Amalia deals with loss while learning about love and her cultural heritage in this tender tale from acclaimed authors Alma Flor Ada and Gabriel M. Zubizarreta. Amalia’s best friend Martha is moving away, and Amalia is feeling sad and angry. And yet, even when life seems unfair, the loving, wise words of Amalia’s abuelita have a way of making everything a little bit brighter. Amalia finds great comfort in times shared with her grandmother: cooking, listening to stories and music, learning, and looking through her treasured box of family cards. But when another loss racks Amalia’s life, nothing makes sense anymore. In her sorrow, will Amalia realize just how special she is, even when the ones she loves are no longer near? From leading voices in Hispanic literature, this thoughtful and touching depiction of one girl’s transition through loss and love is available in both English and Spanish.

Sixth-grader Amalia learns many important life-lessons while spending Friday afternoons with her beloved grandmother, and the teaching goes on even after Abuelita's sudden death as Amalia finds a way to connect with relatives and a friend who has moved away.

In this timely tale of immigration, two cousins learn the importance of family and friendship. A year of discoveries culminates in a performance full of surprises, as two girls find their own way to belong. Mexico may be her parents’ home, but it’s certainly not Margie’s. She has finally convinced the other kids at school she is one-hundred percent American—just like them. But when her Mexican cousin Lupe visits, the image she’s created for herself crumbles. Things aren’t easy for Lupe, either. Mexico hadn’t felt like home since her father went North to find work. Lupe’s hope of seeing him in the United States comforts her some, but learning a new language in a new school is tough. Lupe, as much as Margie, is in need of a friend. Little by little, the girls’ individual steps find the rhythm of one shared dance, and they learn what “home” really means. In the tradition of My Name is Maria Isabel—and simultaneously published in English and in Spanish—Alma Flor Ada and her son Gabriel M. Zubizarreta offer an honest story of family, friendship, and the classic immigrant experience: becoming part of something new, while straying true to who you are.

Amalia is one of the most popular Latin American novels and, until recently, was required reading in Argentina's schools. It was written to protest the dictatorship of Juan Manuel de Rosas and to provide a picture of the political events during his regime, but the book's popularity stemmed from the love story that fuels the plot. Originally published in 1851 in serial form, Marmol's novel recounts the story of Eduardo and Amalia, who fall in love while he is hiding in her home. Amalia and her cousin Daniel protect him from Rosist persecution, but before the couple and the cousin can escape to safety, they are discovered by the death squad and the young men die. Similar in style to the romantic novels of Walter Scott, Amalia provides a detailed picture of life under a dictatorship combined with lively dialogue, drama, and a tragic love story.

This compact volume showcases the customs and folkways of a people united by tradition yet scattered to the far corners of the Earth on five continents. Lowenstein describes the widely varying regional Jewish cultures with needlepoint accuracy. 75 halftones.

An anthropological study of Haitian migrant women's experiences of marginality and violence as they endeavor to make a living and life in the Dominican Republic Book jacket.