Pitcairn Island -- remote and wild in the South Pacific, a place of towering cliffs and lashing surf -- is home to descendants of Fletcher Christian and the Mutiny on the Bounty crew, who fled there with a group of Tahitian maidens after deposing their captain, William Bligh, and seizing his ship in 1789. Shrouded in myth, the island was idealized by outsiders, who considered it a tropical Shangri-La. But as the world was to discover two centuries after the mutiny, it was also a place of sinister secrets. In this riveting account, Kathy Marks tells the disturbing saga and asks profound questions about human behavior. In 2000, police descended on the British territory -- a lump of volcanic rock hundreds of miles from the nearest inhabited land -- to investigate an allegation of rape of a fifteen-year-old girl. They found themselves speaking to dozens of women and uncovering a trail of child abuse dating back at least three generations. Scarcely a Pitcairn man was untainted by the allegations, it seemed, and barely a girl growing up on the island, home to just forty-seven people, had escaped. Yet most islanders, including the victims' mothers, feigned ignorance or claimed it was South Pacific "culture" -- the Pitcairn "way of life." The ensuing trials would tear the close-knit, interrelated community apart, for every family contained an offender or a victim -- often both. The very future of the island, dependent on its men and their prowess in the longboats, appeared at risk. The islanders were resentful toward British authorities, whom they regarded as colonialists, and the newly arrived newspeople, who asked nettlesome questions and whose daily dispatches were closely scrutinized on the Internet. The court case commanded worldwide attention. And as a succession of men passed through Pitcairn's makeshift courtroom, disturbing questions surfaced. How had the abuse remained hidden so long? Was it inevitable in such a place? Was Pitcairn a real-life Lord of the Flies? One of only six journalists to cover the trials, Marks lived on Pitcairn for six weeks, with the accused men as her neighbors. She depicts, vividly, the attractions and everyday difficulties of living on a remote tropical island. Moreover, outside court, she had daily encounters with the islanders, not all of them civil, and observed firsthand how the tiny, claustrophobic community ticked: the gossip, the feuding, the claustrophobic intimacy -- and the power dynamics that had allowed the abuse to flourish. Marks followed the legal and human saga through to its recent conclusion. She uncovers a society gone badly astray, leaving lives shattered and codes broken: a paradise truly lost.

For more than a century, urban North Africans have sought to protect and revive Andalusi music, a prestigious Arabic-language performance tradition said to originate in the “lost paradise” of medieval Islamic Spain. Yet despite the Andalusi repertoire’s enshrinement as the national classical music of postcolonial North Africa, its devotees continue to describe it as being in danger of disappearance. In The Lost Paradise, Jonathan Glasser explores the close connection between the paradox of patrimony and the questions of embodiment, genealogy, secrecy, and social class that have long been central to Andalusi musical practice. Through a historical and ethnographic account of the Andalusi music of Algiers, Tlemcen, and their Algerian and Moroccan borderlands since the end of the nineteenth century, Glasser shows how anxiety about Andalusi music’s disappearance has emerged from within the practice itself and come to be central to its ethos. The result is a sophisticated examination of musical survival and transformation that is also a meditation on temporality, labor, colonialism and nationalism, and the relationship of the living to the dead.

Sheluna is strong and wise beyond her twenty years, and she is ready to assume her role as the next high priestess of Holy Ground. She has all the qualities of a great leader-she is open-minded, spirited, and courageous. She is loved and respected by all the people and creatures surrounding her. Now her destiny rests on the other side of one crucial and dangerous test. Set in Holy Ground, a real city that existed over nine thousand years ago and lasted for over fifteen centuries in central Turkey, Sheluna's story is imaginative historical fiction based on fascinating fact gleaned from extensive research into the excavations of Çatalhöyük, the real city that inspired the story of Holy Ground. Home to an advanced egalitarian society, Çatalhöyük's legacy is rich with thought-provoking themes of equality, Earth worship, and the importance of ritual and symbology. Modern humans can learn much from our ancestors of prehistory (a big part of which is "her story"). The people of Holy Ground called it Paradise-the paradise before the fall.

Paradise Lost demonstrates the consequences to education, public services and political institutions in California of the increasing resort to the hyper-democracy of the ballot initiative process. WITH A NEW PREFACE.