Raised in a swamp by a mad witch, poor Louisa grew up with one goal in mind: to marry a wealthy man, then inherit his lands and money by whatever means it takes. And Louisa may well succeed, for she is a stunning beauty with the manners of an angel. At last she sets off to make her fortune . . . and with the help of her vial of undetectable poison, she soon finds her first victim. A dazzlingly dark fantasy, as only Tanith Lee could write it!

“This fine social history charts the changing patterns of using poison” and the forensic methods developed to detect it in the Victorian Era (The Guardian, UK). Murder by poison alarmed, enthralled, and in some ways even defined the Victorian age. Linda Stratmann’s dark and splendid social history reveals the nineteenth century as a gruesome battleground where poisoners went head-to-head with scientific and legal authorities who strove to detect poisons, control their availability, and bring the guilty to justice. Separating fact from Hollywood fiction, Stratmann corrects many misconceptions about particular poisons and their deadly effects. She also documents how the motives for poisoning—which often involved domestic unhappiness—evolved as marriage and child protection laws began to change. Combining archival research with vivid storytelling, Stratmann charts the era’s inexorable rise of poison cases.

A Shakespearean actor-turned-sleuth wonders if a suicide’s been staged—and suspects the members of an eccentric New York family . . . A ramshackle trawler, the Lavinia D rumbles into New York harbor with empty nets. When its crew spies something floating in the water, they drag it in, hoping for a profitable catch. Their prize flops on the deck, limp, cold, and bloody: the corpse of a man. His name was York Hatter, and he had disappeared from his house on the fashionable Washington Square several days before. He hadn’t left a note and he wasn’t carrying any money. The police assume he killed himself—but they are very wrong. The Hatter family is famously eccentric, and when a murder attempt is made on York’s invalid stepdaughter, any one of them could be the culprit. Solving the case will fall to Drury Lane, the retired Shakespearean actor who has turned his genius to solving crimes. But he may find that these Hatters are so crazy and so deadly, they even put Hamlet to shame.

Two husbands, four trials and one bloody execution: Winner of the 2015 Davitt Award for Best Crime Book (Non-fiction) -- the terrible true story of Louisa Collins. In January 1889, Louisa Collins, a 41-year-old mother of ten children, became the first woman hanged at Darlinghurst Gaol and the last woman hanged in New South Wales. Both of Louisa's husbands had died suddenly and the Crown, convinced that Louisa poisoned them with arsenic, put her on trial an extraordinary four times in order to get a conviction, to the horror of many in the legal community. Louisa protested her innocence until the end. Much of the evidence against Louisa was circumstantial. Some of the most important testimony was given by her only daughter, May, who was just 10-years-old when asked to take the stand. Louisa Collins was hanged at a time when women were in no sense equal under the law -- except when it came to the gallows. They could not vote or stand for parliament -- or sit on juries. Against this background, a small group of women rose up to try to save Louisa's life, arguing that a legal system comprised only of men -- male judges, all-male jury, male prosecutor, governor and Premier -- could not with any integrity hang a woman. The tenacity of these women would not save Louisa but it would ultimately carry women from their homes all the way to Parliament House. Caroline Overington is the author of eleven books of fiction and non-fiction, including the top-selling THE ONE WHO GOT AWAY psychological crime novel. She has said: 'My hope is that LAST WOMAN HANGED will be read not only as a true crime story but as a letter of profound thanks to that generation of women who fought so hard for the rights we still enjoy today.' Praise for LAST WOMAN HANGED 'The story she tells ... is a useful challenge to any tendency to simple moral indignation' -- Beverley Kingston, Sydney Morning Herald 'This is a fascinating book, a terrific read, and an excellent reminder of who tells the stories, and whose stories are forgotten' -- Frances Rand, South Coast Register '... what's ... interesting is Caroline Overington's even-handed appraisal of Collins's alleged crime(s) that led her to become the last woman hanged in New South Wales in 1889' -- Launceston Sunday Examiner

