A Lost Lady is a novel by American author Willa Cather, first published in 1923. It centers on Marian Forrester, her husband Captain Daniel Forrester, and their lives in the small western town of Sweet Water, along the Transcontinental Railroad. However, it is mostly told from the perspective of a young man named Niel Herbert, as he observes the decline of both Marian and the West itself, as it shifts from a place of pioneering spirit to one of corporate exploitation. Exploring themes of social class, money, and the march of progress, A Lost Lady was praised for its vivid use of symbolism and setting, and is considered to be a major influence on the works of F. Scott Fitzgerald. It has been adapted to film twice, with a film adaptation being released in 1924, followed by a looser adaptation in 1934, starring Barbara Stanwyck. A Lost Lady begins in the small railroad town of Sweet Water, on the undeveloped Western plains. The most prominent family in the town is the Forresters, and Marian Forrester is known for her hospitality and kindness. The railroad executives frequently stop by her house and enjoy the food and comfort she offers while there on business. A young boy, Niel Herbert, frequently plays on the Forrester estate with his friend. One day, an older boy named Ivy Peters arrives, and shoots a woodpecker out of a tree. He then blinds the bird and laughs as it flies around helplessly. Niel pities the bird and tries to climb the tree to put it out of its misery, but while climbing he slips, and breaks his arm in the fall, as well as knocking himself unconscious. Ivy takes him to the Forrester house where Marian looks after him. When Niel wakes up, he's amazed by the nice house and how sweet Marian smells. He doesn't't see her much after that, but several years later he and his uncle, Judge Pommeroy, are invited to the Forrester house for dinner. There he meets Ellinger, who he will later learn is Mrs. Forrester's lover, and Constance, a young girl his age.

Jude Deveraux touches the heart with this captivating novel of unexpected passion, adventure, and second chances. Forsaken by her guardian and narrowly escaping marriage to a money-hungry suitor, Regan flees Weston Manor, the only home she's ever known, determined to rule her own destiny. When Travis Stanford, a big, rugged American, finds Regan on London's docks, he vows to protect her—unaware of the magnificent, iron-willed beauty she would become, or the dangerous, passion-filled future that awaited them both. From England's bawdy wharves to Virginia's elegant mansions, their love was kindled by chance, and flamed by the thrilling pursuit of unknown tomorrows.

A Woman Lost in Time...Luveday is a researcher and spends most of her time behind a desk or a book. When she is transported to Anora, another world that resembles medieval England, she is at a loss, but she's smart enough to know that a woman on her own has little chances of survival. She finds herself rescued by a knight on his way home to Lander's Keep, and works to make herself indispensable to the castle and it's absent Lord, hoping that she won't be thrown out into the cold before she can find a way home.The King's Champion...Lord Iain De Lane returns home to find his ancestral castle, long neglected, has been transformed and a mysterious lady is responsible. His elderly Aunt, Lady Emmalyn sings her praises, in fact the whole castle and village have nothing but good to say about her, but the last thing Iain needs is another woman in his life. Especially since, his fiancé, Lady Christabel, has taken up residence unexpectedly, and despite the improvements, they are both finding out that a court favorite is not the proper wife for a northern Lord. Still, Iain is locked into a betrothal sanctioned by the King, and he needs the coin to keep his people fed. No matter how appealing Lady Luveday may seem in comparison, he could never choose the penniless noblewoman.As Luveday grows to be more to Iain and his people, it becomes clear that the Lord of the Keep has made a serious mistake. When the wedding draws near, and the lines between Lord and Lady blur, will Iain follow his heart and marry Luveday or will she need to make a hard choice of her own, and leave the place she loves or risk becoming more than a lost Lady, but a fallen one?

One Monday morning in April, a middle-aged writer walks into her living room to water the plants and finds a woman standing beside her potted fig tree. Dressed in a navy blue trench coat and white Nikes, the woman introduces herself as "Mary. Mother of God.... You know. Mary." Instead of a golden robe or a crown, she arrives bearing a practical wheeled suitcase. Weary after two thousand years of adoration and petition, Mary is looking for a little R & R. She's asked in for lunch, and decides to stay a week. As the story of their visit unfolds, so does the story of Mary-one of the most complex and powerful female figures of our time-and her changing image in culture, art, history, as well as the thousands of recorded sightings that have placed her everywhere from a privet hedge to the dented bumper of a Camaro. As this Everywoman and Mary become friends, their conversations, both profound and intimate, touch upon Mary's significance and enduring relevance. Told with humor and grace, Our Lady of the Lost and Found is an absorbing tour through Mary's history and a thoughtful meditation on spirituality, our need for faith, and our desire to believe in something larger than ourselves.

This acclaimed biography shines a light on a trailblazing woman who created a classic movie monster—and the author’s quest to rescue her from obscurity. As a teenager, Mallory O’Meara was thrilled to discover that one of her favorite movies, Creature from the Black Lagoon, featured a monster designed by a woman, Milicent Patrick. But while Patrick should have been hailed as a pioneer in the genre, there was little information available about her. As O’Meara discovered, Patrick’s contribution had been claimed by a jealous male colleague and her career had been cut short. No one even knew if she was still alive. As a young woman working in the horror film industry, O’Meara set out to right the wrong, and in the process discovered the full, fascinating story of an ambitious, artistic woman ahead of her time. Patrick’s contribution to special effects proved to be just the latest chapter in a remarkable, unconventional life, from her youth growing up in the shadow of Hearst Castle, to her career as one of Disney’s first female animators. And at last, O’Meara discovered what really had happened to Patrick after The Creature’s success, and where she went. A true-life detective story and a celebration of a forgotten feminist trailblazer, Mallory O’Meara’s The Lady from the Black Lagoon establishes Patrick in her rightful place in film history while calling out a Hollywood culture where little has changed since. A Hugo and Locus Award Finalist A Thrillist Best Book of the Year One of Booklist’s 10 Best Art Books of the Year

In the worst maritime tragedy on the open waters of the Great Lakes, over three hundred people perished as the sidewheel steamer Lady Elgin sank off the shores of Milwaukee in the early hours of September 8, 1860. In 1992 the remains of the wreck were discovered, and a legal battle over ownership enused.

A Lost Lady is the portrait of a frontier woman who reflects the conventions of her age even as she defies them. To the people of Sweet Water, a fading railroad town on the Western plains, Mrs. Forrester is the resident aristocrat, at once gracious and comfortably remote. To her aging husband she is a treasure whose value increases as his powers fail. To Niel Herbert, who falls in love with her as a boy and becomes her confidant as a man, Mrs. Forrester is by turns steadfast and faithless, dazzling and pathetic: a woman whose charm is intertwined with a terrifying vulnerability.