sight, opposites attract, one-night stand, forbidden love romance with a dash of suspense, plenty of steam, and a deeply protective hero. *Devil in Disguise is the fourth full-length novel within the Quentin Security Series. There are no cliffhangers, no cheating, and each book ends with a HEA. Warning: Contains scorching alphas and feisty heroines... Read at your own risk! #1 Twisted Devil – Jason and Chloe #2 The Devil You Know – Blake and Victoria #3 Devil in the Details – Xander and Lydia #4 Devil in Disguise – Gavin and Kate #5 Heart of a Devil – Vince and Jana #6 Tempting the Devil –Clay and Abby #7 Devilish Intent – Con and Grace

A popular subject in sociology and cultural studies, divorce has until recently been overlooked by literary critics. Spanning nearly a century during which the divorce rate skyrocketed, Love American Style traces the treatment of divorce in the American novel. This book draws upon popular, sociological, political and architectural history to illustrate how divorce reflects conflicting ideologies and notions of American identity. Focusing primarily on work by William Dean Howells, Edith Wharton, Mary McCarthy and John Updike, Kimberly Freeman delineates a system of tropes particular to divorce in American novels, such as the association of divorce with the West and modernity, the dismantling of the home, and the disruption of the boundary between the public and the private. These tropes suggest a literary tradition of love, marriage and divorce that is central to twentieth century American fiction. Offering an explanation for both the treatment of divorce in the American novel as well as its predominance in American culture, this book should appeal to scholars of American literature and popular culture, or anyone interested in how divorce has become so 'American'.