From the author of Mind and Matter, an intimate portrait of Louisa Catherine Adams, the wife of John Quincy Adams, who witnessed firsthand the greatest transformations of her time Born in London to an American father and a British mother on the eve of the Revolutionary War, Louisa Catherine Johnson was raised in circumstances very different from the New England upbringing of the future president John Quincy Adams, whose life had been dedicated to public service from the earliest age. And yet John Quincy fell in love with her, almost despite himself. Their often tempestuous but deeply close marriage lasted half a century. They lived in Prussia, Massachusetts, Washington, Russia, and England, at royal courts, on farms, in cities, and in the White House. Louisa saw more of Europe and America than nearly any other woman of her time. But wherever she lived, she was always pressing her nose against the glass, not quite sure whether she was looking in or out. The other members of the Adams family could take their identity for granted—they were Adamses; they were Americans—but she had to invent her own. The story of Louisa Catherine Adams is one of a woman who forged a sense of self. As the country her husband led found its place in the world, she found a voice. That voice resonates still. In this deeply felt biography, the talented journalist and historian Louisa Thomas finally gives Louisa Catherine Adams's full extraordinary life its due. An intimate portrait of a remarkable woman, a complicated marriage, and a pivotal historical moment, Louisa Thomas's biography is a masterful work from an elegant storyteller.

Francisca de Luarac, the daughter of a poor Spanish silk grower, is a dreamer of fabulous dreams. Marie Louise de Bourbon, the niece of Louis XIV, dances in slippers of fine Spanish silk in the French Court of the Sun King and imagines her own enchanted future. Born on the same day--in an age when superstition, repression, and the Inquisition reign--the lives of these two young women unfold in tandem, barely touching. Each hoards the memory of her adored lost mother like an amulet. Francica's obsession with her lover, a Catholick priest, will shaper her fate. Marie Loouise is yoked by political expediency to the mad, imptoent Carlos II of Spain. But even as their twin destinies spiral inexorably toward disaster, both Queen and commoner cultivate a dangerous, secret life dedicated to resistance, transcendence, and love. Written in gorgeous prose that has the sheen of silk, Kathryn Harrison's POISON vividlyreminds us of the persistence of desire, the passion that exists between mothers and daughters, and the sorcery of dreams.

This book is about elements that kill. Mercury, arsenic, antimony, lead, and thallium can be lethal, as many a poisoner knew too well. Emsley explores the gruesome history of these elements and those who have succumbed to them in a fascinating narrative that weaves together stories of true crime, enduring historical mysteries, tragic accidents, and the science behind it all. The colourful cast includes ancient alchemists, kings, leaders, a pope, several great musicians, and amotley crew of murderers. Among the intriguing accounts is that of the 17th century poet Sir Thomas Overbury, who survived four attempts to poison him with mercury but died when given the poison in enema form - under whose direction remains uncertain. Here, too, is detailed the celebrated case of FlorenceMaybrick, convicted of poisoning her violent husband James with arsenic, but widely believed at the time to be innocent. The question of her guilt is still disputed.Threaded through the book alongside the history is the growing understanding of chemistry, and the effects of different chemical substances on the human body. Thousands suffered the ill effects of poisonous vapours from mercury, lead, and arsenic before the dangers were realized. Hatters went mad because of mercury poisoning, and hundreds of young girls working in factories manufacturing wallpaper in the 19th century were poisoned by the arsenic-based green pigments used for the leaves of thepopular floral designs. Even in the middle of the 20th century, accidental mercury poisoning caused many deaths in Minamata Bay, while leaded petrol poisoned the whole planet, and arsenic still continues to poison millions is Asia.Through vividly told stories of innocent blunders, industrial accidents, poisoners of various hues - cold, cunning, desperate - and deaths that remain a mystery, Emsley here uncovers the dark side of the Periodic Table.