The story of Kay'-yah, a young Indian boy who goes on a quest to recover a stolen carving that holds the magic which protects the people of his tribe.

City girl Nooni is surprised at the pace of life in her grandparents’ village in Karnataka. But she quickly gets used to the gentle routine there and involves herself in a flurry of activities, including papad making, organizing picnics and learning to ride a cycle, with her new-found friends. Things get exciting when Nooni stumbles upon an ancient fabled stepwell right in the middle of a forest. Join the intrepid Nooni on an adventure of a lifetime in this much-awaited book by Sudha Murty that is heart-warming, charming and absolutely unputdownable.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Never underestimate the power of a vigilant witch. Twenty-one-year-old Bianca Monroe has one goal: to keep the status quo. She's finally happy. The Central Network has recovered from the war, peace remains steady enough, and she loves teaching the new Guardian recruits how to use a sword. The last thing she wants is change. At the third annual Celebration of all Networks, Bianca is thrust into an unexpected challenge: a mortal girl named Ava lands in her lap with a most unwelcome surprise. As the Celebration continues, it's clear that the only witch who cares whether Ava lives or dies is Bianca. And Bianca's magic has stopped working. As the Celebration continues, it's clear that the only witch who cares whether Ava lives or dies is Bianca. Can Bianca save Ava from the high-ranking witches that want her blood, even if it means the end of the blossoming peace? Or does Bianca protect her Network the only way she knows how? The Lost Magic is the fifth novel in the Network Series, and a continuation of the beloved tale that has captivated over half a million readers. Get ready for life-changing YA Fantasy. Because Bianca Monroe is back.

Enhanced by 51 illustrations, this eye-opening work tells how Native Americans made fire, teepees, canoes, war bonnets, fishhooks, arrowheads, wampum, plus how they courted, treated women, bathed, cut their hair, danced, and much more.

Finalist for the PEN Open Book Award Longlisted for the PEN/Jean Stein Award A TIME, NPR, New York Public Library, Lit Hub, Book Riot, and Entropy Best Book of the Year "Beguiling and haunting. . . . Washuta's voice sears itself onto the skin." —The New York Times Book Review Bracingly honest and powerfully affecting, White Magic establishes Elissa Washuta as one of our best living essayists. Throughout her life, Elissa Washuta has been surrounded by cheap facsimiles of Native spiritual tools and occult trends, “starter witch kits” of sage, rose quartz, and tarot cards packaged together in paper and plastic. Following a decade of abuse, addiction, PTSD, and heavy-duty drug treatment for a misdiagnosis of bipolar disorder, she felt drawn to the real spirits and powers her dispossessed and discarded ancestors knew, while she undertook necessary work to find love and meaning. In this collection of intertwined essays, she writes about land, heartbreak, and colonization, about life without the escape hatch of intoxication, and about how she became a powerful witch. She interlaces stories from her forebears with cultural artifacts from her own life—Twin Peaks, the Oregon Trail II video game, a Claymation Satan, a YouTube video of Stevie Nicks and Lindsey Buckingham—to explore questions of cultural inheritance and the particular danger, as a Native woman, of relaxing into romantic love under colonial rule.