"The first definitive biography of the now-famous architect, Hugh Morrison's Louis Sullivan: Prophet of Modern Architecture is still the best introduction to his work. This reissue provides Morrison's original text and illustrations in a larger, more modern format. It also offers an assessment of Morrison's ground-breaking research, in Timothy J. Samuelson's Introduction, and, most important, an authoritative revision of the chronological List of Buildings, including corrections of the data in light of six decades of research. Working from Morrison's original notes, Samuelson has restored a number of photographic images intended for the original edition and has replaced some photographs with alternate images that more accurately represent the buildings. He has also added a selected bibliography of important works about Sullivan"--Page 4 of cover

A new edition of the author's classic, long-out-of-print, photographic study of the work of architect Louis Sullivan is accompanied by excerpts from Sullivan's own writings, contemporary critical analyses of the architect's work, new duotone reproductions, and a new introduction assessing Sullivan's influence on the history of modern architecture. 15,000 first printing.

On the eve of the twentieth century, Chicago was rapidly outgrowing its borders. Architect Louis Henry Sullivan answered the demand for more office space, theaters, department stores, and financial centers by pioneering what would become an essential model for city life - the skyscraper. Louis Sullivan's designs stand today as leading exemplars of Chicago School architecture. Frank Lloyd Wright, who worked as an assistant to Sullivan, liked to refer to him as his "lieber Meister," or "beloved master." Having spent much of his career in a late Victorian world that bristled with busy, fussy ornament for ornament's sake, Sullivan tossed all that bric-a-brac into the fire with the now famous dictum "Form follows function." He honored this ideal in his skyscrapers and his residential commissions, as well as in the small-town banks so important to the second half of his career. In Louis Sullivan: Creating a New American Architecture, nearly two hundred photographs with descriptive captions document Sullivan's genius for modern design. Patrick Cannon introduces each chapter with key biographical information and discusses the influences that shaped Sullivan's illustrious career. Rare historical photographs chronicle those buildings that, sadly, have since been destroyed, while James Caulfield's contemporary photography captures Sullivan's existing Chicago buildings and many other structures in Eastern and Midwestern cities.

A reprint of the definitive 1918 edition, this bold, thought-provoking volume by one of America's most influential architects features dialogs, or "chats," about architecture, art, education, and life in general. 17 illustrations.

While Louis W. Sullivan was a student at Morehouse College, Morehouse president Benjamin Mays said something to the student body that stuck with him for the rest of his life. "The tragedy of life is not failing to reach our goals," Mays said. "It is not having goals to reach." In Breaking Ground, Sullivan recounts his extraordinary life beginning with his childhood in Jim Crow south Georgia and continuing through his trailblazing endeavors training to become a physician in an almost entirely white environment in the Northeast, founding and then leading the Morehouse School of Medicine in Atlanta, and serving as secretary of Health and Human Services in President George H. W. Bush's administration. Throughout this extraordinary life Sullivan has passionately championed both improved health care and increased access to medical professions for the poor and people of color. At five years old, Louis Sullivan declared to his mother that he wanted to be a doctor. Given the harsh segregation in Blakely, Georgia, and its lack of adequate schools for African Americans at the time, his parents sent Louis and his brother, Walter, to Savannah and later Atlanta, where greater educational opportunities existed for blacks. After attending Booker T. Washington High School and Morehouse College, Sullivan went to medical school at Boston University--he was the sole African American student in his class. He eventually became the chief of hematology there until Hugh Gloster, the president of Morehouse College, presented him with an opportunity he couldn't refuse: Would Sullivan be the founding dean of Morehouse's new medical school? He agreed and went on to create a state-of-the-art institution dedicated to helping poor and minority students become doctors. During this period he established long-lasting relationships with George H. W. and Barbara Bush that would eventually result in his becoming the secretary of Health and Human Services in 1989. Sullivan details his experiences in Washington dealing with the burgeoning AIDS crisis, PETA activists, and antismoking efforts, along with his efforts to push through comprehensive health care reform decades before the Affordable Care Act. Along the way his interactions with a cast of politicos, including Thurgood Marshall, Jack Kemp, Clarence Thomas, Jesse Helms, and the Bushes, capture vividly a particular moment in recent history. Sullivan's life--from Morehouse to the White House and his ongoing work with medical students in South Africa--is the embodiment of the hopes and progress that the civil rights movement fought to achieve. His story should inspire future generations--of all backgrounds--to aspire to great things. A Sarah Mills Hodge Fund Publication

Describes the life and accomplishments of the founding father of American architecture.

A visual compendium revealing the philosophy and life of America's renowned architect The story of Louis H. Sullivan is considered one of the great American tragedies. While Sullivan reshaped architectural thought and practice and contributed significantly to the foundations of modern architecture, he suffered a sad and lonely death. Many have since missed his aim: that of bringing buildings to life. What mattered most to Sullivan were not the buildings but the philosophy behind their creation. Once, he unconcernedly stated that if he lived long enough, he would get to see all of his works destroyed. He added: "Only the idea is the important thing." In Louis Sullivan's Idea, Chicago architectural historian Tim Samuelson and artist/writer Chris Ware present Sullivan's commitment to his discipline of thought as the guiding force behind his work, and this collection of photographs, original documentation, and drawings all date from the period of Sullivan's life, 1856-1924, that many rarely or have never seen before. The book includes a full-size foldout facsimile reproduction of Louis Sullivan's last architectural commission and the only surviving working drawing done in his own hand.