Louis Vierne (1870-1937), a student of C�sar Franck and Charles-Marie Widor, was organist of the Notre-Dame Cathedral in Paris for 37 years, until his death at the console during a recital. Widor's successor as the organ's great French symphonist - an assessment the passage of time has proved correct - Vierne's music has remained in the repertoire of organists throughout the world, never undergoing the periodic eclipses experienced by his contemporaries. Vierne's autobiography, Mes Souvenirs, originally published serially in the 1930s, is here available in a profusely illustrated, extensively annotated English translation. Rollin Smith's Louis Vierne: Organist of Notre Dame Cathedral is the first major study of the great organist of Notre-Dame and includes chapters on his American tour, recordings, contemporary reminiscences, definitive textual corrections, the organ symphonies, his death and succession, and a thematic catalogue of his organ works.

This study draws portraits of the French romantic organist-composers including Aristide Cavaille-Coll, Cesar Franck, Charles-Marie Widor, Louis Vierne, Marcel Dupre, Jean Langlais and Olivier Messiaen. The author details the lives, times, styles, and techniques of these composers.

From the author of Hidden Gardens of Paris and The Streets of Paris comes a beautifully illustrated guide to the history of Paris through its renowned and beloved places of worship. When visiting the City of Light, the spirit of Paris can be felt everywhere. It holds a sacred history that goes beyond words, beyond religion, and its legendary places of worship are truly its crown jewels. Susan Cahill's Sacred Paris is a guide for seasoned Parisian visitors, novices, and armchair travelers to the historic religious sites of the city, from the well-known landmarks to the sacred spots off the beaten track, from the magnificent towers of Notre-Dame and the sweeping arches of the Grand Mosque to the serenity of Saint-Julien-le-Pauvre. This spiritual tour is interwoven with the artistic and cultural history of Paris, from the medieval Crusades through the Resistance of World War II. Stand in the basilica of Saint-Denis, where Joan of Arc prayed with her soldiers in the Hundred Years' War, and gaze at the murals of Saint-Sulpice painted by Eugene Delacroix, or visit the village of Auvers where Vincent van Gogh painted the lovely Gothic church of Notre Dame d’Auvers-sur-Oise. Organized by the major geographical sections of the city—Ile de la Cite; the Latin Quarter on the Left Bank; Montparnasse; Northern Paris on the Right Bank; the Marais—each chapter is accompanied by Marion Ranoux’s beautiful four-color photographs. Also included are lists of “Nearbys”: gardens, bistros, librairies, museums, and other points of interest to round out your visit.

Musical works for chorus are among the great masterpieces of 20th-century art. This guide, the first truly comprehensive volume on the choral music of the last century, covers the spectacular range of music for vocal ensembles, from Saint-Saens to Tan Dun. The book will be essential to every choral conductor and a valuable resource for choir members, choral societies and choruses.

French Music Since Berlioz explores key developments in French classical music during the nineteenth and twentieth centuries. This volume draws on the expertise of a range of French music scholars who provide their own perspectives on particular aspects of the subject. D dre Donnellon's introduction discusses important issues and debates in French classical music of the period, highlights key figures and institutions, and provides a context for the chapters that follow. The first two of these are concerned with opera in the nineteenth and twentieth centuries respectively, addressed by Thomas Cooper for the nineteenth century and Richard Langham Smith for the twentieth. Timothy Jones's chapter follows, which assesses the French contribution to those most Germanic of genres, nineteenth-century chamber music and symphonies. The quintessentially French tradition of the nineteenth-century salon is the subject of James Ross's chapter, while the more sacred setting of Paris's most musically significant churches and the contribution of their organists is the focus of Nigel Simeone's essay. The transition from the nineteenth to the twentieth century is explored by Roy Howat through a detailed look at four leading figures of this time: Faur Chabrier, Debussy and Ravel. Robert Orledge follows with a later group of composers, Satie & Les Six, and examines the role of the media in promoting French music. The 1930s, and in particular the composers associated with Jeune France, are discussed by Deborah Mawer, while Caroline Potter investigates Parisian musical life during the Second World War. The book closes with two chapters that bring us to the present day. Peter O'Hagan surveys the enormous contribution to French music of Pierre Boulez, and Caroline Potter examines trends since 1945. Aimed at teachers and students of French music history, as well as performers and the inquisitive concert- and opera-goer, French Music Since Berlioz is an essential companion for an