By day, young Gilbert Bagnani studied archaeology in Greece, but by night he socialised with the elite of Athenian society. Secretly writing for the Morning Post in London, he witnessed both antebellum Athens in 1921 and the catastrophic collapse of Christian civilisation in western Anatolia in 1922. While there have been many accounts by refugees of the disastrous flight from Smyrna, few have been written from the perspective of the west side of the Aegean. The flood of a million refugees to Greece brought in its wake a military coup in Athens, the exile of the Greek royal family and the execution or imprisonment of politicians, whom Gilbert knew. Gilbert's weekly letters to his mother in Rome reveal his Odyssey-like adventures on a voyage of discovery through the origins of western civilisation. As an archaeologist in Greece, he travelled through time seeing history repeat itself: Minoan Knossos, Byzantine Constantinople and Ottoman Smyrna were all violently destroyed, but the survivors escaped to the new worlds of Mycenaean Greece, Renaissance Venice and modern Greece. At Smyrna in the twentieth century, history was written not only by the victors but was also recorded by the victims. At the same time, however, the twentieth century itself was so filled with reports of ethnic cleansings on such a scale that the reports brutalized the humanity of the supposedly civilized people reading about them, and the tragedy of Smyrna disappeared from public awareness between the cataclysmic upheavals of the First and Second World Wars.

This book relates three years (1921-1924) in the life of Gilbert Bagnani, a young Italian archaeologist in Greece, based on his letters to his mother in Rome, at first as a non-partisan observer of, and later as an active participant in, some of the most tumultuous events in modern Greek history.

The riveting, definitive account of the ancient Greek city of Thebes, by the acclaimed author of The Spartans—now in paperback Among the extensive writing available about the history of ancient Greece, there is precious little about the city-state of Thebes. At one point the most powerful city in ancient Greece, Thebes has been long overshadowed by its better-known rivals, Athens and Sparta. In Thebes: The Forgotten City of Ancient Greece, acclaimed classicist and historian Paul Cartledge brings the city vividly to life and argues that it is central to our understanding of the ancient Greeks’ achievements—whether politically or culturally—and thus to the wider politico-cultural traditions of western Europe, the Americas, and indeed the world. From its role as an ancient political power, to its destruction at the hands of Alexander the Great as punishment for a failed revolt, to its eventual restoration by Alexander’s successor, Cartledge deftly chronicles the rise and fall of the ancient city. He recounts the history with deep clarity and mastery for the subject and makes clear both the di?erences and the interconnections between the Thebes of myth and the Thebes of history. Written in clear prose and illustrated with images in two color inserts, Thebes is a gripping read for students of ancient history and those looking to experience the real city behind the myths of Cadmus, Hercules, and Oedipus.

Drawing on ancient historical writings, the vast array of information gleaned in recent years from the study of Hellenistic coins, and startling archaeological evidence newly unearthed in Afghanistan, Frank L. Holt sets out to rediscover the ancient civilization of Bactria. In a gripping narrative informed by the author’s deep knowledge of his subject, this book covers two centuries of Bactria’s history, from its colonization by remnants of Alexander the Great’s army to the kingdom’s collapse at the time of a devastating series of nomadic invasions. Beginning with the few tantalizing traces left behind when the ‘empire of a thousand cities’ vanished, Holt takes up that trail and follows the remarkable and sometimes perilous journey of rediscovery. Lost World of the Ancient King describes how a single bit of evidence—a Greek coin—launched a search that drew explorers to the region occupied by the tumultuous warring tribes of eighteenth- and nineteenth-century Afghanistan. Coin by coin, king by king, the history of Bactria was reconstructed using the emerging methodologies of numismatics. In the twentieth century, extraordinary ancient texts added to the evidence. Finally, one of the ‘thousand cities’ was discovered and excavated, revealing an opulent palace, treasury, temple, and other buildings. Though these great discoveries soon fell victim to the Afghan political crisis that continues today, this book provides a thrilling chronicle of the search for one of the world’s most enigmatic empires.

Reveals the historical connections between ancient Greece and the yogis of the Himalayas. Influential thinkers--including Plata and Pythagoras--were influenced by sages of the East.

Ancient Greece and Rome in Modern Science Fiction introduces and analyses the reception of classical antiquity in contemporary science fiction. By using up-to-date methods from classical reception theory, science-fiction analysis and fictional-world studies, the book will help furnish the reader’s understanding of the ways in which the literature, culture, history and mythology of ancient Greece and Rome are appropriated and represented across multiple media platforms in the science-fiction genre today. The book will therefore serve as an entry point into several areas of study: the reception of classics in popular culture, antiquity in modern media, the uses of the ancient world in science-fiction, and broader science-fiction criticism. The chapters – structured by medium – principally offer a roughly chronological overview of that medium and its treatment of ancient history, mythology, literature and culture. An abundance of case studies from literature, film and television and videogames including Star Trek, Battlestar Galactica, Fallout: New Vegas, the Mass Effect franchise and Assassin’s Creed show how classical antiquity is reused, encountered, re-encountered by creators and consumers of the present – how we bounce off it, and it bounces off us, and how this reciprocation creates new visions of Greece and of Rome.