Traces the history of wildlife conservation and environmental politics in America to 1992, and describes various extinct or endangered species.

On the eve of the 50th anniversary of the publication of "Wild America," naturalist Scott Weidensaul retraces Roger Tory Peterson's and James Fisher's steps to tell the story of wild America today.

An illustrated 30,000-mile tour of the continent.

At a time when the idea of wilderness is being challenged by both politicians and intellectuals, Imagining Wild America examines writing about wilderness and wildness and makes a case for its continuing value. The book focuses on works by John James Audubon, Henry David Thoreau, John Muir, Edward Abbey, Wendell Berry, and Mary Oliver, as each writer illustrates different stages and dimensions of the American fascination with wild nature. John Knott traces the emergence of a visionary tradition that embraces values consciously understood to be ahistorical, showing that these writers, while recognizing the claims of history and the interdependence of nature and culture, also understand and attempt to represent wild nature as something different, other. A contribution to the growing literature of eco-criticism, the book is a response to and critique of recent arguments about the constructed nature of wilderness. Imagining Wild America demonstrates the richness and continuing importance of the idea of wilderness, and its attraction for American writers. John R. Knott is Professor of English, University of Michigan. His previous books include The Huron River: Voices from the Watershed, coedited with Keith Taylor.

Since the last wild bison found refuge on the back of a nickel, the public image of natural Kansas has progressed from Great American Desert to dust bowl to flyover country that has been landscaped, fenced, and farmed. But look a little harder, George Frazier suggests, and you can find the last places where tenacious stretches of prairie, forest, and wetland cheat death and incubate the DNA of lost, wild America. Documenting three years spent roaming the state in search of these hidden treasures, The Last Wild Places of Kansas is Frazier's idiosyncratic and eye-opening travelogue of nature's secret holdouts in the Sunflower State. These are places where extirpated mammalian species are making comebacks; where flying squirrels leap between centuries-old trees lit by the unearthly green glow of foxfire; where cold springs feed ancient watercress pools; where the ice moon paints the Smoky Hills with memories of the buffalo, wolf, and the lonesome rattle of false indigo; where the blue lid of the sky forms a vacuum seal over treeless pastel hills, orange in winter; where bluestem rises. Some are impossible to find on maps. Most are magnificently bereft of anything beneficial to 99.9 percent of modern America. True wildernesses they may not be, but at the correct angle of light, when the wind blows pollen carrying biological memories of the glaciers, these places are a crack between the worlds, portals to the lost buffalo wilderness. En route Frazier takes us from the unexpected wilds of the Kansas City suburbs to the Cimarron National Grassland in the far southwestern corner of the state. He visits ancient springs, shares a beer with prairie dog hunters, and fails in his mission to canoe the upper Marais des Cygnes—a trip that requires permission from every landowner on the route. Along the way we encounter a host of curious characters—ranchers, farmers, Native Americans, explorers, wildlife experts, and outdoor enthusiasts—all fellow travelers in a quest to know, preserve, and share the last wild places of Kansas.